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Lalita Sahasranama
''Lalita Sahasranama'' (IAST: lalitāsahasranāma; Sanskrit: ललिता सहस्रनाम) is a sacred Hindu text from the Brahmanda Purana which lists the thousand names of the Hindu mother goddess Lalita Devi, a manifestation of the Divine Mother (Shakti), and is therefore recited in the worship of Devi according to Srikula Sampradayas. A principal text of Shakti worshipers, it describes the goddess' various attributes in the form of names organized in a hymn. This ''sahasranama'' is used in various modes of worship of the Divine Mother such as ''parayana'' (recitations), archana, and homa. A different but less popular version of the Lalita Sahasranama can also be found in the purva bhaga of the Narada Purana. Etymology and structure The names are organized as hymns, or ''stotras'', but are often broken into mantras to represent all 1000 names. Therefore, the ''Sahasranama'' can be chanted in stotra form, or namavali form. ''The Lalita Saharanama'' is one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saptarishi
The Saptarishi () are the seven rishis of ancient India who are extolled in the Vedas, and other Hindu literature. The Vedic Samhitas never enumerate these rishis by name, although later Vedic texts such as the Brahmanas and Upanisads do so. Hinduism An early prototype of the "Saptarishi" concept may stem from the six families associated with the six "Family Books" in the Rigveda Samhita (Mandalas 2–7 in ascending order: Gṛtsamāda, Viśvāmitra, Vāmadeva, Atri, Bhardwaja, Vasiṣṭha). While not a "Family Book", Mandala 8 is mostly attributed to Kaṇva, who could be considered the 7th prototypical Saptarishi. The earliest formal list of the seven rishis is given by Jaiminiya Brahmana 2.218–221: Agastya, Atri, Bhardwaja, Gautama, Jamadagni, Vashistha, and Vishvamitra followed by Brihadaranyaka Upanisad 2.2.6 with a slightly different list: Atri, Bharadwaja, Gautama, Jamadagni, Kashyapa, Vashistha, and Vishvamitra. The late Gopatha Brahmana 1.2.8 has Vashisth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mangala Sutra
A mangala sutra (), or thaali (ISO: ''tāḷi''), is a necklace that the groom ties around the bride's neck in the Indian subcontinent, in a ceremony called ''Mangalya Dharanam'' (). The necklace serves as a visual marker of status as a married Hindu woman. Mangala sutra's origin dates back to the 6th Century AD as a single yellow thread was tied around the bride for protection from other men and evil spirits. Mangala sutra is a social practice widespread in India, Sri Lanka, and Nepal. The term mangala sutra in Sanskrit means holy thread. Overview Mangala sutram literally means "an auspicious thread" which is knotted around the bride's neck. It is usually a necklace with black beads strung from a black or yellow thread prepared with turmeric. Sometimes gold, white or red beads are also added to the mangala sutram, depending on regional variation. It is a symbol of marriage worn by women. The idea of sacred thread existed for centuries, even going back to Sangam period. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a goddess is in the Rigveda. She has remained significant as a goddess from the Vedic period through the modern period of Hindu traditions. She is generally shown to have four arms, holding a book, a rosary, a water pot, and a musical instrument called the veena. Each of these items have a symbolic meaning in Hinduism. Some Hindus celebrate the festival of Vasant Panchami (the fifth day of spring, and also known as Saraswati Puja and Saraswati Jayanti in many regions of India) in her honour, and mark the day by helping young children learn how to write the letters of the alphabet on that day. The goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Etymology Saraswati, is a Sans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmaraga
Sapphire is a precious gemstone, a variety of the mineral corundum, consisting of aluminium oxide () with trace amounts of elements such as iron, titanium, chromium, vanadium, or magnesium. The name sapphire is derived via the Latin "sapphirus" from the Greek "sappheiros", which referred to lapis lazuli. It is typically blue, but natural "fancy" sapphires also occur in yellow, purple, orange, and green colors; "parti sapphires" show two or more colors. Red corundum stones also occur, but are called rubies rather than sapphires. Pink-colored corundum may be classified either as ruby or sapphire depending on locale. Commonly, natural sapphires are cut and polished into gemstones and worn in jewelry. They also may be created synthetically in laboratories for industrial or decorative purposes in large crystal boules. Because of the remarkable hardness of sapphires 9 on the Mohs scale (the third hardest mineral, after diamond at 10 and moissanite at 9.5) sapphires are also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamadeva
Kama ( sa, काम, ), also known as Kamadeva and Manmatha, is the Hindu god of love and desire, often portrayed alongside his consort, Rati. The Atharvaveda, Atharva Veda regards Kamadeva as the wielder of the creative power of the universe, also describing him to have been "born at first, him neither the gods nor the fathers ever equalled". He is described to be attended by the celestial nymphs of Hindu mythology, the Apsara, apsaras, depicted as a youthful deity of blue or red skin, decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. His most popular legend is his story of incineration by Shiva's third eye while the latter was meditating, later embodied on earth as the eldest son of Krishna and his chief consort Rukmini, Pradyumna. Etymology and other names The name ''Kama-deva'' () can be translated as 'god of love'. ''Deva'' means heavenly or divine, and refers to a deity in Hinduism. ''Kama'' () means "desire" or "longing", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilaka
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champaka
''Magnolia champaca'', known in English as champak (), is a large evergreen tree in the family Magnoliaceae.efloras.org: Flora of China treatment of ''Michelia (Magnolia) champaca'' accessed 7.12.2015 It was previously classified as ''Michelia champaca''. It is known for its fragrant flowers, and its timber used in woodworking. Etymology The species epithet, ''champaca'', comes from the Sanskrit word ().Vernacular names Other vernacular names in include joy perfume tree,[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Shankara
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shankaracharya, ), was an Indian Vedic scholar and teacher (''acharya''), whose works present a harmonizing reading of the ''sastras'', with liberating knowledge of the self at its core, synthesizing the Advaita Vedanta teachings of his time. The title of Shankracharya, used by heads of the amnaya monasteries is derived from his name. Due to his later fame, over 300 texts are attributed to his name, including commentaries (''Bhāṣya''), introductory topical expositions (''Prakaraṇa grantha'') and poetry (''Stotra''). However most of these are likely to be by admirers or pretenders or scholars with an eponymous name.W Halbfass (1983), Studies in Kumarila and Sankara, Studien zur Indologie und Iranistik, Monographic 9, Reinbeck Works known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dattatreya
Dattatreya ( sa, दत्तात्रेय, ), Dattā or Dattaguru, is a paradigmatic Sannyasi (monk) and one of the lords of yoga, venerated as a Hindu god. In Maharashtra, Goa, Andhra Pradesh, Telangana, Karnataka, Gujarat, and Madhya Pradesh he is a syncretic deity, In Bengal he is known as 'Trinath', avatar of the three Hindu gods Brahma, Vishnu, and Shiva, who are also collectively known as the Trimurti. In other regions, and some versions of texts such as Garuda Purana, Brahma Purana and Sattvata Samhita, he is an avatar of Vishnu only. Several Upanishads are dedicated to him, as are texts of the Vedanta-Yoga tradition in Hinduism. One of the most important texts of Hinduism, namely Avadhuta Gita (literally, "song of the free soul") is attributed to Dattatreya. Over time, Dattatreya has inspired many monastic movements in Shaivism, Vaishnavism, and Shaktism, particularly in the Deccan region of India, south India, Gujarat, Madhya Pradesh, Rajasthan and Himalayan regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yogi
A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions.A. K. Banerjea (2014), ''Philosophy of Gorakhnath with Goraksha-Vacana-Sangraha'', Motilal Banarsidass, , pp. xxiii, 297-299, 331 The feminine form, sometimes used in English, is yogini. Yogi has since the 12th century CE also denoted members of the Nath siddha tradition of Hinduism, and in Hinduism, Buddhism and Jainism, a practitioner of tantra.Rita Gross (1993), ''Buddhism After Patriarchy'', SUNY Press, , pages 85–88 In Hindu mythology, the god Shiva and the goddess Parvati are depicted as an emblematic yogi–yogini pair. Etymology In Classical Sanskrit, the word ''yogi'' (Sanskrit: masc ', योगी; fem ') is derived from ''yogin'', which refers to a practitioner of yoga. ''Yogi'' is technically male, and ''yoginī'' is the term used for female practitioners. The two terms are still used with those meanings today, but the word ''yogi'' is also used ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
