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List Of Typographic Features
Typographic features made possible using digital typographic systems have solved many the demands placed on computer systems to replicate traditional typography and have expanded the possibilities with many new features. Three systems are in common use: OpenType, devised by Microsoft and Adobe, Apple's Apple Advanced Typography (AAT), and SIL's Graphite. The lists below provide information about OpenType and AAT features. Graphite does not have a fixed set of features; instead it provides a way for fonts to define their own features. OpenType typographic features The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign or recent versions of Lua/ XeTeX, gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full-height) and non-ranging (old-style, or lower-case) digits. Some web browsers also support OpenType features in acc ...
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Digital Typography
Desktop publishing (DTP) is the creation of documents using page layout software on a personal ("desktop") computer. It was first used almost exclusively for print publications, but now it also assists in the creation of various forms of online content. Desktop publishing software can generate layouts and produce typographic-quality text and images comparable to traditional typography and printing. Desktop publishing is also the main reference for digital typography. This technology allows individuals, businesses, and other organizations to self-publish a wide variety of content, from menus to magazines to books, without the expense of commercial printing. Desktop publishing often requires the use of a personal computer and WYSIWYG page layout software to create documents for either large-scale publishing or small-scale local multifunction peripheral output and distribution – although a non-WYSIWYG system such as LaTeX could also be used for the creation of highly structured ...
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Traditional Chinese Characters
Traditional Chinese characters are one type of standard Chinese character sets of the contemporary written Chinese. The traditional characters had taken shapes since the clerical change and mostly remained in the same structure they took at the introduction of the regular script in the 2nd century. Over the following centuries, traditional characters were regarded as the standard form of printed Chinese characters or literary Chinese throughout the Sinosphere until the middle of the 20th century, before different script reforms initiated by countries using Chinese characters as a writing system. Traditional Chinese characters remain in common use in Taiwan, Hong Kong and Macau, as well as in most overseas Chinese communities outside Southeast Asia; in addition, Hanja in Korean language remains virtually identical to traditional characters, which is still used to a certain extent in South Korea, despite differing standards used among these countries over some variant Chine ...
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Typographic Ligature
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters æ and œ used in English and French, in which the letters 'a' and 'e' are joined for the first ligature and the letters 'o' and 'e' are joined for the second ligature. For stylistic and legibility reasons, 'f' and 'i' are often merged to create 'fi' (where the tittle on the 'i' merges with the hood of the 'f'); the same is true of 's' and 't' to create 'st'. The common ampersand (&) developed from a ligature in which the handwritten Latin letters 'E' and 't' (spelling , Latin for 'and') were combined. History The earliest known script Sumerian cuneiform and Egyptian language, Egyptian hieratic both include many cases of character combinations that gradually evolve from ligatures into separately recognizable characters. Other notable ligatures, such as the Brahmic family, Brahmic abugidas and the Runes, Germanic bind rune, figure pr ...
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Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by Martin ...
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Slashed 0
The slashed zero is a representation of the Arabic digit " 0" (zero) with a slash through it. The slashed zero glyph is often used to distinguish the digit "zero" ("0") from the Latin script letter " O" anywhere that the distinction needs emphasis, particularly in encoding systems, scientific and engineering applications, computer programming (such as software development), and telecommunications. It thus helps to differentiate characters that would otherwise be homoglyphs. It was commonly used during the punch card era, when programs were typically written out by hand, to avoid ambiguity when the character was later typed on a card punch. Usage The slashed zero is used in a number of fields in order to avoid confusion with the letter 'O'. It is used by computer programmers, in recording amateur radio call signs and in military radio, as logs of such contacts tend to contain both letters and numerals. The slashed zero was used on teleprinter circuits for weather applications. ...
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Stacked Fraction
''Stacked'' is an American television sitcom that aired on Fox from April 13, 2005 to January 11, 2006. Premise ''Stacked'' was described as the opposite of ''Cheers'', instead of a smart person in a "dumb" place, it is based on the concept of a dumb person in a "smart" place. A workplace ensemble comedy, ''Stacked'' revolves around Skyler Dayton (Pamela Anderson) who is tired of her non-stop partying lifestyle and bad choices in boyfriends. Wanting a major life change, she wanders into Stacked Books, a small, family-run bookstore owned by Gavin Miller (Elon Gold) and his brother, Stuart (Brian Scolaro). Divorced and unlucky in love himself, Gavin's inclined to regard Skyler as an embodiment of the vacuous, image-obsessed culture he has come to abhor. Stuart, however, is dazzled by Skyler's beauty and, much to Gavin's horror, offers her a job at their store, which she happily accepts as the first step in her quest for a steadier lifestyle. Unhappy that she is going to be minding ...
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Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form pr ...
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Ordinal Indicator
In written languages, an ordinal indicator is a character, or group of characters, following a numeral denoting that it is an ordinal number, rather than a cardinal number. In English orthography, this corresponds to the suffixes ''-st'', ''-nd'', ''-rd'', ''-th'' in written ordinals (represented either on the line ''1st'', ''2nd'', ''3rd'', ''4th'' or as superscript, ). Also commonly encountered are the superscript or superior (and often underlined) masculine ordinal indicator, , and feminine ordinal indicator, , originally from Romance and then via the cultural influence of Italian, as in 1º '' primo'' and 1ª '' prima''. In correct typography, the ordinal indicators and should be distinguishable from other characters. The practice of underlined (or doubly underlined) superscripted abbreviations was common in 19th-century writing (not limited to ordinal indicators in particular, and also extant in the numero sign ), and was also found in handwritten English until at ...
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