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Lancelot Du Lac (film)
''Lancelot du Lac'' is a 1974 French fantasy drama film written and directed by Robert Bresson. It retells the story of Lancelot and Guinevere's love as Camelot and the Round Table fall apart. It is based on Arthurian legend and medieval romances, especially the Lancelot-Grail cycle, and the works of Chrétien de Troyes. In common with Bresson's later films, the cast was composed of amateur actors, several of whom did not appear in any other film. Bresson's direction demanded a purposeful lack of emotion in the acting style, and reduced or eliminated the fantastical elements of the Grail legend. While much of the production is intentionally stylised as Medieval "Romance", the film is punctuated with moments of graphic violence. Plot summary King Arthur has sent out 100 knights to retrieve the Holy Grail. Arthur is dismayed when it turns out that the mission was futile and 70 knights have died in its course. Among those who have returned is Lancelot, the lover of Queen Guinevere. ...
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Luc Simon
Luc or LUC may refer to: Places * Luc, Hautes-Pyrénées, France, a commune * Luc, Lozère, France, a commune * Le Luc, France, a commune * Luč, Baranja, Croatia, a settlement People and fictional characters * Luc (given name) * Luc (surname) Academia * Leiden University College The Hague, a liberal arts & sciences honours college in the Netherlands * Limburgs Universitair Centrum, now University of Hasselt, Belgium * Loyola University Chicago Other uses * Land-use change * LUC, cryptosystem based on Lucas sequences See also * Château de Luc, a French castle-ruin in the town of Luc in the Lozère ''département'' * Luc-en-Diois, France, a commune * Luc-la-Primaube, France, a commune * Luc-sur-Mer Luc-sur-Mer (, literally ''Luc on Sea'') is a commune in the Calvados department in the Normandy region in northwestern France. Population Sights * The "Maison de la Baleine" created by Jean Chabriac. On January 15, 1885 a 40-ton and 19 me ..., France, a commune * ...
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Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary. Prevalent elements include fairies, angels, mermaids, witches, monsters, wizards, unicorns, dragons, talking animals, ogres, elves, trolls, white magic, gnomes, vampires, werewolves, ghosts, demons, dwarves, giants, goblins, anthropomorphic or magical objects, familiars, curses and other enchantments, worlds involving magic, and the Middle Ages. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are High Fantasy a ...
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Sir Lionel
Sir Lionel is the younger son of King Bors of Gaunnes (or Gaul) and Evaine and brother of Bors the Younger in Arthurian legend since the Lancelot-Grail cycle. He is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris (not to be confused with the older Sir Ector, who was King Arthur's foster-father). He later became the subject of one of the famous Child Ballads (# 18). Arthurian legend When their father dies in battle against King Claudas, Lionel and Bors are rescued by the Lady of the Lake and raised in her otherworldly kingdom alongside her foster-son Lancelot. Like Bors and Lancelot, Lionel becomes a Knight of the Round Table upon reaching the age and then proving himself in heroic deeds. One day, while travelling with Lancelot as a young man, Lionel is captured by the rogue knight Turquine, who whips him with briars and throws him in the dungeon. The scenario repeats itself later while he is on the Quest for the Holy Grail, where ...
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Gawain
Gawain (), also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem ''Sir Gawain and the Green Knight''. Other tales featuring Gawain as the central character include '' De Ortu Waluuanii'', ''Diu Crône'', '' Ywain and Gawain'', '' Golagros and Gawane'', '' Sir Gawain and the Carle of Carlisle'', '' L'âtre périlleux'', '' La Mule sans frein'', '' La Vengeance Raguidel'', '' Le Chevalier à l'épée'', '' The Awntyrs off Arthure'', '' The Greene Knight'', and '' The Weddynge of Syr Gawen and Dame Ragnell''. In Arthurian chivalric romance literature, Gawain is usually depicted as King Arthur's clo ...
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Holy Grail
The Holy Grail (french: Saint Graal, br, Graal Santel, cy, Greal Sanctaidd, kw, Gral) is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miraculous healing powers, sometimes providing eternal youth or sustenance in infinite abundance, often guarded in the custody of the Fisher King and located in the hidden Grail castle. By analogy, any elusive object or goal of great significance may be perceived as a "holy grail" by those seeking such. A "grail" (Old French: ''graal'' or ''greal''), wondrous but not unequivocally holy, first appears in ''Perceval, the Story of the Grail'', an unfinished chivalric romance written by Chrétien de Troyes around 1190. Chrétien's story inspired many continuations, translators and interpreters in the later-12th and early-13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. The Christian, Celtic or possibly other orig ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ...
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Chrétien De Troyes
Chrétien de Troyes (Modern ; fro, Crestien de Troies ; 1160–1191) was a French poet and trouvère known for his writing on Arthurian subjects, and for first writing of Lancelot, Percival and the Holy Grail. Chrétien's works, including ''Erec and Enide'', ''Lancelot'', ''Perceval'' and ''Yvain'', represent some of the best-regarded of medieval literature. His use of structure, particularly in ''Yvain'', has been seen as a step towards the modern novel. Life Little is known of his life, but he seems to have been from Troyes or at least intimately connected with it. Between 1160 and 1172 he served (perhaps as herald-at-arms, as Gaston Paris speculated) at the court of his patroness Marie of France, Countess of Champagne, daughter of King Louis VII and Eleanor of Aquitaine, who married Count Henry I of Champagne in 1164. Later, he served the court of Philippe d'Alsace, Count of Flanders. Works Chrétien's works include five major poems in rhyming eight-syllable couplets. Fo ...
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Lancelot-Grail
The ''Lancelot-Grail'', also known as the Vulgate Cycle or the Pseudo-Map Cycle, is an early 13th-century French Arthurian literary cycle consisting of interconnected prose episodes of chivalric romance in Old French. The cycle of unknown authorship, presenting itself as a chronicle of actual events, retells the legend of King Arthur by focusing on the love affair between Lancelot and Guinevere as well as the religious quest for the Holy Grail, expanding on the works of Robert de Boron and Chrétien de Troyes. There is no unity of place, but most of the episodes take place in Arthur's kingdom of Logres. One of the main characters is Arthur himself, around whom gravitates a host of other heroes, many of whom are Knights of the Round Table. Among them is the famed Lancelot, whose chivalric tale is centered around his illicit romance with Arthur's wife, Queen Guinevere. However, the cycle also tells of adventures of a more spiritual type; those involve the Holy Grail, the vessel th ...
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Medieval Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Arthurian Legend
The Matter of Britain is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne, and the Matter of Rome, which included material derived from or inspired by classical mythology. History The three "Matters" were first described in the 12th century by French poet Jean Bodel, whose epic ' ("Song of the Saxons") contains the line: The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "Matter of Rome", and the tales of the Paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the " Matter of France". King Arthur is the chief subject of the Matter of Britain, along with stories relate ...
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Round Table (Camelot)
The Round Table ( cy, y Ford Gron; kw, an Moos Krenn; br, an Daol Grenn; la, Mensa Rotunda) is King Arthur's famed table in the Arthurian legend, around which he and his knights congregate. As its name suggests, it has no head, implying that everyone who sits there has equal status, unlike conventional rectangular tables where participants order themselves according to rank. The table was first described in 1155 by Wace, who relied on previous depictions of Arthur's fabulous retinue. The symbolism of the Round Table developed over time; by the close of the 12th century it had come to represent the chivalric order associated with Arthur's court, the Knights of the Round Table. Origins Though the Round Table is not mentioned in the earliest accounts, tales of King Arthur having a marvellous court made up of many prominent warriors are ancient. Geoffrey of Monmouth, in his ''Historia Regum Britanniae'' (composed c. 1136) says that, after establishing peace throughout Britain, Arth ...
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Camelot
Camelot is a castle and court associated with the legendary King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, since the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world. The stories locate it somewhere in Great Britain and sometimes associate it with real cities, though more usually its precise location is not revealed. Most scholars regard it as being entirely fictional, its unspecified geography being perfect for chivalric romance writers. Nevertheless, arguments about the location of the "real Camelot" have occurred since the 15th century and continue today in popular works and for tourism purposes. Etymology The name's derivation is uncertain. It has numerous different spellings in medieval French Arthurian romances, including ''Camaalot'', ''Camalot'', ''Chamalot'', ''Camehelot'' (sometimes read as ''Camchilot''), ''Camaaloth ...
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