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La Vera Costanza (Anfossi)
''La vera costanza'' ("True Constancy"), is an operatic dramma giocoso in three acts by Pasquale Anfossi. The comédie larmoyante-influenced Italian libretto was by Francesco Puttini. The opera preceded Joseph Haydn's better known setting of the same libretto by three years. Performance history The work was first performed on 2 January 1776 at the Teatro delle Dame, Rome. It was successful and performed widely throughout Europe during the following two decades. Roles Synopsis :See synopsis of the Haydn opera. See also *Anfossi's operas ''L'avaro'' and '' Il curioso indiscreto'' * Complete list of Anfossi's operas Sources *Hunter, Mary (1992), 'Vera costanza, La (i)' in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...'', ed. Stanley Sadie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Anfossi
This is a complete list of the operas of the Italian composer Pasquale Anfossi (1727–1797). Anfossi wrote at least 33 opere buffe and drammi giocosi, 26 drammi per musica (opere serie), 8 farse and intermezzi, and 1 'azione drammatica giocosa' (a one-act genre). List References Anfossi page at Operone.de, retrieved 9 November 2009* Robinson, Michael F., and Hunter, Mary (1992), "Anfossi, Pasquale" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London) *Warrack, John John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College o ... and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, {{DEFAULTSORT:Anfossi, Pasquale Lists of operas by composer Lists of compositions by composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Curioso Indiscreto
''Il curioso indiscreto'' ("The Imprudent Curious Man"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto is based on an episode from the 17th-century Spanish novel '' Don Quixote''. The librettist is not known for sure but is thought to be either Giovanni Bertati or Giuseppe Petrosellini. The opera premiered at the Teatro delle Dame in Rome during the Carnival season of 1777. Background and performance history The libretto is based on Chapters XXXIII and XXXIV of ''Don Quixote'' in which a curate staying in the same inn as Don Quixote reads aloud one of the innkeeper's favourite stories, "Ill-Advised Curiosity". It is unclear who Anfossi's librettist was. In his 1970 book ''Das alte Burgtheater als Opernbühne'', Otto Michtner lists Giovanni Bertati as the librettist. However, the 2000 edition of ''The New Grove Dictionary of Music and Musicians'' notes that could have been either Bertati or Giuseppe Petrosellini. The premiere of ''Il cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'avaro (Anfossi)
''L'avaro'' ("The Miser"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy ''The Miser''. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities. Background and performance history Anfossi was a prolific composer. ''L'avaro'' was the 25th of his 70 or more operas and one of the three which he had composed for the 1775 season at Venice's Teatro San Moisè. His librettist Giovanni Bertati was equally prolific, having written at least 70 libretti in his lifetime, almost all of them in the ''dramma giocoso'' genre. The premiere production of ''L'avaro'' had sets designed by Domenico and Gerolamo Mauri and costumes by Giuseppe Tadio. The performance was accompanied by a ballet, ''La serenata interrotta, o sia Il triplice matrimonio'' ("The Seren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vera Costanza
' (''True Constancy''), Hob. 28/8, is an operatic dramma giocoso by Joseph Haydn. The Italian libretto was a shortened version of the one by Francesco Puttini set by Pasquale Anfossi for the opera of the same name given in Rome in 1776. The story explores the troubles of a sentimental heroine abandoned by a mad lover. Performance history The work was written for the Eszterházy court and was first performed on 25 April 1779. It was revived there in April 1785 when Haydn apparently had to re-create much of the opera from memory, the original having been largely lost. It was given in Bratislava, Budapest, Vienna and Brno between 1786 and 1792 under the title ''Der flatterhafte Liebhaber''. The Vienna performance was directed by Wolfgang Amadeus Mozart. In Paris in 1791, it was performed as ''Laurette''. The opera was recorded in May 1976 by Philips in association with the Radio Suisse Romande & European Broadcasting Union. In 1980 the opera was given its United States premiere a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
