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Maria Caniglia
Maria Caniglia (5 May 1905 – 16 April 1979) was one of the leading Italian spinto sopranos of the 1930s and 1940s. Life and career Caniglia was born in Naples and studied at the Music Conservatories of Naples with Agostino Roche. She made her professional debut in Turin as Chrysothemis in '' Elektra'' in 1930. The same year she sang Magda in Respighi's ''La campana sommersa'' in Geneva and Elsa in Wagner's ''Lohengrin'' in Rome and made her debut at La Scala in Milan as Maria in Pizzetti's ''Lo straniero''. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as ''Un ballo in maschera'', ''La forza del destino'', ''Aida'', ''Andrea Chénier'', ''Tosca'' and ''Adriana Lecouvreur''. She was particularly successful in roles from the latter verismo school. On the international scene, Caniglia appeared in venues such as the Palais Garnier, Covent Garden, and the Teatro Colón. She made her debut at the Metropolitan Opera in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gino Marinuzzi
Gino Marinuzzi (24 March 188217 August 1945) was an Italian conductor and composer, particularly associated with the operas of Wagner and the Italian repertory. Biography Marinuzzi was born and studied in Palermo, and began his career there as well, conducting the local premieres of ''Tristan und Isolde'' in 1909, and ''Parsifal'' in 1914. He then appeared in Rome and Milan, where he conducted several local premieres (mostly Wagner operas) and many revivals of rarely performed operas such as '' Lucrezia Borgia'', ''La straniera'', '' Beatrice di Tenda'' and ''L'incoronazione di Poppea''. In 1930 he conducted the world premiere of Ildebrando Pizzetti's '' Lo straniero''. He made guest appearances at the Paris Opéra, the Royal Opera House in London, and the Monte Carlo Opera, where he conducted the world premiere of Puccini's '' La rondine'' in 1917. He was artistic director of the Chicago Opera Association from 1919 to 1921, and the Rome Opera from 1928 to 1934. He conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beniamino Gigli
Beniamino Gigli ( , ; 20 March 1890 – 30 November 1957) was an Italian opera singer (lyric tenor). He is widely regarded as one of the greatest tenors of his generation. Early life Gigli was born in Recanati, in the Marche, the son of a shoemaker who loved opera. His parents did not, however, view music as a secure career. Benjamino's brother Lorenzo became a well-known painter. Career In 1914, he won first prize in an international singing competition in Parma. His operatic debut came on 15 October 1914, when he played Enzo in Amilcare Ponchielli's '' La Gioconda'' in Rovigo, following which he was in great demand. Gigli made many important debuts in quick succession, and always in ''Mefistofele'': Teatro Massimo in Palermo (31 March 1915), Teatro di San Carlo in Naples (26 December 1915), Teatro Costanzi di Roma (26 December 1916), La Scala, Milan (19 November 1918), Teatro Colón, Buenos Aires (28 June 1919) and finally the Metropolitan Opera, New York City (26 November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Alfano
Franco Alfano (8 March 1875 – 27 October 1954) was an Italian composer and pianist, best known today for his opera ''Risurrezione'' (1904) and for having completed Puccini's opera ''Turandot'' in 1926. He had considerable success with several of his own works during his lifetime. Career Alfano was born in Posillipo, Naples. He attended piano lessons given privately by Alessandro Longo, and harmony and composition respectively under Camillo de Nardis (1857–1951) and Paolo Serrao at the Conservatory San Pietro a Majella in Naples. Later, after graduating, in 1895 he pursued further composition studies with Hans Sitt and Salomon Jadassohn in Leipzig. While working there he met his idol, Edvard Grieg, and wrote numerous piano and orchestral pieces. From 1918 he was Director of the Conservatory of Bologna, from 1923 Director of the Turin Conservatory, and from 1947 to 1950 Director of the Rossini Conservatory in Pesaro. Alfano died in San Remo. Operas Alfano completed his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Montemezzi
Italo Montemezzi (August 4, 1875 – May 15, 1952) was an Italian composer. He is best known for his opera ''L'amore dei tre re'' (''The Love of the Three Kings''), once part of the standard repertoire. It is now seldom performed. Biography Montemezzi was born in Vigasio, near Verona. He studied music at the Milan Conservatory and subsequently taught harmony there for one year. His opera ''L’amore dei tre re'', written in 1913, launched his career and enabled him to devote himself to composition. His opera ''La nave'' had its world premiere in Milan in 1918. In 1919 he visited the United States, conducting the American premiere of ''La nave'' at the Chicago Opera Association on November 18. He lived in California from 1939 and commemorated Italy's surrender with ''Italia mia'' (1944), but later made frequent trips to Italy. He returned permanently in 1949 and died in Vigasio three years later. Other non-operatic works include the symphonic poem ''Paolo e Virginia'' (after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberto (opera)
''Oberto, Conte di San Bonifacio'' is an opera in two acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an existing libretto by probably called ''Rocester''.David Kimbell 2001, in Holden, p. 977 It was Verdi's first opera, written over a period of four years, and was first performed at the Teatro alla Scala, Milan, on 17 November 1839. The La Scala production enjoyed "a fair success" and the theatre's impresario, Bartolomeo Merelli, commissioned two further operas from the young composer. Composition history During his student days in Milan, Verdi began the process of making connections to the world of music in that city which were to stand him in good stead. These included an introduction by his teacher Lavigna to an amateur choral group, the Società Filarmonica, where he functioned as rehearsal director and continuo player for Haydn's '' The Creation'' in 1834, as well as conducting Rossini's ''La cenerentola'' himself the following year. 1836 saw hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poliuto
''Poliuto'' is a three-act ''tragedia lirica'' (or tragic opera) by Gaetano Donizetti from the Italian libretto by Salvadore Cammarano, which was based on Pierre Corneille's play ''Polyeucte'' written in 1641–42. It reflected the life of the early Christian martyr Saint Polyeuctus. Regarded by one author as Donizetti's "most personal opera" with the music being "some of the finest Donizetti was to compose",Allitt 1991, pp. 177—187 ''Poliuto'' was written in 1838 for performances planned at the Teatro San Carlo in Naples later that year. However, close to the time for rehearsals to begin, King Ferdinand II refused to allow the martyrdom of a Christian saint to be seen on stage and forbade the production.Ashbrook and Hibberd 2001, p. 224 Angry at the decision and with a commission for the Paris Opéra due from the composer, Donizetti paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As his firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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