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Loudness Monitoring
Loudness monitoring of programme levels is needed in radio and television broadcasting, as well as in audio post production. Traditional methods of measuring signal levels, such as the Peak programme meter and VU meter, do not give the subjectively valid measure of loudness that many would argue is needed to optimise the listening experience when changing channels or swapping disks. The need for proper loudness monitoring is apparent in the loudness war that is now found everywhere in the audio field, and the extreme compression that is now applied to programme levels. Loudness meters Meters have been introduced that aim to measure the human perceived loudness by taking account of the equal-loudness contours and other factors, such as audio spectrum, duration, compression and intensity. One such device was developed by CBS Laboratories in the 1980s. Complaints to broadcasters about the intrusive level of interstitials programs (advertisements, commercials) has resulted in project ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programme Levels
{{Unreferenced, date=November 2009 Programme level refers to the signal level that an audio source is transmitted or recorded at, and is important in audio if listeners of Compact Discs (CDs), radio and television are to get the best experience, without excessive noise in quiet periods or distortion of loud sounds. Programme level is often measured using a peak programme meter or a VU meter. The level of an audio signal is among the most basic of measurements, and yet widespread misunderstanding and disagreement about programme levels has become arguably the greatest single obstacle to high quality sound reproduction. How it works Live sound covers an enormous range of levels, but this is not something that can be demonstrated with a conventional sound level meter. Sound level meters respond quite slowly, even on a "fast" setting: they use a root mean square (RMS) rectifier which by definition must take a slow running average of the square of the input voltage. Music is complex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equal-loudness Contours
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours. By definition, two sine waves of differing frequencies are said to have equal-loudness level measured in phons if they are perceived as equally loud by the average young person without significant hearing impairment. The Fletcher–Munson curves are one of many sets of equal-loudness contours for the human ear, determined experimentally by Harvey Fletcher and Wilden A. Munson, and reported in a 1933 paper entitled "Loudness, its definition, measurement and calculation" in the ''Journal of the Acoustical Society of America''. Fletcher–Munson curves have been superseded and incorporated into newer standards. The definitive curves are those defined in ISO 226 from the International Organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Engineering
Broadcast engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering. Broadcast engineering involves both the Television studio, studio and transmitter aspects (the entire airchain), as well as remote broadcasts. Every Broadcast network, station has a broadcast engineer, though one may now serve an entire station group in a city. In small media markets the engineer may work on a contract basis for one or more stations as needed. Duties Modern duties of a broadcast engineer include maintaining broadcast automation systems for the studio and automatic transmission systems for the transmitter physical plant, plant. There are also important duties regarding Radio masts and towers, radio towers, which must be Preventive maintenanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Normalization
Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged. Normalization is one of the functions commonly provided by a digital audio workstation. Two principal types of audio normalization exist. Peak normalization adjusts the recording based on the highest signal level present in the recording. Loudness normalization adjusts the recording based on perceived loudness. Normalization differs from dynamic range compression, which applies varying levels of gain over a recording to fit the level within a minimum and maximum range. Normalization adjusts the gain by a constant value across the entire recording. Peak normalization One type of normalization is peak normalization, wherein the gain is changed to bring the highest PCM sample value or analog signal peak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LUFS
Loudness, K-weighted, relative to full scale (LKFS) is a standard loudness measurement unit used for audio normalization in broadcast television systems and other video and music streaming services. LKFS is standardized in ITU-R BS.1770. In March 2011, the International Telecommunication Union (ITU) introduced a loudness gate in the second revision of the recommendation, ITU-R BS.1770-2. In August 2012, the ITU released the third revision of this recommendation ITU-R BS.1770-3. In October 2015, the ITU released the fourth revision of this recommendation ITU-R BS.1770-4. Loudness units relative to full scale (LUFS) is a synonym for LKFS that was introduced in EBU R 128. The EBU has suggested that the ITU should change the unit to LUFS, as LKFS does not comply with scientific naming conventions and is not in line with the standard set out in ISO 80000-8. Furthermore, they suggest the symbol for ''loudness level, k-weighted'' should be Lk, which would make Lk and LUFS equivalent whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ITU-R BS
The ITU Radiocommunication Sector (ITU-R) is one of the three sectors (divisions or units) of the International Telecommunication Union (ITU) and is responsible for radio communications. Its role is to manage the international radio-frequency spectrum and satellite orbit resources and to develop standards for radiocommunication systems with the objective of ensuring the effective use of the spectrum. ITU is required, according to its constitution, to allocate spectrum and register frequency allocation, orbital positions and other parameters of satellites, “in order to avoid harmful interference between radio stations of different countries”. The international spectrum management system is therefore based on regulatory procedures for frequency coordination, notification and registration. ITU-R has a permanent secretariat, the Radiocommunication Bureau, based at the ITU HQ in Geneva, Switzerland. The electeDirector of the Bureauis Mr. Mario Maniewicz; he was first elected by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CBS Laboratories
CBS Laboratories or CBS Labs (later known as the CBS Technology Center or CTC) was the technology research and development organization of the CBS television network. Innovations developed at the labs included many groundbreaking broadcast, industrial, military, and consumer technologies. History CBS Laboratories was established in 1936 in New York City to conduct technological research for CBS and outside clients. The CBS Laboratories Division (CLD) moved from Madison Avenue in New York to a new facility in Stamford, Connecticut in 1958. Dr. Peter Goldmark joined CBS Laboratories in 1936. On September 4, 1940, while working at the lab, he demonstrated the Field-Sequential Color TV system. It utilized a mechanical color wheel on both the camera and on the television home receiver, but was not compatible with the existing post-war NTSC, 525-line, 60-field/second black and white TV sets as it was a 405-line, 144-field scanning system. It was the first color broadcasting sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness War
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and Compact Cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases. With the advent of the compact disc (CD), music is encoded to a digital format with a clearly defined maximum peak amplitude. Once the maximum amplitude of a CD is reached, loudness can be increased still further through signal processing techniques such as dynamic range compression and equalization. Engineers can apply an incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio
Radio is the technology of signaling and communicating using radio waves. Radio waves are electromagnetic waves of frequency between 30 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmitter connected to an antenna which radiates the waves, and received by another antenna connected to a radio receiver. Radio is very widely used in modern technology, in radio communication, radar, radio navigation, remote control, remote sensing, and other applications. In radio communication, used in radio and television broadcasting, cell phones, two-way radios, wireless networking, and satellite communication, among numerous other uses, radio waves are used to carry information across space from a transmitter to a receiver, by modulating the radio signal (impressing an information signal on the radio wave by varying some aspect of the wave) in the transmitter. In radar, used to locate and track objects like aircraft, ships, spacecraf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness
In acoustics, loudness is the subjectivity, subjective perception of sound pressure. More formally, it is defined as, "That attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". The relation of physical attributes of sound to perceived loudness consists of physical, physiological and psychological components. The study of apparent loudness is included in the topic of psychoacoustics and employs methods of psychophysics. In different industries, loudness may have different meanings and different measurement standards. Some definitions, such as LKFS, ITU-R BS.1770 refer to the relative loudness of different segments of electronically reproduced sounds, such as for broadcasting and cinema. Others, such as ISO 532A (Stevens loudness, measured in sones), ISO 532B (Eberhard Zwicker, Zwicker loudness), DIN 45631 and ASA/ANSI S3.4, have a more general scope and are often used to characterize loudness of environmental noise. More ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VU Meter
A volume unit (VU) meter or standard volume indicator (SVI) is a device displaying a representation of the signal level in audio equipment. The original design was proposed in the 1940 IRE paper, ''A New Standard Volume Indicator and Reference Level'', written by experts from CBS, NBC, and Bell Telephone Laboratories. The Acoustical Society of America then standardized it in 1942 (ANSI C16.5-1942) for use in telephone installation and radio broadcast stations. Consumer audio equipment often features VU meters, both for utility purposes (e.g. in recording equipment) and for aesthetics (in playback devices). The original VU meter is a passive electromechanical device, namely a 200 µA DC d'Arsonval movement ammeter fed from a full-wave copper-oxide rectifier mounted within the meter case. The mass of the needle causes a relatively slow response, which in effect integrates or smooths the signal, with a rise time of 300 ms. This has the effect of averaging out peaks and troughs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
