Il Curioso Indiscreto
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Il Curioso Indiscreto
''Il curioso indiscreto'' ("The Imprudent Curious Man"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto is based on an episode from the 17th-century Spanish novel '' Don Quixote''. The librettist is not known for sure but is thought to be either Giovanni Bertati or Giuseppe Petrosellini. The opera premiered at the Teatro delle Dame in Rome during the Carnival season of 1777. Background and performance history The libretto is based on Chapters XXXIII and XXXIV of ''Don Quixote'' in which a curate staying in the same inn as Don Quixote reads aloud one of the innkeeper's favourite stories, "Ill-Advised Curiosity". It is unclear who Anfossi's librettist was. In his 1970 book ''Das alte Burgtheater als Opernbühne'', Otto Michtner lists Giovanni Bertati as the librettist. However, the 2000 edition of ''The New Grove Dictionary of Music and Musicians'' notes that could have been either Bertati or Giuseppe Petrosellini. The premiere of ''Il cu ...
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Circa
Circa is a word of Latin origin meaning 'approximately'. Circa or CIRCA may also refer to: * CIRCA (art platform), art platform based in London * Circa (band), a progressive rock supergroup * Circa (company), an American skateboard footwear company * Circa (contemporary circus), an Australian contemporary circus company * Circa District, Abancay Province, Peru * Circa, a disc-binding notebook system * Circa Theatre, in Wellington, New Zealand * Clandestine Insurgent Rebel Clown Army, a UK activist group * Circa News, an online news and entertainment service * Circa Complex, twin skyscrapers in Los Angeles, California * ''Circa'' (album), an album by Michael Cain * Circa Resort & Casino Circa Resort & Casino is a casino and hotel resort in downtown Las Vegas, Nevada, on the Fremont Street Experience. The property was previously occupied by the Las Vegas Club hotel-casino, the Mermaids Casino, and the Glitter Gulch strip club. Ci ...
, a hotel in downtown Las Vegas ...
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Aloysia Weber
''Aloysia'' is a genus of flowering plants in the verbena family, Verbenaceae. They are known generally as beebrushes.''Aloysia''.
Integrated Taxonomic Information System (ITIS).
They are native to the Americas, where they are distributed in s, as well as in subtropical and s.Siedo, S. J. (2012)

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1777 Operas
Events January–March * January 2 – American Revolutionary War – Battle of the Assunpink Creek: American general George Washington's army repulses a British attack by Lieutenant General Charles Cornwallis, in a second battle at Trenton, New Jersey. * January 3 – American Revolutionary War – Battle of Princeton: American general George Washington's army defeats British troops. * January 13 – Mission Santa Clara de Asís is founded in what becomes Santa Clara, California. * January 15 – Vermont declares its independence from New York, becoming the Vermont Republic, an independent country, a status it retains until it joins the United States as the 14th state in 1791. * January 21 – The Continental Congress approves a resolution "that an unauthentic copy, with names of the signers of the Declaration of independence, be sent to each of the United States. * February 5 – Under the 1st Constitution of Georgia, 8 counti ...
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List Of Operas By Anfossi
This is a complete list of the operas of the Italian composer Pasquale Anfossi (1727–1797). Anfossi wrote at least 33 opere buffe and drammi giocosi, 26 drammi per musica (opere serie), 8 farse and intermezzi, and 1 'azione drammatica giocosa' (a one-act genre). List References Anfossi page at Operone.de, retrieved 9 November 2009* Robinson, Michael F., and Hunter, Mary (1992), "Anfossi, Pasquale" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London) *Warrack, John John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College o ... and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, {{DEFAULTSORT:Anfossi, Pasquale Lists of operas by composer Lists of compositions by composer ...
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L'avaro (Anfossi)
''L'avaro'' ("The Miser"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy ''The Miser''. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities. Background and performance history Anfossi was a prolific composer. ''L'avaro'' was the 25th of his 70 or more operas and one of the three which he had composed for the 1775 season at Venice's Teatro San Moisè. His librettist Giovanni Bertati was equally prolific, having written at least 70 libretti in his lifetime, almost all of them in the ''dramma giocoso'' genre. The premiere production of ''L'avaro'' had sets designed by Domenico and Gerolamo Mauri and costumes by Giuseppe Tadio. The performance was accompanied by a ballet, ''La serenata interrotta, o sia Il triplice matrimonio'' ("The Seren ...
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Maggiordomo
A majordomo is a person who speaks, makes arrangements, or takes charge for another. Typically, this is the highest (''major'') person of a household (''domūs'' or ''domicile'') staff, a head servant who acts on behalf of the owner of a large or significant residence. A majordomo may also, more informally, be someone who oversees the day-to-day responsibilities of a business enterprise. Historically, many institutions and governments – monasteries, cathedrals, and cities – as well as noble and royal houses also had the post of majordomo, who usually was in charge of finances. Additionally, the Hispanos of New Mexico use the related term ''mayordomo'' to refer to the manager of an ''acequia'' system for a town or valley. Etymology The origin is from (), and it was borrowed into English from Spanish or obsolete Italian . Also, it is found as French , modern Italian , Portuguese and Galician language, Galician , and Romanian language, Romanian and Catalan language, Catal ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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