Louis-Antoine Prat
Louis-Antoine Prat (born 24 December 1944 in Nice) is a French art historian and art collector, specialized in drawings. Early life and education Louis-Antoine Prat is the son of Georges Prat, a wealthy French businessman. Georges was an art collector: he possessed paintings, sculptures, furniture and drawings. Georges Prat died when Louis-Antoine Prat was six years old. He studied in both La Sorbonne and Sciences Po. He then followed the courses of the École du Louvre. The collection Regularly exposed in France or other countries, the art collection of Louis-Antoine and Véronique Prat in their apartment of the 7th arrondissement of Paris has often been the subject of publications. Their collection is mainly directed towards French drawings from 1600 to 1900. The first drawing bought by Louis and Veronique was a portrait of Max Ernst by André Breton, coming from the collection of Valentine Hugo. They donated a lot of their collection to French museums under usufruct. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nice
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas , Demographia.com, April 2016 on an area of . Located on the , the southeastern coast of France on the , at the foot of the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Société Des Amis Du Louvre
The Société des amis du Louvre ("Society of Friends of the Louvre") is a voluntary association created in 1897 whose objective is to buy objects with an artistic, archeological, or historical value for the Louvre museum. History The Society was created in 1897 by a group of luminaries and philanthropists that included Roland Bonaparte, Isaac de Camondo, Henry Greffulhe, , and Edmond James de Rothschild. Victor Martin Le Roy, the noted art collector, was also one of the founders and directors of the society. Activity The Society has approximately 70000 members. Donations and membership fees allow it to use each year 3 Million euros to acquire art objects. Its donations to the Louvre museum amount to more than 700 items, from which some masterpieces such as the '' Pietà of Villeneuve-lès-Avignon'', the ''Turkish Bath'' by Jean-Auguste-Dominique Ingres, and the diadem of Empress Eugénie. Some of the donations are now in the Guimet Museum or the Musée d'Orsay following r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Horace His De La Salle
Horace His de la Salle was a French art collector, mainly collecting drawings. He donated a large part of his collection to French museums, including 21 paintings and 450 drawings to the Louvre. Collection The collection included drawings by a lot of masters going from Nicolas Poussin, Théodore Géricault, or Pierre-Paul Prud'hon to Fra Angelico, Maurice Quentin de la Tour, or Lucas van Leyden Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very ac .... References 1795 births 1878 deaths French art collectors {{Art-bio-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paul Delaroche
Hippolyte-Paul Delaroche (17 July 1797 – 4 November 1856) was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet. Delaroche was born into a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles-Philippe De Chennevières-Pointel
Charles-Philippe, marquis de Chennevières-Pointel, known as Jean de Falaise (23 July 1820, Falaise – 1 April 1899) was a French writer and art historian. Life and career Chennevières was a learned connoisseur and collected thousands of French drawings from 1500 to 1860. His friends included Charles Baudelaire, Theophile Gautier and the Goncourt brothers. He served in the arts administration of the Second Empire (1851-1870). He joined the Louvre in 1846, and later became its curator from 1852 to 1870, and was responsible for the Fine Arts exhibition at the 1855 Paris World's Fair. In 1873, Chennevières became the Director of the national École des Beaux-Arts (School of Fine Arts). From March 8 to June 7, 2007, selections from his collection of drawings were the subject of an exhibition at the Louvre museum, "Philippe de Chennevières - Collector of French 19th Century Drawings". Works * ''Essai politique d’un cousin de Charlotte Corday'', Nogent-le-Rotrou, Gouve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théodore Chassériau
Théodore Chassériau (September 20, 1819 – October 8, 1856) was a Captaincy General of Santo Domingo, Dominican-born French Romanticism, Romantic Painting, painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalism, Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassicism, Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate William Shakespeare, Shakespeare's ''Othello''. The portrait he painted at the age of 15 of Prosper Marilhat, makes Théodore Chassériau the youngest painter exhibited at the Louvre museum.Jean-Baptiste Nouvion, ''Chassériau Correspondance oubliée'', preface by Marianne de Tolentino, Paris, Les Amis de Théodore Chassériau, 2014 Life and work Chassériau was born in El Lim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musée De La Vie Romantique
The Musée de la Vie romantique (Museum of Romantic Life, or ''Museum of the Romantics'') stands at the foot of Montmartre hill in the 9th arrondissement of Paris, 16 rue Chaptal, Paris, France in an 1830 ''hôtel particulier'' facing two twin-studios, a greenhouse, a small garden, and a paved courtyard. The museum is open daily except Monday. Permanent collections are free. An admission fee is charged for temporary exhibitions. The nearest métro stations are Pigalle, Blanche, Saint-Georges, and Liège. The Musée de la Vie romantique is one of the 14 City of Paris Museums that have been incorporated since January 1, 2013 in the public institution Paris Musées. Property The main pavilion, built in 1830, was the Paris base of the Dutch-born painter Ary Scheffer (1795–1858), one of the prominent artists of the time, close to King Louis-Philippe and his family. For decades, Scheffer and his daughter hosted Friday-evening salons, among the most famous in ''La Nouvelle Athèn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Rosenberg
Pierre Max Rosenberg (born 13 April 1936) is a French art historian, curator, and professor. Rosenberg is the honorary president a director of the Musée du Louvre in Paris, and since 1995, he has held the 23rd seat of the Académie Française. He was Slade Professor of Fine Art at the University of Cambridge in 1987. Early life Although born to a Jewish family in Paris, Rosenberg grew up in Lot-et-Garonne and Gironde in southwestern France. He attended secondary education at the Lycée Charlemagne in Paris. He continued on to the École du Louvre, where he earned a law degree. In 1961, he was awarded the Henri Focillon Fellowship to study for one year at Yale University. Career In 1962, Rosenberg joined the Department of Paintings at the Musée du Louvre as an assistant curator. In 1977, he was invited to study at the Institute for Advanced Study in Princeton, New Jersey. In 1987, he became Slade Professor of Fine Art at the University of Cambridge. After his promotion to curat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |