|
Louis-Charles Caigniez
Louis-Charles Caigniez (13 April 1762 – 19 February 1842) was a 19th-century French playwright. Biography Endowed with a real talent for the stage, Caigniez competed on the boulevard theaters with René Charles Guilbert de Pixérécourt and was nicknamed "the Racine of melodrama", of which Pixérécourt was called the Corneille. Caigniez literary taste was enough to succeed in more delicate works. His three-act comedy ''Volage'' presented in 1807 at the Théâtre Louvois and his ''Méprise en diligence'', another three-act comedy given at the Théâtre Favart in 1819, are notable by their original and comic situations. The main success of this author in the melodrama genre are: ''le Jugement de Salomon'' (1802) and ''la Pie voleuse, ou la Servante de Palaiseau'' (1815). These two plays were presented with the same long success, both in Paris and in the cities of the province and abroad ; Rossini composed his opera ''La gazza ladra'' after the second. Works *1804: ''An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais department, which forms part of the region of Hauts-de-France; before the reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word '' nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 and tried to eliminate paganism among the Franks. By 843, Arras was seat of the County of Artois ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy '' Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Arras
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Vapereau
Louis Gustave Vapereau (4 April 1819 – 18 April 1906) was a French writer and lexicographer famous primarily for his dictionaries, the ''Dictionnaire universel des contemporains'' and the ''Dictionnaire universel des littérateurs''. Biography Born in Orléans, Louis Gustave Vapereau studied philosophy at the ''École Normale Supérieure'' from 1838 to 1843, writing his thesis on Pascal's ''Pensées'' under the supervision of Victor Cousin. He taught philosophy at Tours until the establishment of the Second French Empire in 1852, when his republican principles cost him his position. Vapereau returned to Paris to study law, and in 1854 joined the French bar. He did not engage in any legal practice and returned to writing shortly afterwards. In 1858, he published the ''Dictionnaire universel des contemporains'' and from 1859 to 1869 he edited the ''L'Année littéraire et dramatique''. After the collapse of the Empire, Vapereau was appointed prefect of Cantal on 14 Septembe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Di Calais
''Gianni di Calais'' is a ''melodramma semiserio'', a "semi-serious" opera in three acts by Gaetano Donizetti (1828), from a libretto by Domenico Gilardoni, based on ''Jean de Paris'' by Louis-Charles Caigniez. It was first performed on 2 August 1828 at the Teatro del Fondo, Naples. Roles Synopsis :Time: "The past"Osborne 1994, p. 180 :Place: Portugal The Duchess Adelina meets a masked woman with a child on the beach at night. The stranger turns out to be her friend, Princess Matilde, the king's daughter, fleeing to avoid having to marry the courtier Rogiero. During her flight she had fallen into the hands of pirates, but had been rescued by the ship-owner Gianni di Calais, who later became her husband. No one knows that the woman is the king's daughter except Gianni's faithful friend, Rustano. Gianni arrives with the sails of his ship showing images of his wife and son. He has been called to court by the king in order to search for his daughter. It is at this point that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Baudouin D'Aubigny
Jean-Marie-Théodore Baudouin also d’Aubigny, born in Paris 19 August 1786 - died 1866, was a French playwright. Theatre * ''La Pie voleuse'', a play in collaboration with Louis-Charles Caigniez, based on an authentic event. Théâtre de la Porte Saint-Martin, 29 April 1815. The play later served as the base for the 1817 opera ''La gazza ladra'' by Rossini. * ''Le Barbier de la cité ou Un pied dans l'abîme'', melodrama in 3 acts and in prose, ballets by Frédéric-Auguste Blache, music by Louis Alexandre Piccinni, Théâtre de la Porte Saint-Martin, 22 August 1816; * ''Les Paratonnerres ou les Bulles de savon'', comedy in 1 act and in prose, with Boirie, Théâtre de la Porte Saint-Martin, 21 November 1821; * ''Chacun son numéro ou le Petit Homme gris'', comédie en vaudevilles in 1 act, with Carmouche and Boirie, Théâtre de la Porte Saint-Martin, 6 December 1821 ; * ''Le Lépreux de la vallée d'Aoste'', melodrama in 3 acts, with Hyacinthe Decomberousse and Jean-Tous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Mayr
Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845), was a German composer. His music reflects the transition from the Classical to the Romantic musical era. He was an early inspiration to Rossini and taught and advocated for Donizetti. Life He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed ''Zibaldone'' or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed '' maestro di cappella'' at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'esule Di Roma
''L'esule di Roma, ossia Il proscritto'' (''The Exile from Rome, or the Proscribed Man'') is a ''melodramma eroico'', or heroic opera, in two acts by Gaetano Donizetti. Domenico Gilardoni wrote the Italian libretto after Luigi Marchionni's ''Il proscritto romano'', in its turn based on Louis-Charles Caigniez and Debotière's ''Androclès ou Le lion reconnaissant''. It premiered on 1 January 1828 at the Teatro San Carlo, Naples. Composition history In 1827, Donizetti was hired by the Neapolitan theatrical impresario Domenico Barbaja to compose four operas in three years. Fulfilling his obligations on time and shortly after giving the New Theatre the theatrical farce ''Le convenienze ed inconvenienze teatrali'' on 21 November 1827, he presented a new work to the Teatro San Carlo for the New Year of 1828, this time in the genre of opera seria as ''L'esule di Roma''. The libretto by Domenico Gilardoni was inspired by the drama of the prosecutor Luigi Marchionni, ''The Exiled Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boulevard Theatre (aesthetic)
Boulevard theatre is a theatrical aesthetic that emerged from the boulevards of Paris' old city.Brunet, Brigitte"Le Théâtre de Boulevard".''French Studies'' 59: 417–418, July 2005 Origin Starting from the second half of the 18th century, popular and bourgeois theatre alike took up residence on the boulevard du Temple, then nicknamed 'boulevard du Crime' due to the many melodramas and murder stories shown there. In addition to the many attractions on display there – fireworks, pantomime, acrobats, etc. – a so-called 'boulevard' repertoire emerged separate from upper-class theatre. Then, starting from the Second French Empire, vaudeville theatre and comédie d'intrigue arrived on the scene. Style Boulevard theatre consists mostly of comedies but also dramas. In general, the characters are simply drawn, ordinary or easily understandable. There is a strong tendency to avoid touchy subjects, such as politics and religion. The style is not designed to challenge preconceived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazza Ladra
''La gazza ladra'' (, ''The Thieving Magpie'') is a ''melodramma'' or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on ''La pie voleuse'' by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. ''The Thieving Magpie'' is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and ''La gazza ladra'' was no exception. A 19th-century biography quotes him as saying that the conductor of the premiere performance locked him in a room at the top of La Scala the day before the premiere with orders to complete the opera's still unfinished overture. He was under the guard of four stagehands whose job it was to toss each completed page out the window to the copyist below. Performance history The first performance of ''The Thieving Magpie'' was on 31 May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1938.jpg "Click for more on -> People From Arras")
