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Berceuse
A berceuse is "a musical composition usually in time that resembles a lullaby". Otherwise it is typically in triple meter. Tonally most berceuses are simple, often merely alternating tonic and dominant harmonies; since the intended effect is to put a baby to sleep, wild chromaticism would be somewhat inappropriate. Another characteristic of the berceuse, for no reason other than convention, is a tendency to stay on the "flat side"; noted examples including the berceuses by Chopin, who pioneered the form,Jeremy Siepmann, ''The Piano: The Complete Illustrated Guide to the World's Most Popular Musical Instrument'' (1998), p. 67. Liszt, and Balakirev, which are all in D. Music * Berceuse pour deux notes qui cornent (for two notes which continue), for organ, JA 7, by Jehan Alain * Wiegenlied (Brahms), a cradle song, is a berceuse; it is better known in English as Brahms's Lullaby * Berceuse, by Frank Bridge, for cello and piano * Compositions by Ferruccio Busoni ** Berceus ...
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Berceuse (in C Major) Op
A berceuse is "a musical composition usually in time that resembles a lullaby". Otherwise it is typically in triple meter. Tonally most berceuses are simple, often merely alternating tonic and dominant harmonies; since the intended effect is to put a baby to sleep, wild chromaticism would be somewhat inappropriate. Another characteristic of the berceuse, for no reason other than convention, is a tendency to stay on the "flat side"; noted examples including the berceuses by Chopin, who pioneered the form,Jeremy Siepmann, ''The Piano: The Complete Illustrated Guide to the World's Most Popular Musical Instrument'' (1998), p. 67. Liszt, and Balakirev, which are all in D. Music * Berceuse pour deux notes qui cornent (for two notes which continue), for organ, JA 7, by Jehan Alain * Wiegenlied (Brahms), a cradle song, is a berceuse; it is better known in English as Brahms's Lullaby * Berceuse, by Frank Bridge, for cello and piano * Compositions by Ferruccio Busoni ** Berceus ...
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Berceuse (Fauré)
''Berceuse'', Op. 16, is a short piece by Gabriel Fauré, written in or about 1879. In its original version it is for solo violin and piano. The composer later published a version for violin and orchestra, and the work has been arranged by others for various musical forces. This berceuse is not connected, except for its title, with the berceuse in Fauré's '' Dolly Suite''. History The first well-known classical berceuse (literally a "cradle song") was by Chopin (in D♭ major, Op. 57 (1843–44). He set the pattern followed by Liszt and others in their berceuses: compound time, a soft dynamic level, a tonic pedal bass and a "rocking" accompaniment. At the end of the 1870s Fauré, choirmaster and deputy organist at the Église de la Madeleine in Paris, was beginning to establish a reputation as a composer. His first violin sonata had been performed with great success at the Société Nationale de Musique in 1877, and his ''Berceuse'' was premiered there on 14 February 1880 ...
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Jocelyn (opera)
''Jocelyn'' (Op. 100) is a four-act opera by Benjamin Godard, set to a French libretto by Paul Armand Silvestre and the tenor Victor Capoul. Based on the poem by Alphonse de Lamartine, the action takes place in Grenoble and the surrounding mountains during Corpus Christi at the close of the 18th century. The score bears a dedication "A mon ami Daniel Barton". This opera is remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor, "Oh! ne t'éveille pas encore" commonly known in English as ''Angels Guard Thee''. ''Jocelyn'' premièred on 25 February 1888 at Le Théâtre Royal de la Monnaie in Brussels with Pierre-Émile Engel creating the title role. A production with a new cast, including Capoul in the title role, opened in Paris at the Théâtre-Lyrique-National on 13 October the same year. Roles Recordings The popular Berceuse has been recorded by many tenors, including Tino Rossi, Capoul, John McCormack, Beniamino Gigli, Edmond ...
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Lullaby
A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledge or tradition. In addition, lullabies are often used for the developing of communication skills, indication of emotional intent, maintenance of infants' undivided attention, modulation of infants' arousal, and regulation of behavior. Perhaps one of the most important uses of lullabies is as a sleep aid for infants. As a result, the music is often simple and repetitive. Lullabies can be found in many countries, and have existed since ancient times. Etymology The term 'lullaby' derives from the Middle English ''lullen'' ("to lull") and ''by'' 'e''(in the sense of "near"); it was first recorded circa 1560. A folk etymology derives ''lullaby'' from "Lilith-Abi" (Hebrew for "Lilith, begone"). In the Jewish tradition, Lilith was a demon who ...
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Berceuse (Chopin)
Frédéric Chopin's ''Berceuse'', Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 as variations in D-flat major. Chopin originally called his work ''Variantes''. ''Berceuse'' was first published in Paris in 1844 by Jean-Racine Meissonnier, dedicated to Élise Gavard, and appeared in London and Leipzig the following year. Written late in his career, the lyrical piece features complex pianistic figuration in the continuous flow of variations on a calm bass in always soft dynamics, shaping the music by texture and sonority. History Chopin began the composition in the summer of 1843 at Nohant, where he stayed with George Sand. As the first manuscript was held by the singer Pauline Viardot, the composition may have been inspired by her little daughter, Louisette, who also spent the summer there while her mother was away giving concerts. The theme of the ''Berceuse'' echos a song that Chopin may have heard in his childhood, "Już miesiąć zeszedł, psy ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Philémon Et Baucis
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opér ..., Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupiter's de ...
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Benjamin Godard
Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera ''Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise. Life and career Godard was born in Paris in 1849. He entered the Conservatoire de Paris in 1863 where he studied under Henri Vieuxtemps (violin) and Napoléon Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. In 1876, his ''Concerto romantique'' was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symphony ...
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Dolly Suite
Dolly may refer to: Tools *Dolly (tool), a portable anvil * A posser, also known as a dolly, used for laundering * A variety of wheeled tools, including: **Dolly (trailer), for towing behind a vehicle **Boat dolly or launching dolly, a device for launching small boats into the water **Camera dolly, platform that enables a movie or video camera to move during shots **Hand truck, sometimes called a dolly **Flatbed trolley, sometimes called a dolly People * Dolly (name), a list of people with the given name or nickname * Dolly Buster, stage name of Czech-German former porn actress, filmmaker and author Nora Baumberger (born 1969) * Dolly Dawn, American singer Theresa Maria Stabile (1916–2002) In arts and entertainment Fictional characters * One of Bonnie's toys in the film ''Toy Story 3'' * Dolly Gopher, in the television film ''Re-Animated'' * Dolly Gallagher Levi, in the movie '' Hello Dolly'' * Dolly for Sue, from the 1964 film ''Rudolph the Red-Nosed Reindeer'' * Dolly (c ...
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Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ...
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