Lion Pagoda Of Hwaeomsa
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The Four Lion Stone Pagoda is a South Korean pagoda at the Buddhist temple of Hwaeomsa, in
Gurye County Gurye (''Gurye-gun'') is a county in the province of Jeollanam-do, South Korea. Gurye is a small, picturesque farming town situated between Jirisan and the Seomjin River. In the northeastern part of unwavering efforts at the Mt. Jiri. Gurye is the ...
,
Jeollanam-do South Jeolla Province (; ''Jeollanam-do''; ), also known as Jeonnam, is a province of South Korea. South Jeolla has a population of 1,902,324 (2014) and has a geographic area of located in the Honam region at the southwestern tip of the Korean ...
. It was most likely erected in the 9th century, during the Unified Silla period, although its exact origins and purpose are unknown. Built in the non-typical style, the pagoda has a two-story platform and a single body adorned with relief imagery of the
Four Heavenly Kings The Four Heavenly Kings are four Buddhist gods, each of whom is believed to watch over one cardinal direction of the world. In Chinese mythology, they are known collectively as the "Fēng Tiáo Yǔ Shùn" () or "Sìdà Tiānwáng" (). In the a ...
. It is most notable for the four lion sculptures which make up the upper tier of the platform. It is registered by the
Cultural Heritage Administration The Cultural Heritage Administration () or CHA, formerly the Cultural Properties Administration, is the agency of the South Korean government charged with preserving and promoting Korean cultural heritage. It is headquartered in the city of Dae ...
as
Treasure Treasure (from la, thesaurus from Greek language ''thēsauros'', "treasure store") is a concentration of wealth — often originating from ancient history — that is considered lost and/or forgotten until rediscovered. Some jurisdictions leg ...
300 and is commonly known as the "Hwaeomsa Pillar".


Description

The four lion pagoda is one of the four stone pagodas of Hwaeomsa,Cheon ''et al.'' 2005, p.185 positioned south of Wontongjeon Hall and centrally aligned with the face of the building along a north–south axis.Cheon ''et al.'' 2005, p.184 It is composed of a two-tiered platform and a single-story body, made from
granite Granite () is a coarse-grained (phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies undergro ...
with a total height of .''Survey Report on Gakhwangjeon Hall of Hwaeomsa'' 2009, pp.182–183 The first tier of the platform is shaped like a square block, each side made from a single length of stone into which have been carved the base, walls and eaves. It measures about across on each side and in height. There is a double- plinth along the bottom edges.Cheon ''et al.'' 2005, p.187 A square slabstone covers the top, creating the appearance of a Buddhist altar. There is no religious imagery and the gaps between the stones are clearly visible. Instead of walls or columns,''Survey Report of Hwaeomsa, Gurye'' 1986, p.174 a statue of a lion is perched on an eight-petaled lotus pedestal at each corner of the platform's second tier.Cheon ''et al.'' 2005, p.186 Each lion is about high,Cheon ''et al.'' 2005, p.188 standing erect with its front feet spread open. The lions each face a different direction and have different facial expressions. Each lion head supports a capital decorated with upturned lotus leaves on its head. These shoulder a square capstone—on which the pagoda body sits—carved with sixteen lotus leaves along its top edges. The pillar-shaped body stone is comparatively tall, measuring about in height.Cheon ''et al.'' 2005, p.189 Instead of a conventional roof stone, a square slabstone has been laid over top. It is decorated with an upturned hemisphere on top and carved with lotus leaves along its bottom edges. A Buddhist guardian deity surrounded by a thick rectangular border is engraved in low
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the ...
on each side of the body stone. These figures likely represent the
Four Heavenly Kings The Four Heavenly Kings are four Buddhist gods, each of whom is believed to watch over one cardinal direction of the world. In Chinese mythology, they are known collectively as the "Fēng Tiáo Yǔ Shùn" () or "Sìdà Tiānwáng" (). In the a ...
:''Survey Report of Hwaeomsa, Gurye'' 1986, p.177 Dhṛtarāṣṭra to the east, Virūpākṣa the west, Virūḍhaka the south, and
Vaiśravaṇa (Sanskrit: वैश्रवण) or (Pali; , , ja, 毘沙門天, Bishamonten, ko, 비사문천, Bisamuncheon, vi, Đa Văn Thiên Vương), is one of the Four Heavenly Kings, and is considered an important figure in Buddhism. Names The n ...
the north. Dhṛtarāṣṭra stands atop a misshapen stone platform, leaning slightly to the right. He is wearing a crown and the armor of a military general, with a simple nimbus around his head. The left arm is raised to the shoulder while the right hand is making a tight fist, as if to strike a downward blow. Armor-clad Virūḍhaka is depicted in the ''
tribhanga Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the othe ...
'' stance, leaning to the left, the handle of his sword held in his right hand and the point in his left. Virūpākṣa is identical in appearance, although he leans to the right and his sword is held the opposite way. The figure of Vaiśravaṇa has been sculpted with comparatively greater detail than the other three. Leaning to the left, his right hand rests on the waist while a pagoda is held in his left.


Provenance

The exact provenance of the pagoda is unknown as no contemporary records of its origins survive. According to later accounts from ''A Chronicle of the Great Temple Hwaeomsa of Jirisan, Gurye County, Honam'' (1636)''Honamdoguryegunjirisanhwaeomsasajeok'' (湖南道求禮郡智異山華嚴寺記實) and ''The Record of Bongseong'' (c.1800),''Bongseongji'' (鳳城誌) the great monk
Jajang Jajang (590–658) was a monk born Kim Seonjong, into the royal Kim family, in the kingdom of Silla. He is credited with founding the temple of Tongdosa in 646 CE, near in what is now Busan, South Korea, and played a significant role in the ...
(590–658) constructed a pagoda at Hwaeomsa sometime in the early 7th century, but it is uncertain which pagoda this may refer to. Furthermore, contemporary sources agree that given its sculptural style, the four lion pagoda was most likely erected in the 9th century, during the Unified Silla period.Hwang ''et al.'' 1976, pp.97–98 This coincides with the stonework of Wontongjeon Hall, whose platform, stairs and threshold go back to the same period; either the remains of an earlier hall, or a system of corridors, although the wooden structure itself was rebuilt in 1703.


Significance

The four lion pagoda was designated
Treasure Treasure (from la, thesaurus from Greek language ''thēsauros'', "treasure store") is a concentration of wealth — often originating from ancient history — that is considered lost and/or forgotten until rediscovered. Some jurisdictions leg ...
300 in 1963 by the
Cultural Heritage Administration The Cultural Heritage Administration () or CHA, formerly the Cultural Properties Administration, is the agency of the South Korean government charged with preserving and promoting Korean cultural heritage. It is headquartered in the city of Dae ...
, an example of the Korean non-typical style of stone pagoda. Lions have a high symbolic value in Buddhism and the word is commonly used as a metaphor for the
Buddha Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was ...
. The sculptures in this pagoda appear to have been inspired by those of Hwaeomsa's three story pagoda. Although displaying similar facial expressions, the lions of the later pagoda are inferior in both size and craftsmanship, failing to capture the same vitality and sophistication of detail. While it appears to possess the correct structural components typical of Silla stone pagodas, the overall style of the four lion pagoda does not conform with its contemporaries from the period. There are neither roof stones nor a finial. It is also difficult to say for certain how many stories there are, and the fact that there appears to be only one is problematic. And as the pagoda is also elusively known as the "Hwaeomsa Pillar",''Hwaeomsanoju'' (露柱華嚴寺)An ''et al.'' 1996, p.183 it unclear whether it is indeed a pagoda—where
relics In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangi ...
may have been enshrined—or a structure with some other religious purpose.


References

;Notes ;Footnotes ;Bibliography * * * * * * * * * *


External links


Hwaeomsa official site
{{in lang, ko
Lion Pagoda of Hwaeomsa
Entry at the
Cultural Heritage Administration of Korea The Cultural Heritage Administration () or CHA, formerly the Cultural Properties Administration, is the agency of the South Korean government charged with preserving and promoting Korean cultural heritage. It is headquartered in the city of Dae ...
Buildings and structures completed in the 9th century Treasures of South Korea 9th-century Buddhist temples