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Le Pardon De Ploërmel
''Dinorah'', originally ''Le pardon de Ploërmel'' (''The Pardon (ceremony), Pardon of Ploërmel''), is an 1859 French opéra comique in three acts with music by Giacomo Meyerbeer and a libretto by Jules Barbier and Michel Carré. The story takes place near the rural town of Ploërmel and is based on two Brittany, Breton tales by Émile Souvestre, "La Chasse aux trésors" and "Le Kacouss de Côtes-d'Armor, l'Armor", both published separately in 1850 in the ''Revue des deux mondes''. Roles Synopsis :Time: 19th century, Nineteenth century :Place: Brittany Act 1 ''In the Breton village of Ploërmel, a rugged and wild site illuminated by the last rays of the setting sun with, in the foreground, Corentin's cottage'' During the annual pilgrimage to the chapel of the Virgin, Dinorah has gone mad because her bridegroom Hoël disappeared following a storm that interrupted their wedding on the same day the previous year. Dinorah has lost her pet goat Bellah but, believing she has fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Sito Agreste, Bozzetto Di Carlo Ferrario Per Dinorah (1870) - Archivio Storico Ricordi ICON012102
The United Nations (UN) is an intergovernmental organization whose stated purposes are to maintain international peace and security, develop friendly relations among nations, achieve international cooperation, and be a centre for harmonizing the actions of nations. It is the world's largest and most familiar international organization. The UN is headquartered on international territory in New York City, and has other main offices in Geneva, Nairobi, Vienna, and The Hague (home to the International Court of Justice). The UN was established after World War II with the aim of preventing future world wars, succeeding the League of Nations, which was characterized as ineffective. On 25 April 1945, 50 governments met in San Francisco for a conference and started drafting the UN Charter, which was adopted on 25 June 1945 and took effect on 24 October 1945, when the UN began operations. Pursuant to the Charter, the organization's objectives include maintaining international peace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyerbeer Dinorah Act2 Scene1
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berceuse
A berceuse is "a musical composition usually in time that resembles a lullaby". Otherwise it is typically in triple meter. Tonally most berceuses are simple, often merely alternating tonic and dominant harmonies; since the intended effect is to put a baby to sleep, wild chromaticism would be somewhat inappropriate. Another characteristic of the berceuse, for no reason other than convention, is a tendency to stay on the "flat side"; noted examples including the berceuses by Chopin, who pioneered the form,Jeremy Siepmann, ''The Piano: The Complete Illustrated Guide to the World's Most Popular Musical Instrument'' (1998), p. 67. Liszt, and Balakirev, which are all in D. Music * Berceuse pour deux notes qui cornent (for two notes which continue), for organ, JA 7, by Jehan Alain * Wiegenlied (Brahms), a cradle song, is a berceuse; it is better known in English as Brahms's Lullaby * Berceuse, by Frank Bridge, for cello and piano * Compositions by Ferruccio Busoni ** Berceus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th Century
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Warot
Victor Alexandre Joseph Warot (18 September 1834, Verviers – 29 March 1906, Bois-Colombes) was a Belgian opera singer. He began his career as a lyric tenor but later grew into a fine dramatic singer. He was particularly known for his portrayal of Wagner and Meyerbeer heroes. Early life Warot was born in Verviers into a musical and theatrical family. His father was the tenor Victor Alexandre Charles Warot (1808-1877) and his mother the actress Cécile ''née'' Desthieux. His uncle, (Constant Noel) Adolphe Warot (1812-1875) was a well-known cellist while a second uncle, (Victor Alexandre) Charles Warot (1804-1836) was a composer and conductor. Warot's grandfather Charles (François) Warot had been prompter at the Antwerp Theatre.Kurt GänzlVictor Warot: a tenor not to be forgotten- Musical research blog of Kurt Gänzl 9 October 2019 Victor Warot ''fils'' studied initially with his father and then in Paris with Giulio Alary. Musical career He made his professional opera début at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Faure
Jean-Baptiste Faure () (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's ''Galathée''. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's '' Le chalet'' and Michel in Thomas's ''Le caïd''. During this time he also created the Marquis d'Erigny in Auber's ''Manon Lescaut'' (1856) and Hoël in Meyerbeer's '' Le pardon de Ploërmel'' (1859; later known as ''Dinorah''), among seven premieres at that house.Soubies, A. & Malherbe, C. ''Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
