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Love's Mistress
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece '' A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Pleasant Comedy, Called A Maidenhead Well Lost
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Admiral's Men
The Admiral's Men (also called the Admiral's company, more strictly, the Earl of Nottingham's Men; after 1603, Prince Henry's Men; after 1612, the Elector Palatine's Men or the Palsgrave's Men) was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre (after the company of Shakespeare, the Lord Chamberlain's or King's Men). Beginnings They were first known as the Lord Howard's Men, named after their patron Charles Howard, 1st Earl of Nottingham. The company played once at Court on December 1576 (the play was called ''Tooley''), again on 17 February 1577 (''The Solitary Knight''), and a third time the following Christmas season, 5 January 1578 (all dates new style). They toured widely, from Bath to Nottingham, in the years 1577–79. A powerful patron like Howard could make a great difference in a company's fortunes. Though there is little evidence that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward IV (play)
''Edward IV, Parts 1 and 2'' is a two-part Elizabethan history play centring on the personal life of King Edward IV of England. It was published without an author's name attached, but is often attributed to Thomas Heywood, perhaps writing with collaborators. Publication history The two parts were entered into the Stationers' Register together on 28 August 1599, and were published together later that year in a quarto issued by the bookseller John Oxenbridge. The title page of the first edition states that the play was acted by " the Earl of Derby his servants". A second quarto was released in 1600 by Oxenbridge and Humphrey Lownes. The play was popular, and was reprinted in 1605, 1613, 1619, and 1626. All of the early quartos were anonymous; Heywood was first connected with the plays by Francis Kirkman in his 1661 play list. Plot The central character in the play is Jane Shore, the king's mistress. The historical events of the reign of Edward IV form a background, involving "th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Play
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's ''Edward IV'', Schiller's '' Mary Stuart'' or the Dutch play '' Gijsbrecht van Aemstel''. Precursors Plays with some connection to historic narratives date to the beginnings of Athenian theatre. For one, although many early Greek plays covered subjects that modern audiences consider myth (rather tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. is a city in Western Asia. Situated on a plateau in the Judaean Mountains between the Mediterranean Sea, Mediterranean and the Dead Sea, it is one of the List of oldest continuously inhabited cities, oldest cities in the world and is considered to be a holy city for the three major Abrahamic religions: Judaism, Christianity, and Islam. Both Israelis and Palestinians claim Jerusalem as their Capital city, capital, as Israel maintains its primary governmental institutions there and the State of Palestine ultimately foresees it as its seat of power. Because of this dispute, Status of Jerusalem, neither claim is widely recognized internationally. Throughout History of Jerusalem, its long history, Jerusalem has been destroyed at least twice, Sie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apprentice
Apprenticeship is a system for training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study (classroom work and reading). Apprenticeships can also enable practitioners to gain a license to practice in a regulated occupation. Most of their training is done while working for an employer who helps the apprentices learn their trade or profession, in exchange for their continued labor for an agreed period after they have achieved measurable competencies. Apprenticeship lengths vary significantly across sectors, professions, roles and cultures. In some cases, people who successfully complete an apprenticeship can reach the "journeyman" or professional certification level of competence. In other cases, they can be offered a permanent job at the company that provided the placement. Although the formal boundaries and terminology of the apprentice/journeyman/master system often do not extend outside guilds and trade unions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Prentises Of London
''The Four Prentices of London'' is an Elizabethan play by English Renaissance playwright Thomas Heywood, thought to have originated ''c''. 1592. The play is known to have been acted by the Admiral's Men on 19 July 1594. It might also have been performed, under the title ''Jerusalem'', by the Lord Strange's Men on 22 March and 25 April 1592.Chambers, Vol. 3, pp. 340–1. The play was entered into the Stationers' Register on 19 June 1594, under the title ''Godfrey of Bouillon and the Conquest of Jerusalem'', but was not published until 1615. The title page of the first quarto states that the play was acted by Queen Anne's Men at the Red Bull Theatre, though the play had a long prior history of performances by earlier companies in earlier venues, as noted above. It was printed again in 1632. The text of the play in the 1615 volume is preceded by an Epistle to the Prentices, signed by Heywood, and a Prologue that provides yet a fourth title, ''True and Strange, or The Four Prentic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
