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Lion Pagoda Of Hwaeomsa
The Four Lion Stone Pagoda is a South Korean pagoda at the Buddhist temple of Hwaeomsa, in Gurye County, Jeollanam-do. It was most likely erected in the 9th century, during the Unified Silla period, although its exact origins and purpose are unknown. Built in the non-typical style, the pagoda has a two-story platform and a single body adorned with relief imagery of the Four Heavenly Kings. It is most notable for the four lion sculptures which make up the upper tier of the platform. It is registered by the Cultural Heritage Administration as Treasure 300 and is commonly known as the "Hwaeomsa Pillar". Description The four lion pagoda is one of the four stone pagodas of Hwaeomsa,Cheon ''et al.'' 2005, p.185 positioned south of Wontongjeon Hall and centrally aligned with the face of the building along a north–south axis.Cheon ''et al.'' 2005, p.184 It is composed of a two-tiered platform and a single-story body, made from granite with a total height of .''Survey Report on Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhṛtarāṣṭra
Dhṛtarāṣṭra (Sanskrit; Pali: ''Dhataraṭṭha'') is a major deity in Buddhism and one of the Four Heavenly Kings. His name means "Upholder of the Nation." Names The name ''Dhṛtarāṣṭra'' is a Sanskrit compound of the words ''dhṛta'' (possessing; bearing) and ''rāṣṭra'' (kingdom; territory). Other names include: *Traditional Chinese: 持國天; Simplified Chinese: 持国天; pinyin: Chíguó Tiān; Japanese language, Japanese: Jikokuten; Korean language, Korean: 지국천 Jiguk cheon; Vietnamese language, Vietnamese: Trì Quốc Thiên, a calque of Sanskrit ''Dhṛtarāṣṭra'' *Traditional Chinese: 提頭頼吒; Simplified Chinese: 提头赖吒; pinyin: Títóulàizhā; Japanese language, Japanese: Daizurata; Korean language, Korean: 제두뢰타; Vietnamese language, Vietnamese: Đề-đầu-lại-tra. This is a transliteration of the original Sanskrit name. *Classical Tibetan, Tibetan: ཡུལ་འཁོར་སྲུང, Wylie: yul 'khor srung, THL ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śarīra
Śarīra is a generic term referring to Buddhist relics, although in common usage it usually refers to pearl or crystal-like bead-shaped objects that are purportedly found among the cremated ashes of Buddhist spiritual masters. Relics of the Buddha after cremation are termed ''dhātu'' in the '' Mahaparinibbana Sutta''. Śarīra are held to emanate or incite 'blessings' and 'grace' (Sanskrit: adhiṣṭhāna) within the mindstream and experience of those connected to them. Sarira are also believed to ward off evil in the Himalayan Buddhist tradition. Terminology Śarīraḥ (pronounced /ɕɐɽiːɽɐh/) means "body" in Sanskrit. When used in Buddhist Hybrid Sanskrit texts to mean "relics", it is always used in the plural: śarīrāḥ. The term ''ringsel'' is a loanword from the Tibetan རིང་བསྲེལ (''ring bsrel''). Both of these terms are ambiguous in English; they are generally used as synonyms, although according to some interpretations, ringsels are a sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Story Pagoda, Hwaeomsa
3 is a number, numeral, and glyph. 3, three, or III may also refer to: * AD 3, the third year of the AD era * 3 BC, the third year before the AD era * March, the third month Books * ''Three of Them'' (Russian: ', literally, "three"), a 1901 novel by Maksim Gorky * ''Three'', a 1946 novel by William Sansom * ''Three'', a 1970 novel by Sylvia Ashton-Warner * ''Three'' (novel), a 2003 suspense novel by Ted Dekker * ''Three'' (comics), a graphic novel by Kieron Gillen. * ''3'', a 2004 novel by Julie Hilden * ''Three'', a collection of three plays by Lillian Hellman * ''Three By Flannery O'Connor'', collection Flannery O'Connor bibliography Brands * 3 (telecommunications), a global telecommunications brand ** 3Arena, indoor amphitheatre in Ireland operating with the "3" brand ** 3 Hong Kong, telecommunications company operating in Hong Kong ** Three Australia, Australian telecommunications company ** Three Ireland, Irish telecommunications company ** Three UK, British telec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but Great Renunciation, renounced his Householder (Buddhism), home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained Enlightenment in Buddhism, enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a Sangha, monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana (Buddhism), Nirvana, that is, Vimutti, freedom from Avidyā (Buddhism), ignorance, Upādāna, craving, Saṃsāra (Buddhism), rebirth, and suffering. His teachings are summarized in the Noble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jajang
Jajang (590–658) was a monk born Kim Seonjong, into the royal Kim family, in the kingdom of Silla. He is credited with founding the temple of Tongdosa in 646 CE, near in what is now Busan, South Korea, and played a significant role in the adoption of Buddhism as the national religion of Silla. His biography is told in the anthology of Korean Buddhism: "Jogye Culture Web", Vol 10. Gyeyul ( and Yul jong 律宗, or Vinaya in Sanskrit) monastic order, founded by Gyeomik for the study and implementation of śīla (yuljang 律藏) the ''"moral discipline"'' or ''""Budhhist ethics"''), was lost after the decline of Baekje. After him, Jajang revived the Gyeyul order and built the Woljeongsa temple in 643 of Jogye Order of Korean Buddhism on the eastern slopes of Odaesan in Pyeongchang County. Jajang was born in Silla as a true bone (jin'gol) aristocrat. In 641 CE, Jajang and his disciple Seungsil traveled to Tang dynasty China where he received bone relic of Buddha's crown, Śa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribhanga
Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the other again at the shoulders and neck. The pose goes back at least 2,000 years in Indian art, and has been highly characteristic for much of this period, "found repeated over and over again in countless examples of Indian sculpture and painting". Indian religions carried it to East and South-East Asia. Like the equivalent contrapposto and "S Curve" poses in Western art, it suggests movement in figures and gives "rhythmic fluidity and ... youthful energy". The word derives from Sanskrit, where ''bhanga'' (or ''bhangha'') is the word for an attitude or position, with ''tri'' meaning "triple", making "triple-bend position". Other poses described in old texts on dance were ''samabhanga'' for the "figure in equipoise", whether standing, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaiśravaṇa
(Sanskrit: वैश्रवण) or (Pali; , , ja, 毘沙門天, Bishamonten, ko, 비사문천, Bisamuncheon, vi, Đa Văn Thiên Vương), is one of the Four Heavenly Kings, and is considered an important figure in Buddhism. Names The name is a derivative (used, e.g., for patronymics) of the Sanskrit proper name from the root "hear distinctly", (passive) "become famous". The name is derived from the Sanskrit ' which means "son of Vishrava", a usual epithet of the Hindu god Kubera. is also known as Kubera and Jambhala in Sanskrit and Kuvera in Pāli. Other names include: * , a calque of Sanskrit ' * . This was a loanword from into Middle Chinese with the addition of the word "heaven, god" * , THL ''Namthöse'', "Prince All-Hearing", a calque of Sanskrit ' * mn, Баян Намсрай is a loan from Tibetan ''thos sras'', a short form of Tibetan ''rnam thos sras'' with the addition of an honorific * th, ท้าวกุเวร ''Thao Kuwen'' or ''Thao Wetsu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virūḍhaka (Heavenly King)
Virūḍhaka is a major deity in Buddhism. He is one of the Four Heavenly Kings and a dharmapala. Names The name ''Virūḍhaka'' comes from the identical Sanskrit term, which refers to sprouting grain. As such, his name means "increase" or "growth.". Other names include: *Traditional Chinese: 增長天; simplified Chinese: 増長天; pinyin: ''Zēngzhǎng Tiānwáng''; Japanese: ''Zōjōten'' or ''Zōchōten''; Korean: 증장천왕 ''Jeungjang Cheonwang''; Vietnamese: Tăng Trưởng Thiên, a calque of Sanskrit Virūḍhaka *Traditional Chinese: 毘楼勒叉; pinyin: ''Bí lóu lè chā''; Japanese: ''Birurokusha''; Korean: 비루늑차''Biluneugcha''; Vietnamese: ''Tỳ Lưu Ly.'' This is a transliteration of the original Sanskrit name. *Tibetan: འཕགས་སྐྱེས་པོ, Wylie: 'phags skyes po, THL: Pak Kyepo, "Noble Birth" *Thai: ท้าววิรุฬหก Thao Virunhok is an honorific plus the modern pronunciation of Pali Virūḷhaka. Characteristics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virūpākṣa
Virūpākṣa (Sanskrit; Pali: Virūpakkha; traditional Chinese: 廣目天王; simplified Chinese: 广目天王; pinyin: ''Guǎngmù Tiānwáng''; Japanese: 広目天 ''Kōmokuten'') is a major deity in Buddhism. He is one of the Four Heavenly Kings and a dharmapala. Names The name ''Virūpākṣa'' is a Sanskrit compound of the words ''virūpa'' (ugly; deformed) and ''akṣa'' (eyes). Buddhaghosa interpreted ''virūpa'' as also meaning "various", which lends to the understanding that Virūpākṣa is endowed with clairvoyance. Other names include: *traditional Chinese: 廣目天王; simplified Chinese: 广目天王; pinyin: Guǎngmù Tiānwáng; Korean: 광목천왕 ''Gwangmok Cheonwang''; Vietnamese: ''Quảng Mục Thiên'', a calque of Sanskrit ''Virūpākṣa'' *Traditional Chinese: 毘楼博叉; pinyin: Bílóubóchā; Japanese: ''Birubakusha''; Korean: 비류박차 ''Bilyubagcha''; Vietnamese: ''Tỳ Lưu Bác Xoa''. This is a transliteration of the original Sanskrit name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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