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Luciano Bellosi
Luciano Bellosi (7 July 1936 – 26 April 2011) was an Italian art historian. Life He was born and died in Florence, graduating from the University of Florence in 1963 alongside Roberto Longhi with a thesis on Lorenzo Monaco. He worked for the Soprintendenza alle Gallerie di Firenze from 1969 to 1979, before teaching medieval art history at the University of Siena until retiring in 2002. He took part in several international art history conferences and organised and edited the ''Atti del Convegno internazionale di studio su Simone Martini'' held in Siena in 1985. Works Studies and essays *''Buffalmacco e il Trionfo della Morte'', Einaudi, Torino 1974; Premio Viareggio Opera Prima di Saggistica, nuova edizione 5 Continents, Milano 2003; *catalogue of Florence's Museo dello Spedale degli Innocenti, Milano 1977; *''La pecora di Giotto'', Einaudi, Torino 1985; *monograph on ''Cimabue'', Federico Motta, Milano 1998; *''Come un prato fiorito. Studi sull'arte tardogotica'', Jaca Book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Florence
The University of Florence (Italian: ''Università degli Studi di Firenze'', UniFI) is an Italian public research university located in Florence, Italy. It comprises 12 schools and has around 50,000 students enrolled. History The first university in Florence was the Studium Generale, which was established by the Florentine Republic in 1321. The Studium was recognized by Pope Clement VI in 1349, and authorized to grant regular degrees. The Pope also established that the first Italian faculty of theology would be in Florence. The Studium became an imperial university in 1364, but was moved to Pisa in 1473 when Lorenzo the Magnificent gained control of Florence. Charles VIII moved it back from 1497 to 1515, but it was moved to Pisa again when the Medici family returned to power. The modern university dates from 1859, when a group of disparate higher-studies institutions grouped together in the Istituto di Studi Pratici e di Perfezionamento, which a year later was recognized as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Umanistica Dell'Università Di Siena
The University of Siena ( it, Università degli Studi di Siena, abbreviation: UNISI) in Siena, Tuscany, is one of the oldest and first publicly funded universities in Italy. Originally called ''Studium Senese'', the institution was founded in 1240. It had around 20,000 students in 2006, nearly half of Siena's total population of around 54,000. In the academic year 2022–2023, it had a total undergraduate enrollment of 17,00 and graduate enrollment of 2,989. Today, the University of Siena is best known for its Schools of Law, Medicine, and Economics and Management. History The early ''studium'' The School of Humanities and Philosophy On December 26, 1240, Ildebrandino Cacciaconti, the then podestà of Siena, signed a decree imposing a tax on citizens of Siena who rented rooms to students of the local "''Studium Senese''". The money from this tax went to pay for the salaries of the ''maestri'' (teachers) of this new studium. The studium was further supported when, in 1252, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese . Biography Alt ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Giorgio
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for '' cassoni'' he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. He composed an architectural treatis''Trattato di architettura, ingegneria e arte militare'' the third of the Quattrocento, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Di Francesco
Giovanni di Francesco del Cervelliera or Giovanni di Francesco (1412 – September 28, 1459) was an Italian painter, active in Florence in the mid-fifteenth century. Biography Giovanni di Francesco was born in Florence. A land registry document of 1435 in which Giovanni gave his age as 23 provides the evidence for his birthdate. Giovanni was the nephew of Giuliano di Jacopo Lorino and the cousin of Jacopo di Antonio, both painters.Rizzo, A. (2003). "Giovanni di Francesco (i)". ''Grove Art Online''. Retrieved January 13, 2018. According to Vasari, the two cousins were pupils to Andrea del Castagno, but Anna Padoa Rizzo says "this should be discounted as Castagno was ten years younger than Giovanni di Francesco". In 1450 Giovanni di Francesco accused Fra Filippo Lippi of failure to pay him for his collaborative work in the restoration of a painting of Giotto. The two worked together again in 1455. In 1440, Giovanni di Francesco finished painting ''Madonna and Child with Saint B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the ''Gates of Paradise''. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of ''Commentarii'' contains important writing on art, as well as what may be the earliest surviving autobiography by any artist. Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling. Early life Ghiberti was born in 1378 in Pelago, a comune 20 km from Florence. It is said that Lorenzo was the son of Cione di Ser Buonaccorso Ghiberti and Fiore Ghi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valdichiana
The Val di Chiana, Valdichiana, or Chiana Valley is an alluvial valley of central Italy, lying on the territories of the provinces of Arezzo and Siena in Tuscany and the provinces of Perugia and Terni in Umbria. Geography The Val di Chiana is about long, and covers about . It runs north to south between the plain of Arezzo and the plain of Orvieto and includes the watershed of the Canale Maestro della Chiana, its main watercourse, and the northern part of the watershed of the Chiana River. The river Chiana (old name Clanis) since IV sec. BC was large and suitable for boats from Arezzo to the connection with the Tevere river (60 km). After the river floating and up to the XVI sec the bottom part of the valley was cover by the water for hundreds years. There is a map drawn by Leonardo da Vinci about this lake Map RCIN 912278 Royal Collection. The beauty of the valley and the excellent farming activity was mentioned by Pliny the elder in his Naturalis Historia III, 52-54 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimabue
Cimabue (; ; – 1302), Translated with an introduction and notes by J.C. and P Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991, pp. 7–14. . also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise. Life Little is known about Cimabue's early life. One source that recou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
