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Launeddas Player
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Pengui ...
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Launeddas
The ''launeddas'' (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called " memet"; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus. The Sardinian launeddas themselves are an ancient instrument, being traced back to at least the eighth century BCE,Surian, Alesso. "Tenores and Tarantellas". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), ''World Music, Vol. 1: Africa, Europe and the Middle East'', pg. 189–201. Rough Guides Ltd, Pengu ...
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Giza
Giza (; sometimes spelled ''Gizah'' arz, الجيزة ' ) is the second-largest city in Egypt after Cairo and fourth-largest city in Africa after Kinshasa, Lagos and Cairo. It is the capital of Giza Governorate with a total population of 9.2 million as of 2021. It is located on the west bank of the Nile, southwest of central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than north of Memphis (''Men-nefer''), which was the capital city of the first unified Egyptian state from the days of the first pharaoh, Narmer. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, including the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old K ...
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ...
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Luigi Lai
Luigi Lai (born July 25, 1932) is an Italian musician from Sardinia, and is living heir of the school of Sarrabus players of the launeddas. Lai was born at San Vito, in the province of Cagliari. As a child in nearby Villaputzu, he became a student of one of launeddas player Antonio Lara. For a time he lived in Switzerland and studied at the Academy of Music in Zurich.http://www.launeddas.eu/reserve/luigi_lai_01.htm He now works to spread awareness of the launeddas in Italy and worldwide, and instructs many students. In 1977 he collaborated with Angelo Branduardi playing the typical Sardinian instrument on the album ''la pulce d'acqua ("The Water Flea") is an album by Italian singer-songwriter Angelo Branduardi. It was released in 1977 by Polydor. A French edition, entitled , was released in 1979; an English edition, entitled ''Fables and Fantasies'' and with lyrics written b ...''. References External linksOfficial website * 1932 births Living people People fr ...
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Dionigi Burranca
Dionigi is both a masculine Italian given name and a surname. Notable people with the name include: *Dionigi di Borgo San Sepolcro (c. 1300 – 1342), Augustinian monk *Dionigi Bussola (1615–1687), Italian sculptor *Dionigi Donnini (1681–1743), Italian painter *Dionigi Galletto (1932–2011), Italian mathematician *Dionigi da Palacenza Carli, 17th-century Capuchin missionary *Dionigi Tettamanzi (1934–2017), Italian cardinal *Dionigi Valesi (c.1730–c.1780), Italian printmaker *Davide Dionigi Davide Dionigi (born 10 January 1974) is an Italian football coach and a former player. He was most recently the manager of Serie B club Cosenza. Career Player Dionigi started his career at hometown club Modena and played 20 games in Serie ... (born 1974), Italian footballer and manager {{given name, type=both Italian-language surnames Italian masculine given names ...
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Antonio Lara (musician)
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician th ...
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Efisio Melis
Efisio Melis (1890–1970) was a Sardinian folk musician, and noted to have been one of the greatest launeddas players in the world. He was born in Villaputzu near the southeastern tip of the island of Sardinia, the same town of fellow noted launeddas player Antonio Lara. Melis was a child prodigy, performing in public at the age of eleven. His career fell into decline in the 1920s, but revived in the mid-1930s when he made a number of recordings on the ''launeddas'' that have since been reissued and serve as important documentation of his skill. He was praised by the Danish musicologist, Andreas Fridolin Weis Bentzon, as having a talent comparable to that of Bach and Mozart (cited in Leydi, 1990). His life ended in Cagliari. See also Music of Sardinia Sardinia is probably the most culturally distinct of all the regions in Italy and, musically, is best known for the '' tenore'' polyphonic singing, sacred chants called '' gosos'', the ''launeddas'', an ancient instrument ...
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Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its performi ...
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Map Folklore I 1990 - Strumenti Musicali Tradizionali - Touring Club Italiano CART-TEM-096 (cropped)
A map is a symbolic depiction emphasizing relationships between elements of some space, such as objects, regions, or themes. Many maps are static, fixed to paper or some other durable medium, while others are dynamic or interactive. Although most commonly used to depict geography, maps may represent any space, real or fictional, without regard to context or scale, such as in brain mapping, DNA mapping, or computer network topology mapping. The space being mapped may be two dimensional, such as the surface of the earth, three dimensional, such as the interior of the earth, or even more abstract spaces of any dimension, such as arise in modeling phenomena having many independent variables. Although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word "map" comes from the , wherein ''mappa'' meant 'napkin' or 'cloth' and ''mundi'' 'the world'. Thus, "map" became a shortened term referri ...
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