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List Of Painted Churches In Cyprus
There are over sixty churches in Cyprus with Byzantine and post-Byzantine wall paintings. Of these, ten that are situated in the Troodos Mountains have been inscribed jointly on the UNESCO World Heritage List as the Painted Churches in the Troodos Region. History The origins of Christianity on the island may be traced to the visit of St. Paul, St. Barnabas and St. Mark around AD 46. After the fall of the western Roman Empire, Cyprus came under the sway of Byzantium, although the timely discovery of Barnabas' relics helped the Church of Cyprus uphold its autocephaly. The crusader Kingdom of Cyprus outlived the Fall of Constantinople by a generation; the subsequent sale of the island to Venice led to a brief period of Italo-Byzantine painting. In 1571 Cyprus fell to the Ottomans and the practice of ecclesiastic wall painting largely came to an end. Organization of space Subject to the layout of each church, the iconographic schema typically accords with the classic Byzanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Orthodox Church Architecture
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire. Some of the styles have become associated with the particular traditions of one specific autocephalous Orthodox patriarchate, whereas others are more widely used within the Eastern Orthodox Church. These architectural styles have held substantial influence over cultures outside Eastern Orthodoxy; particularly in the architecture of Islamic mosques, but also to some degree in Western churches. History While sharing many traditions, Eastern Christianity and Western Christianity began to diverge from each other from an early date. Whereas the basilica, a long aisled hall with an apse at one end, was the most common form in the West, a more compact centralised style became predominant in the East. These c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relics
In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangible memorial. Relics are an important aspect of some forms of Buddhism, Christianity, Islam, shamanism, and many other religions. ''Relic'' derives from the Latin ''reliquiae'', meaning "remains", and a form of the Latin verb ''relinquere'', to "leave behind, or abandon". A reliquary is a shrine that houses one or more religious relics. In classical antiquity In ancient Greece, a city or sanctuary might claim to possess, without necessarily displaying, the remains of a venerated hero as a part of a hero cult. Other venerable objects associated with the hero were more likely to be on display in sanctuaries, such as spears, shields, or other weaponry; chariots, ships or figureheads; furniture such as chairs or tripods; and clothing. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-dome
In architecture, a semi-dome (or half-dome) is a half dome that covers a semi-circular area in a building. Architecture Semi-domes are a common feature of apses in Ancient Roman and traditional church architecture, and in mosques and iwans in Islamic architecture. A semi-dome, or the whole apse, may also be called a conch after the scallop shell often carved as decoration of the semi-dome (all shells were conches in Ancient Greek), though this is usually used for subsidiary semi-domes, rather than the one over the main apse. Small semi-domes have been often decorated in a shell shape from ancient times, as in Piero della Francesca's ''Throned Madonna with saints and Federigo da Montefeltro'', and the example in the gallery below. Islamic examples may use muqarnas decorative corbelling, while in Late Antique, Byzantine and medieval church architecture the semi-dome is the classic location for a focal mosaic, or later fresco. Found in many Ancient Greek exedras, the semi-dome bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Cyprus
, common_name = Cyprus , subdivision = Eyalet and Sanjak , nation = the Ottoman Empire , year_start = 1571 , year_end = 1878 , life_span = , date_start = , date_end = , event_start = , event_end = , p1 = Venetian Cyprus , flag_p1 = Flag of Most Serene Republic of Venice.svg , s1 = British Cyprus , flag_s1 = Flag of Cyprus (1881–1922).svg , image_flag = Flag of the Ottoman Empire.svg , flag = , flag_type = Flag (after 1844) , image_coat = , symbol = , symbol_type = , image_map = Cyprus Eyalet, Ottoman Empire (1609).png , image_map_caption = Ottoman Cyprus in 1609 in red. The rest of the Ottoman Empire in light-yellow , capital = Nicosia , toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vasa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Cornaro
Catherine Cornaro ( el, Αικατερίνη Κορνάρο, vec, Catarina Corner) (25 November 1454 – 10 July 1510) was the last monarch of the Kingdom of Cyprus, also holding the titles of the Queen of Jerusalem and Armenia. She was queen consort of Cyprus by marriage to James II of Cyprus, regent of Cyprus during the minority of her son James III of Cyprus in 1473–1474, and finally queen regnant of Cyprus. She reigned from 26 August 1474 to 26 February 1489 and was declared a "Daughter of Saint Mark" in order that the Republic of Venice could claim control of Cyprus after the death of her husband, James II. Life Catherine was a daughter of Venetian Marco Cornaro, Cavaliere del Sacro Romano Impero (Knight of the Holy Roman Empire) and Fiorenza Crispo. She was the younger sister of the ''Nobil Huomo'' Giorgio Cornaro (1452 – 31 July 1527), "Padre della Patria" and Knight of the Holy Roman Empire. The Cornaro family had produced four Doges. Her family had long associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fall Of Constantinople
The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun on 6 April. The city's collapse is usually agreed on as marking the end of the Middle Ages. The attacking Ottoman Army, which significantly outnumbered Constantinople's defenders, was commanded by the 21-year-old Sultan Mehmed II (later nicknamed "the Conqueror"), while the Byzantine army was led by Emperor Constantine XI Palaiologos. After conquering the city, Mehmed II made Constantinople the new Ottoman capital, replacing Adrianople. The conquest of Constantinople and the fall of the Byzantine Empire was a watershed of the Late Middle Ages, marking the effective end of the last remains of the Roman Empire, a state which began in roughly 27 BC and had lasted nearly 1500 years. Among many modern historians, the Fall of Constantinop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_MAP_OF_CYPRUS.jpg "Click for more on -> Ottoman Cyprus")
