Louis Frossard
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Louis Frossard
Louis Frossard was an 18th-century French dancer who conducted part of his career in Sweden. A dancer at the Comédie Italienne of Paris in 1757-1758, he stayed in Vienna from 1759 to 1761 and performed particularly in ballets by Charles Bernardy and Gasparo Angiolini. Back to the Comédie Italienne in 1761–1762, he was hired by the Théâtre de la Monnaie in Brussels, with his wife Marie-Renée Malter, a relative of the Malter dancers. Called to the court of Sweden, he was principal dancer of the Royal Swedish Ballet directed by Louis Gallodier until 1772. After he returned to the Théâtre-Italien of Paris as ballet master, he was recalled to Stockholm the following year and remained there until 1776. Charles-Louis Didelot Charles-Louis Didelot (28 March 1767, Stockholm - 7 November 1837, Kiev) was a French dancer, the creator of the ballet shoes and a choreographer. The son of Charles Didelot, the dance-master of the King of Sweden, he studied dance with his fath ... wa ...
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Ballets
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Charles Bernardy
Charles-Alexandre Bernard (17 May 1724, Antwerp - 15 June 1807, rue de Vaugirard, Paris), known as Charles Bernardy, was a dancer, choreographer and dancing master. He criss-crossed the Southern Netherlands, the Netherlands, the principality of Liège and France continuously for 40 years. From October 1752 until Palm Sunday 1753, Bernardy and his wife directed the theatre at Ghent, where she had already dancing in the preceding season (in Prince of Orange's troop). The Prince of Orange's troop was at The Hague in May 1753, but Charles Bernardy does not seem to have followed them there. In 1755, he was one of the lead dancers of the Theater am Kärntnertor at Vienna, under the direction of the choreographer Franz Hilverding. Ribou and Baptiste, actors from Ghent and Brussels, had already moved to that theatre and would surely have sung Bernardy's praises to its intendant comte Durazzo. Bernardy remained there for several seasons and there met dancers such as Antoine Pitrot and t ...
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Gasparo Angiolini
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan. He is known thanks to the polemics with the French ballet master Jean-Georges Noverre. Gasparo Angiolini directed the ballet at the Imperial Theatre in Vienna, taking over the post in 1758, working closely with Christoph Willibald von Gluck on such works as '' Don Juan ou le Festin de Pierre'' (1761), and the opera ''Orfeo ed Euridice'' (1762). The dancing in both Don Juan and Orpheus were said to have insisted on th"primacy of drama".In addition to collaborating with Gluck, he also composed music for many of his ballets. He later succeeded Franz Hilverding as director of the Imperial Theatre in St. Petersburg, Russia in 1766. Both Hilverding and Angiolini are credited with bringing the pantomime balletArianna Béatrice Fabbricatore, « Gasparo ...
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La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ...
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Marie-Renée Malter
Marie-Renée is a feminine French given name. Notable people with the name include: * Marie-Renée Frossard, French ballerina * Marie-Renée Lavoie (born 1974), Canadian writer * Marie-Renée Oget (born 1945), French politician * Marie-Renée Roudaut Marie-Renée Roudaut (3 March 1847 - 18 October 1930) was a Catholic missionary nun. With the name Mother Marie-Salomé she was the first Superior General of the Missionary Sisters of Our Lady of Africa (White Sisters). Early years Marie-Renée R ... (1847-1930) was a French missionary nun * Marie-Renée Ucciani (1883-1963), French painter and sculptor {{given name Compound given names French feminine given names Feminine given names ...
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Malter Family
The Malter, Malterre or Maltaire family was a dynasty of French dancers and choreographers, from which came several members of the 18th century Académie royale de danse. It was a large family and it can often be difficult to identify its members with certainty, though the relationships given below are attested by contemporary documents: * René Malter, dance master, member of the Académie royale de danse * Jean-Pierre Malter (died 1730), dance master, member of the Académie royale de danse * Claude Malter, dance master in Paris, brother of the above * François-Antoine Malter (167?–1761), dance master, member of the Académie royale de danse, brother of the two above ** René Malter (1695–1775), member and darling of the Académie royale de danse, son of François-Antoine ** François-Louis Malter (1699–1788), dancer in the ballets du Roi, member of the Académie royale de danse, son of François-Antoine * Jean-Baptiste Malter (1701–1746), member of the Académie royale d ...
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Principal Dancer
A principal dancer (often shortened to principal) is a dancer at the highest rank within a professional dance company, particularly a ballet company. A principal may be male or female. The position is similar to that of '' soloist''; however, principals regularly perform not only solos, but also pas de deux. Principal dancers can be hired into a dance company or can also be a company dancer that is a corps de ballet dancer that gets promoted from within the company. That process can take multiple performance seasons or even years to achieve based on skill level and company interest. It is a coveted position in the company and the most prominent position a dancer can receive. The term is used mostly in ballet but can be used in other forms as well, such as modern dance. They are usually the star of the ballet. The term ''senior principal dancer'' is sometimes used as well. Synonyms and origin The Italian derived term ''prima ballerina'' (female dancers) (''primo ballerino'' ...
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Royal Swedish Ballet
The Royal Swedish Ballet is one of the oldest ballet companies in Europe. Based in Stockholm, Sweden, King Gustav III founded the ballet in 1773 as a part of his national cultural project in response to the French and Italian dominance in this field; he also founded the Royal Swedish Opera and the Royal Dramatic Theatre. All of these were initially located in the old theatre of Bollhuset. The troupe was founded with the opening of the Royal Swedish Opera, which has served as its home since that time. History In 1773, the cultural professions of acting, opera-singing and ballet-dancing in Sweden were all performed by foreign troupes. The first ballet performance was performed at the Swedish court when the French ballet troupe of Antoine de Beaulieu was hired at the court of Queen Christina in 1638, and the first Public ballet performance were performed by the foreign theatre troupes at the theatre of Bollhuset later the same century. The only exception had been the period of 1 ...
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Louis Gallodier
Louis Gallodier (c. 1734 – 6 June 1803) was a French ballet dancer and choreographer who spent the majority of his career in Sweden, where he was to have a great importance for the development of the ballet in Sweden as the ballet master of the Royal Swedish Ballet. Biography and career Louis Gallodier was born in France circa 1734. He was employed at the opera Opéra-Comique in Paris from 1756. As a dancer, he was a student of Jean-Georges Noverre. In 1758, he was hired as a member of the French Du Londel Troupe, which performed in the theatre of Bollhuset in Stockholm and in the court theatres Drottningholm Palace Theatre and Confidencen. When the French troupe was fired in 1771 by Gustav III of Sweden, who wanted to found a national stage with native actors, the dancers of the French theatre were excluded from being fired. When the Swedish Royal Ballet was founded in 1773, several of them, such as the ballerina Ninon Dubois le Clerc, was to be a part of its first ...
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Charles-Louis Didelot
Charles-Louis Didelot (28 March 1767, Stockholm - 7 November 1837, Kiev) was a French dancer, the creator of the ballet shoes and a choreographer. The son of Charles Didelot, the dance-master of the King of Sweden, he studied dance with his father, who was an instructor in dance at the Swedish Opera, and debuted as dancer in the theatre of Bollhuset in Stockholm 1786. He then studied in Paris with Jean Dauberval. He followed his study with Jean-Georges Noverre, under whose lead he debuted in London in 1788. When the Russian Imperial ballet needed a new chief choreographer, the former Imperial choreographer Charles Le Picq proposed inviting Charles Didelot. He arrived in Saint Petersburg in 1801 at the invitation of the director of the Imperial Theatres and made his debut as the first dancer. His career as a dancer ended in 1806, following an accident to his leg and the death of his wife, Rose, a brilliant ballerina. From then on, Didelot taught dance, having an important influ ...
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