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La Gioconda (opera)
''La Gioconda'' is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on '' Angelo, Tyrant of Padua'', a 1835 play in prose by Victor Hugo (the same source Gaetano Rossi had used for his libretto for Mercadante's '' Il giuramento'' in 1837). First performed in 1876, ''La Gioconda'' was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's ''Aida'' (1871) and ''Otello'' (1887). It is also a famous example of the Italian genre of ''Grande opera'', the equivalent of French '' Grand-Opéra''. Ponchielli revised the work twice; the third and final version (that is used to this day) was first performed in 1880. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six major voice types. The opera also includes the famous ballet ''Dance of the Hours'', oft ...
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Amilcare Ponchielli
Amilcare Ponchielli (, ; 31 August 1834 – 16 January 1886) was an Italian opera composer, best known for his opera ''La Gioconda''. He was married to the soprano Teresina Brambilla. Life and work Born in Paderno Fasolaro (now Paderno Ponchielli) near Cremona, then Kingdom of Lombardy–Venetia, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old. In 1856 he wrote his first opera—it was based on Alessandro Manzoni's great novel '' The Betrothed'' (''I promessi sposi'')—and it was as an opera composer that he eventually found fame. His early career was disappointing. Maneuvered out of a professorship at the Milan Conservatory that he had won in a competition, he took small-time jobs in small cities, and composed several operas, none successful at first. In spite of his disappointment, he gained much experience as the bandmaster (''capobanda'') in Piacenza and Cremona, arrangin ...
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Maddalena Mariani Masi
Maddalena Mariani Masi (185025 September 1916), sometimes written Maddalena Mariani-Masi, was an Italian soprano and voice teacher. She created the title role of Ponchielli's '' La Gioconda'' in 1876 at La Scala in Milan, and appeared in the role at several Italian theatres and the Liceu in Barcelona. She also frequently appeared as Marguerite in Boito's ''Mefistofele''. Life Born Maddalena Mariani in Florence, she studied the piano at the conservatory in her hometown. She studied voice there and further in Vienna. She made her stage debut at the Teatro Rossini in Pesaro in 1871. The following year, she appeared at La Scala in Milan, first as Agathe in Weber's ''Der Freischütz''. In 1874, she performed there the role of Juliette in Gounod's '' Roméo et Juliette''. She created the role of Romilda in Filippo Marchetti's ''Gustavo Wasa'' in 1875, and Aldona in a new version of Ponchielli's ''I Lituani''. She created the title role in the world premiere of Ponchielli's '' La Gi ...
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Giudecca
Giudecca (; vec, Zueca) is an island in the Venetian Lagoon, in northern Italy. It is part of the ''sestiere'' of Dorsoduro and is a locality of the ''comune'' of Venice. Geography Giudecca lies immediately south of the central islands of Venice, from which it is separated by the Giudecca Canal. San Giorgio Maggiore lies off its eastern tip. History Giudecca was known in ancient times as the ''Spinalunga'' (meaning "Long Thorn"). The name ''Giudecca'' may represent a corruption of the Latin "Judaica" ("Judaean") and so may be translated as " the Jewry": a number of towns in Southern Italy and Sicily have Jewish quarters named Giudecca or Judeca. However, the original Venetian Ghetto was in Cannaregio, in the north of the city, and there is no evidence, but for the name, of Jews ever having lived in Giudecca. Furthermore, the term "Giudecca" was not used to denote the Jewish quarters of towns in northern Italy. Giudecca was historically an area of large palaces with gardens, ...
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Suicide
Suicide is the act of intentionally causing one's own death. Mental disorders (including depression, bipolar disorder, schizophrenia, personality disorders, anxiety disorders), physical disorders (such as chronic fatigue syndrome), and substance abuse (including alcoholism and the use of and withdrawal from benzodiazepines) are risk factors. Some suicides are impulsive acts due to stress (such as from financial or academic difficulties), relationship problems (such as breakups or divorces), or harassment and bullying. Those who have previously attempted suicide are at a higher risk for future attempts. Effective suicide prevention efforts include limiting access to methods of suicide such as firearms, drugs, and poisons; treating mental disorders and substance abuse; careful media reporting about suicide; and improving economic conditions. Although crisis hotlines are common resources, their effectiveness has not been well studied. The most commonly adopted metho ...
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Ca' D'Oro
The Ca' d'Oro or Palazzo Santa Sofia is a palace on the Grand Canal in Venice, northern Italy. One of the older palaces in the city, its name means "golden house" due to the gilt and polychrome external decorations which once adorned its walls. Since 1927, it has been used as a museum, as the Galleria Giorgio Franchetti. It has long been regarded as the best surviving palazzo in Venetian Gothic architecture, retaining all the most characteristic features, despite some losses. On the facade, the loggia-like window group of closely spaced small columns, with heavy tracery with quatrefoil openings above, uses the formula from the Doge's Palace that had become iconic. There are also the byzantine-inspired decoration along the roofline, and patterning in fancy coloured stone to the flat wall surfaces. The smaller windows show a variety of forms with an ogee arch, capped with a relief ornament, and the edges and zone boundaries are marked with ropework reliefs. The third act of ...
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Gioconda (soprano), Figurino Di Alfredo Edel Per La Gioconda (1876) - Archivio Storico Ricordi ICON005187
''La Gioconda'' is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on '' Angelo, Tyrant of Padua'', a 1835 play in prose by Victor Hugo (the same source Gaetano Rossi had used for his libretto for Mercadante's '' Il giuramento'' in 1837). First performed in 1876, ''La Gioconda'' was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's ''Aida'' (1871) and ''Otello'' (1887). It is also a famous example of the Italian genre of ''Grande opera'', the equivalent of French '' Grand-Opéra''. Ponchielli revised the work twice; the third and final version (that is used to this day) was first performed in 1880. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six major voice types. The opera also includes the famous ballet ''Dance of the Hours'', ofte ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Gottardo Aldighieri
Gottardo Aldighieri (6 January 1824 – 11 May 1906) was an Italian operatic baritone who had a major opera career in Italy from 1858 to 1885. He possessed a powerful and beautiful voice and appeared on the stages of most of Italy's great opera houses. He sang a broad repertoire which encompassed works by Italian, French, and German composers. His vocal range was wide, which enabled him to tackle some tenor roles during his career, although he mostly stayed within the baritone repertory. The composer Luigi Arditi devoted his famous waltz song, ''Il bacio'', to him. He was married to the soprano Maria Spezia-Aldighieri, who also had an important opera career in Italy. He is the great grandfather of singer George Aaron. Life and career Born in Lazise, Aldighieri studied with Domenico Foroni in Verona and Francesco Lamperti in Milan. He made his professional opera debut in 1858 at the Teatro Nuovo di Novara as Germont in Giuseppe Verdi's ''La traviata''. He spent the next two ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Julián Gayarre
Sebastián Julián Gayarre Garjón (9 January 1844 in Roncal, Navarre, Spain – 2 January 1890 in Madrid, Spain), better known as Julián Gayarre, was a Spanish opera singer who created the role of Marcello in Donizetti's '' Il Duca d'Alba'' and Enzo in Ponchielli's '' La Gioconda''. Although he faced strong competition for this title from the likes of Roberto Stagno, Italo Campanini, Angelo Masini and Francesco Tamagno, Gayarre was regarded by many late 19th-century music commentators as being the supreme Italianate tenor of his generation. Biography The man who was to become one of Europe's most celebrated singers was born and raised in a Navarre family in the small Pyrenean town of Roncal. The third child of Mariano Gayarre and Maria Ramona Garjón, a couple of modest means, he left school at 13 to work as a shepherd. When he was 15, his father sent him to Pamplona to work in a shop. It was there that he had his first contact with music. It was a passion that would cost ...
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