|
Launeddas
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Pengu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Launeddas
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Pengu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Launeddas Llengüeta
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa North Africa, or Northern Africa is a region encompassing the northern portion of the African continent. There is no singularly accepted scope for the region, and it is sometimes defined as stretching from the Atlantic shores of Mauritania in t ... and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called "Single-reed instrument, memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus II, Khentkaus. The Sardinian launeddas themselves are an ancient instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Launeddas Player
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Pengui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-reed Instrument
A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmonic series caused by the shape of the corpus. E.g. the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single Reed
A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmonic series caused by the shape of the corpus. E.g. the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its performi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sardinia
Sardinia ( ; it, Sardegna, label=Italian, Corsican and Tabarchino ; sc, Sardigna , sdc, Sardhigna; french: Sardaigne; sdn, Saldigna; ca, Sardenya, label=Algherese and Catalan) is the second-largest island in the Mediterranean Sea, after Sicily, and one of the 20 regions of Italy. It is located west of the Italian Peninsula, north of Tunisia and immediately south of the French island of Corsica. It is one of the five Italian regions with some degree of domestic autonomy being granted by a special statute. Its official name, Autonomous Region of Sardinia, is bilingual in Italian and Sardinian: / . It is divided into four provinces and a metropolitan city. The capital of the region of Sardinia — and its largest city — is Cagliari. Sardinia's indigenous language and Algherese Catalan are referred to by both the regional and national law as two of Italy's twelve officially recognized linguistic minorities, albeit gravely endangered, while the regional law provides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ittiri
Ittiri ( sc, Itiri Cannedu) is a ''comune'' (municipality) in the Province of Sassari in the Italian region Sardinia, located about northwest of Cagliari and about south of Sassari. It is part of the Logudoro traditional region. Ittiri is located on a plateau at m. 450 on the sea level. The territory, made up of high plateaus mainly of trachytic and basaltic rocks, is rugged, hilly and crossed by valleys destined for cultivation; the most significant mountain ranges are: north-east on the line to Bessude Monte Torru (m 622), Mount Uppas (m 567) and towards Banari Mount Jana (552 m); south to Villanova mount Unturzu (m. 558), mountain Alas (m 517), point S'Elighe Entosu (m. 522) and mountain Lacusa (m 503). Main sights Characteristic is the historical center where there are several baroque palaces in liberty / deco style with particular balconies and façades of houses embellished by the Ittcherian trachyte; many streets in the center are still paved and in particular the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sardinian Language
Sardinian or Sard ( , or ) is a Romance languages, Romance language spoken by the Sardinians on the Western Mediterranean island of Sardinia. Many Romance linguists consider it the language that is closest to Latin among all its genealogical descendants. However, it has also incorporated elements of a Pre-Latin (mostly Paleo-Sardinian language, Paleo-Sardinian and, to a much lesser degree, Punic language, Punic) Stratum (linguistics)#substratum, substratum, as well as a Byzantine Greek, Catalan language, Catalan, Spanish and Italian superstratum. These elements originate in the political history of Sardinia, whose indigenous society experienced for centuries competition and at times conflict with a series of colonizing newcomers: before the Middle Ages, it was for a time a Byzantine empire, Byzantine possession; then, after a significant period of self-rule with the Judicates, it came during the late Middle Ages into the Iberian sphere of influence; and finally, from the earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Map Folklore I 1990 - Strumenti Musicali Tradizionali - Touring Club Italiano CART-TEM-096 (cropped)
A map is a symbolic depiction emphasizing relationships between elements of some space, such as objects, regions, or themes. Many maps are static, fixed to paper or some other durable medium, while others are dynamic or interactive. Although most commonly used to depict geography, maps may represent any space, real or fictional, without regard to context or scale, such as in brain mapping, DNA mapping, or computer network topology mapping. The space being mapped may be two dimensional, such as the surface of the earth, three dimensional, such as the interior of the earth, or even more abstract spaces of any dimension, such as arise in modeling phenomena having many independent variables. Although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word "map" comes from the , wherein ''mappa'' meant 'napkin' or 'cloth' and ''mundi'' 'the world'. Thus, "map" became a shortened term referring t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Lara (musician)
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Efisio Melis
Efisio Melis (1890–1970) was a Sardinian folk musician, and noted to have been one of the greatest launeddas players in the world. He was born in Villaputzu near the southeastern tip of the island of Sardinia, the same town of fellow noted launeddas player Antonio Lara. Melis was a child prodigy, performing in public at the age of eleven. His career fell into decline in the 1920s, but revived in the mid-1930s when he made a number of recordings on the ''launeddas'' that have since been reissued and serve as important documentation of his skill. He was praised by the Danish musicologist, Andreas Fridolin Weis Bentzon, as having a talent comparable to that of Bach and Mozart (cited in Leydi, 1990). His life ended in Cagliari. See also Music of Sardinia Sardinia is probably the most culturally distinct of all the regions in Italy and, musically, is best known for the '' tenore'' polyphonic singing, sacred chants called '' gosos'', the ''launeddas'', an ancient instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
