La Donna Serpente (opera)
''La donna serpente'' (''The Snake Woman'') is a 1932 opera by Alfredo Casella to a libretto by Cesare Vico Lodovici based on the fable, ''La donna serpente'', by Carlo Gozzi.Giorgio Bagnoli ''The La Scala Encyclopedia of the Opera'' 1993 p 114 0671870424 "DONNA SERPENTE, LA (The Snake Woman) Fairy-tale opera in a prologue and three acts by Alfredo Casella (1883–1947) ... By avoiding the temptations of a realistic narrative, and being more concerned with music rather than dramatic effect, Casella displays in La donna serpente all his best qualities as a composer...". The same fable was the basis of Wagner's first opera, ''Die Feen''. The plot concerns a king, Altidòr, who falls in love with a fairy, Miranda. The fairy's father curses Altidòr that if he curses Miranda, she shall turn into a snake. Recordings *''La donna serpente'' (LP). Mirto Picchi, Magda László, Renata Mattioli, Luisella Ciaffi, Coro di Milano della Rai, Giulio Bertola. Orchestra Sinfonica di Milano della ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfredo Casella
Alfredo Casella (25 July 18835 March 1947) was an Italian composer, pianist and conductor. Life and career Casella was born in Turin, the son of Maria (née Bordino) and Carlo Casella. His family included many musicians: his grandfather, a friend of Paganini, was first cello in the San Carlo Theatre in Lisbon and eventually became soloist in the Royal Chapel in Turin. Alfredo's father, Carlo, was also a professional cellist, as were Carlo's brothers Cesare and Gioacchino; his mother was a pianist, who gave the boy his first music lessons. Alfredo entered the Conservatoire de Paris in 1896 to study piano under Louis Diémer and composition under Gabriel Fauré; in these classes, Lazare-Lévy, George Enescu and Maurice Ravel were among his fellow students. During his Parisian period, Claude Debussy, Igor Stravinsky and Manuel de Falla were acquaintances, and he was also in contact with Ferruccio Busoni, Gustav Mahler and Richard Strauss. Casella developed a deep admi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fabio Luisi
Fabio Luisi (born 17 January 1959) is an Italian conductor. He is currently principal conductor of the Danish National Symphony Orchestra, music director of the Dallas Symphony Orchestra, and chief conductor of the NHK Symphony Orchestra. Biography Luisi was born in Genoa. He attended the Conservatorio Nicolò Paganini and was a student of Memi Schiavina. After receiving his degree in piano studies, he continued piano instruction with Aldo Ciccolini and Antonio Bacchelli. Luisi developed an interest in conducting while working as a piano accompanist, and he studied conducting at the conservatory in Graz with Milan Horvat. He worked at the Graz Opera as an accompanist and conductor. His first conducting appearance was in Italy in 1984. From 1990 to 1995, he was principal conductor of the Graz Symphony Orchestra. From 1995 to 2000, he served as Artistic Director and Chief Conductor of the Tonkünstlerorchester in Vienna. From 1996 to 1999, he was one of three main conduct ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1932 Operas
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gianandrea Noseda
Gianandrea Noseda (born 23 April 1964, Sesto San Giovanni, Italy) is an Italian conductor. Biography Noseda studied piano and composition in Milan. He began conducting studies at age 27. He furthered his conducting studies with Donato Renzetti, Myung-Whun Chung and Valery Gergiev. His professional conducting debut was in 1994 with the Orchestra Sinfonica di Milano Giuseppe Verdi. In 1994, Noseda won the Cadaqués Orchestra International Conducting Competition and became principal conductor of the Cadaqués Orchestra in the same year. He became principal guest conductor at the Mariinsky Theatre in St Petersburg in 1997. He has also served as principal guest conductor of the Rotterdam Philharmonic Orchestra and artistic director of the ''Settimane Musicali di Stresa e del Lago Maggiore'' Festival in Italy. In 2001, he became artistic director of the Stresa Festival in Italy. In 2007, Noseda became Music Director of the Teatro Regio di Torino. Noseda led the Teatro Regio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teatro Regio (Turin)
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bongiovanni (record Label)
F. Bongiovanni (1905) of Bologna is an Italian classical music publisher and, since 1975, classical record label. The company was founded by Francesco Bongiovanni to publish the works of then modern composers such as Respighi, Zandonai, Alfano, Pietro Cimara, and Francesco Balilla Pratella. Among the most famous pieces published by Bongiovanni are Respighi's Nebbie and Balilla Pratella's futurist manifesto in music, Musica Futurista. Bongiovanni played a central role in promoting music written by the composers of the Generazione dell'80, and in 1938 Alfredo Casella wrote: "The history of music in Bologna can't be written without the name Bongiovanni". In 1975, Bongiovanni produced its first record, a live recital of Mirella Freni, for which the company received the 1976 Award of the Italian Record Critics. At that time, professional produced live recordings of classical music were still a rarity, and the then owner Giancarlo Bongiovanni can be seen as a pioneer in this regard. Soon ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zuzana Marková (soprano)
Zuzana Marková (born 1988) is a Czech coloratura soprano who appears in leading roles internationally, with a focus on Italian belcanto roles, such as Donizetti's Lucia di Lammermoor and Bellini's Elvira. Training Born in Prague, Marková studied at the Prague Conservatory, voice with her mother Jiřina Marková, piano with , and conducting with Miriam Němcová and Hynek Farkač. She participated in master classes with Mietta Sighele and Veriano Luchetti in Riva del Garda, Italy. She further studied with Paola Pittaluga from the Teatro Comunale di Bologna in 2010 and 2011. Career In 2003, Marková won the "Prague Singer" competition, and won second prize in the "Dušek's Singing Competition" in Prague. In 2012, she won second prize at the Ernst Häfliger International Singing Competition in Switzerland. Marková made her opera debut at the age of sixteen, performing as Frantiska in Emil František Burian's ''Opera z pouti'' at the National Moravian-Silesian Theatre in Os ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Donna Serpente
''La donna serpente'' is a fable by Carlo Gozzi which premiered at the Teatro Sant'Angelo, Venice, in 1762. The play was adapted as a children's TV film, broadcast Rete 1, 26 March 1976, directed by :it:Alessandro Brissoni, starring Ave Ninchi, Carlo Bagno, Enrico Osterman and Gianni Bortolotto. Plot The plot concerns a fairy princess, Cherestani, whose marriage to a mortal Farruscad was opposed and given a curse-like condition by her father the fairy king Demogorgon. Farruscad is made to swear never to curse his wife Cherestani, no matter what she does. If he does, she will be transformed into a snake for 200 years. Opera settings The fable was the basis for Wagner's ''Die Feen'' (1833) and Casella's ''La donna serpente'' (1932), but not—as sometimes incorrectly reported— Friedrich Heinrich Himmel's 1806 opera ''Die Sylphen'', which is based on another Gozzi fable, ''La Zobeide''. Wagner's interest in Gozzi was probably influenced by his uncle Adolph Wagner's translation o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fernando Previtali
Fernando Previtali (16 February 1907 Adria, Italy – 1 August 1985, Rome, Italy) was an Italian conductor, particularly associated with the Italian repertory, especially Verdi operas. He studied at the Giuseppe Verdi Music Conservatory in Turin, and later with Franco Alfano. He began his career as assistant conductor to Vittorio Gui in Florence from 1928 to 1935, and later in Genoa from 1935 to 1936. He was artistic director of the RAI National Symphony Orchestra from 1936 until 1953, and conducted the Verdi cycle in 1951, to commemorate the composer's 50th death anniversary, and left recordings of ''Nabucco'', '' Ernani'', ''La battaglia di Legnano'', ''Il trovatore'', and ''Don Carlo''. He also conducted at all the major opera houses of Italy, and was principal conductor at the Teatro Colón in Buenos Aires in the 1960s. He was appointed artistic director of the Teatro Regio in Turin in 1970, and later of the Teatro Comunale in Genoa. He conducted the first performances ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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RAI National Symphony Orchestra
The RAI National Symphony Orchestra ( it, italic=no, Orchestra Sinfonica Nazionale della RAI) is an Italian symphony radio orchestra, owned by the public radio and television company RAI. Its primary concert venue is the Auditorium RAI in the Piazza Rossaro in Turin. Its concerts are broadcast on Rai Radio 3. The current artistic director is Ernesto Schiavi. The orchestra was formed in 1994 by the merger of four former RAI orchestras of Turin, Milan, Rome, and Naples, which had been founded starting in 1931. History In 1931, the EIAR, Italy's newly formed public radio authority, founded its first symphony orchestra in Turin. Subsequent radio orchestras were established in Rome (1936), Milan (1950) and Naples (1948, integrated to the RAI in 1956). In 1994, the RAI merged its four orchestras (RAI Symphony Orchestra of Turin, RAI Symphony Orchestra of Rome, RAI Symphony Orchestra of Milan, and RAI Alessandro Scarlatti Chamber Orchestra of Naples) to form the national orchestra, base ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |