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List Of Concertos By Johann Sebastian Bach
Johann Sebastian Bach's Violin Concertos, BWV 1041–1043, and his six ''Brandenburg Concertos'' survive in their original instrumentation. His harpsichord concertos are mostly adaptations of concertos originally written for other solo instruments.Breig 1997p. 131/ref> In his early career Bach transcribed concertos by other composers for solo organ (BWV 592–596) and for solo harpsichord (BWV 972–987). Bach's ''Italian Concerto'', composed in 1735, was one of his few works that he published during his life-time: it is an example of an unaccompanied concerto for two-manual harpsichord. Early encounters with the concerto genre The earliest documentary traces of Bach's involvement with the concerto genre include: * In 1709 Bach helped copy out the performance parts of a concerto by Georg Philipp TelemannWolff 2001, p. 134 * Around 1710 or earlier Bach copied the continuo part, BWV Anh. 23, of a concerto included in Tomaso Albinoni's Op. 2, which had be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve Concertos, Op
Twelve or 12 may refer to: * 12 (number) * December, the twelfth and final month of the year Years * 12 BC * AD 12 * 1912 * 2012 Film * ''Twelve'' (2010 film), based on the 2002 novel * ''12'' (2007 film), by Russian director and actor Nikita Mikhalkov * ''12'' (2003 film), by American filmmaker Lawrence Bridges Literature * '' 12: The Elements of Great Managing'', a 2006 business book by Rodd Wagner and James K. Hartjker * ''Twelve'' (novel), 2002 novel by Nick McDonell * ''Twelve'', a 2007 novel by Lauren Myracle, part of ''The Winnie Years'' * Twelve (publisher), an imprint of Grand Central Publishing * ''Twelve'', a 2009 novel by Jasper Kent Music * ''12'' (The Notwist album), 1995 * ''12'' (Herbert Grönemeyer album), 2007 * ''12'' (Keller Williams album), 2007 * ''12'' (Fiskales Ad-Hok album), 2009 * ''12'' (ASAP Twelvyy album), 2017 * ''12'' (Sloan album), 2018 * '' 12 (American Song Book)'', Mina album, 2012 * ''12!'', Sonny Stitt album, 1972 * ''Twelve'' (Cob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Concerto, BWV 971
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the ''French Overture''). The ''Italian Concerto'' has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano. Context An Italian concerto relies upon the contrasting roles of different groups of instruments in an ensemble; Bach imitates this effect by creating contrasts using the ''forte'' and ''piano'' manuals of a two-manual harpsichord throughout the piece. Related works Along with the ''French Overture'' and some of the ''Goldberg Variations'', this is one of the few works by Bach which specifically require a 2-manual harpsichord. However, it is not unusual in being a solo keyboard work based on Italian concertos. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 1061
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and ''Brandenburg Concerto'' No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo. Most of Bach's harpsichord concertos (with the exception of the 5th ''Brandenburg Concerto'') are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived. They are among the first con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spitta's Johann Sebastian Bach
''Johann Sebastian Bach'' is a 19th-century biography of Johann Sebastian Bach by Philipp Spitta. The work was published in German in two volumes, in 1873 and 1880 respectively. The English translation by Clara Bell and J. A. Fuller Maitland, ''Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750'', was published by Novello & Co in three volumes. Content and style Spitta's Bach biography gives a chronological account. This includes the discussion of Bach's compositions: these are discussed within the chronological account at the time they were composed. Only for the sixth and last part, covering the last decennia of the Leipzig period, some compositions are grouped by type in subsections. Spitta writes in long paragraphs and very few divisions in subsections. Coming from a Protestant background himself, he is able, like Albert Schweitzer after him, to give insight in the religious context of Bach's time. Significance for Bach studies Spitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Bach)
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ('' laudes'') related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Unser Herr Zum Jordan Kam, BWV 7
Johann Sebastian Bach composed the church cantata (Christ our Lord came to the Jordan), 7, in Leipzig for the Feast of St. John the Baptist and led its first performance on 24 June 1724. It is the third cantata Bach composed for his chorale cantata cycle, the second cantata cycle he started after being appointed Thomaskantor in 1723. The cantata is based on the seven stanzas of Martin Luther's hymn "", about baptism. The first and last stanza of the chorale were used for the outer movements of the cantata, while an unknown librettist paraphrased the inner stanzas of the hymn into the text for the five other movements. The first movement, a chorale fantasia, is followed by a succession of arias alternating with recitatives, leading to a four-part closing chorale. The cantata is scored for three vocal soloists ( alto, tenor and bass), a four-part choir, two oboes d'amore, two solo violins, strings and continuo. History and words Bach composed for St. John's Day, 24 Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Sonatas (Bach)
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord. The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Torelli
Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer of the middle Baroque era. Torelli is most remembered for contributing to the development of the instrumental concerto., especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets. Life Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti. On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as ''suonatore di violino''. He was employed as a viola player at the San Petronio basilica beginning in 1686, where he stayed until 1695. or January 1696. when the orchestra was discontinued because of financial constraints. On 1687 Giuseppe Corsi da Celano played Torelli's music, from Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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