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List Of Camoufleurs
A camoufleur or camouflage officer is a person who designed and implemented military camouflage in one of the world wars of the twentieth century. The term originally meant a person serving in a First World War French military camouflage unit. In the Second World War, the British camouflage officers of the Middle East Command Camouflage Directorate, led by Geoffrey Barkas in the Western Desert, called themselves ''camoufleurs'', and edited a humorous newsletter called ''The Fortnightly Fluer''. Such men were often professional artists. The term is used by extension for all First and Second World War camouflage specialists. Some of these pioneered camouflage techniques. This list is restricted to such notable pioneers of military camouflage. Surrealist artist Roland Penrose wrote that he and Julian Trevelyan were both "wondering how either of us could be of any use in an occupation so completely foreign to us both as fighting a war, we decided that perhaps our knowledge of pa ...
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The Fortnightly Fluer Magazine Cover, April 1942
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Disruptive Camouflage
Disruptive coloration (also known as disruptive camouflage or disruptive patterning) is a form of camouflage that works by breaking up the outlines of an animal, soldier or military vehicle with a strongly contrasting pattern. It is often combined with other methods of crypsis including background colour matching and countershading; special cases are coincident disruptive coloration and the disruptive eye mask seen in some fishes, amphibians, and reptiles. It appears paradoxical as a way of not being seen, since disruption of outlines depends on high contrast, so the patches of colour are themselves conspicuous. The importance of high-contrast patterns for successful disruption was predicted in general terms by the artist Abbott Thayer in 1909 and explicitly by the zoologist Hugh Cott in 1940. Later experimental research has started to confirm these predictions. Disruptive patterns work best when all their components match the background. While background matching works best ...
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Expressionist
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Franz Marc
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of ''Der Blaue Reiter'' (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it. His mature works mostly depict animals, and are known for bright colouration. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun. In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for ''Die Füchse'' (''The Foxes''). Early life Franz Marc was born in 1880 in Munich, the then capital of the Kingdom of Bavaria. His father, Wilhelm Ma ...
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Loyd A
Loyd may refer to: Places United States * Loyd, Colorado * Loyd, Illinois * Loyd, Louisiana * Loyd, Mississippi * Loyd, Wisconsin, unincorporated community People Given name * Loyd Auerbach, professor of parapsychology * Loyd Blankenship (born 1965), American computer hacker and author * Loyd Christopher (1919–1991), American Major League Baseball outfielder (Boston Red Sox) * Loyd Colson (born 1947), American Major League Baseball pitcher * Loyd Gentry, Jr. (born 1925), American horse trainer * Loyd Grossman (born 1950), Anglo-American television presenter * Loyd Jowers (1927–2000), American accused of involvement in Dr. Martin Luther King Jr.'s assassination * Loyd Phillips (1945–2020), American football player * Loyd Sigmon (1909–2004), American radio broadcaster * Loyd Wheaton (1838–1918), United States general Surname * Anthony Loyd (born 1966), English journalist * Arthur Loyd (1882–1944), English Conservative Party politician * Brian Loyd (born 1973), America ...
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Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures ''Writings on Form and Design Theory'' (''Schriften zur Form und Gestaltungslehre''), published in English as the ''Paul Klee Notebooks'', are held to be as important for modern art as Leonardo da Vinci's ''A Treatise on Painting'' was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. Early life and training Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Kle ...
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Dazzle Camouflage
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it consisted of complex patterns of geometric shapes in contrasting colours interrupting and intersecting each other. Unlike other forms of camouflage, the intention of dazzle is not to conceal but to make it difficult to estimate a target's range, speed, and heading. Norman Wilkinson explained in 1919 that he had intended dazzle primarily to mislead the enemy about a ship's course and so cause them to take up a poor firing position. Dazzle was adopted by the Admiralty in the UK, and then by the United States Navy. Each ship's dazzle pattern was unique to avoid making classes of ships instantly recognisable to the enemy. The result was that a pr ...
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Roy Behrens
Roy Richard Behrens (; born 1946) is an American artist and academic who is an emeritus professor of art and distinguished scholar at the University of Northern Iowa. He is well known for his writings on camouflage in relation to art, design and creativity as detailed in ''Camoupedia'' and additional books and essays on the subject. Early life and education Behrens was born in Independence, Iowa. He earned a Bachelor of Arts degree in art education degree from the University of Northern Iowa in 1968 and a Master of Arts in art education from the Rhode Island School of Design in 1972. Career Behrens served in the United States Marine Corps 1969 to 1971, rising to the rank of sergeant. He taught graphic design, illustration, and design history at the University of Northern Iowa, the University of Wisconsin–Milwaukee, the Art Academy of Cincinnati. He has written several books and numerous papers. For twenty years, beginning in 1985, he published a quarterly magazine called '' ...
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Impressionist
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that beca ...
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Jean-Louis Forain
Jean-Louis Forain (23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph. Compared to many of his Impressionist colleagues, he was more successful during his lifetime, but his reputation is now much less exalted. Life and work Forain was born in Reims, Marne but at age eight, his family moved to Paris. He began his career working as a caricaturist for several Paris journals including ''Le Monde Parisien'' and ''Le rire satirique''. Wanting to expand his horizons, he enrolled at the École des Beaux Arts, studying under Jean-Léon Gérôme as well as another sculptor/painter, Jean-Baptiste Carpeaux. Forain's quick and often biting wit allowed him to befriend poets Arthur Rimbaud and Paul Verlaine as well as many writers, most notably Joris-Karl Huysmans. He was one of only "seven known recipients" to receive a first edition of ''A Season in Hell'' directly from Rimbaud. ...
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Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from t ...
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École De Nancy
École de Nancy, or the Nancy School, was a group of Art Nouveau artisans and designers working in Nancy, France between 1890 and 1914. Major figures included the furniture designer Louis Majorelle, ebonist and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the crystal manufactory of Daum. Their work was largely inspired by floral and vegetal forms found in the region. The goal of the group was to produce in series ordinary objects, such as furniture, glassware, and pottery, with fine craftsmanship and in original forms, making art objects available for people's homes. History The Nancy School emerged from dramatic events in the history of Lorraine, which had become a province of France in 1776. After the French defeat in the Franco-Prussian War in 1870, neighboring Alsace and a large part of Lorraine were ceded to the German Empire, but Nancy remained inside France. The division resulted in a large exodus of French artists, artisans, teachers ...
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