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La Donna Serpente
''La donna serpente'' is a fable by Carlo Gozzi which premiered at the Teatro Sant'Angelo, Venice, in 1762. The play was adapted as a children's TV film, broadcast Rete 1, 26 March 1976, directed by :it:Alessandro Brissoni, starring Ave Ninchi, Carlo Bagno, Enrico Osterman and Gianni Bortolotto. Plot The plot concerns a fairy princess, Cherestani, whose marriage to a mortal Farruscad was opposed and given a curse-like condition by her father the fairy king Demogorgon. Farruscad is made to swear never to curse his wife Cherestani, no matter what she does. If he does, she will be transformed into a snake for 200 years. Opera settings The fable was the basis for Wagner's ''Die Feen'' (1833) and Casella's ''La donna serpente'' (1932), but not—as sometimes incorrectly reported— Friedrich Heinrich Himmel's 1806 opera ''Die Sylphen'', which is based on another Gozzi fable, ''La Zobeide''. Wagner's interest in Gozzi was probably influenced by his uncle Adolph Wagner's translation o ...
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Carlo Gozzi
__NOTOC__ Carlo, Count Gozzi (; 13 December 1720 – 4 April 1806) was an Italian ( Venetian) playwright and champion of Commedia dell'arte. Early life Gozzi was born and died in Venice; he came from a family of minor Venetian aristocracy, the Tiepolos. At a young age, his parents were no longer able to support him financially, so he joined the army in Dalmatia. Three years later, he had returned to Venice and joined the Granelleschi Society. This society was dedicated to the pursuit of preservation of Tuscan literature from the influence of foreign culture; it was particularly interested in saving traditional Italian comedy such as Commedia dell'arte. Works Pietro Chiari and Carlo Goldoni, two Venetian writers, were moving away from the old style of Italian theatre, which threatened the work of the Granelleschi Society. In 1757 Gozzi defended Commedia dell'arte by publishing a satirical poem, ''La tartana degli influssi per l'anno 1756''; and in 1761, in his comedy based on ...
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William Kinderman
William Andrew Kinderman (born 1 November 1952) is an American author and music scholar who plays the piano. Life Born in Philadelphia, Kinderman studied music and philosophy at Dickinson College in Pennsylvania and later the same subjects at the University of Music and Performing Arts Vienna and the University of Vienna. He studied musicology at Yale University and University of California, Berkeley. He held a professorship at the University of Victoria in British Columbia, Canada, has taught at the University of Illinois at Urbana-Champaign and currently is professor and inaugural Leo and Elaine Krown Klein Chair of Performance Studies, Herb Alpert School of Music, University of California, Los Angeles. His research focuses on Beethoven, Mozart, Wagner. He has also written on the creative process in music, and on literary subjects including Thomas Mann. His composition for piano, Bee v has received performances and recordings. Books * ''Beethoven’s Diabelli Variations.' ...
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Fiction About Curses
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Works About Princesses
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * Samuel Works (c. 1781–1868), New York politician Albums * '' ''Works'' (Pink Floyd album)'', a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (human activity), intentional activity people perform to support themselves, others, or the community ** ...
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Fairies And Sprites In Popular Culture
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a ...
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Plays By Carlo Gozzi
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Italian Plays Adapted Into Films
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ...
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Plays Adapted Into Operas
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ...
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1762 Plays
Year 176 ( CLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Proculus and Aper (or, less frequently, year 929 ''Ab urbe condita''). The denomination 176 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * November 27 – Emperor Marcus Aurelius grants his son Commodus the rank of ''Imperator'', and makes him Supreme Commander of the Roman legions. * December 23 – Marcus Aurelius and Commodus enter Rome after a campaign north of the Alps, and receive a triumph for their victories over the Germanic tribes. * The Equestrian Statue of Marcus Aurelius is made. It is now kept at Museo Capitolini in Rome (approximate date). Births * Fa Zheng, Chinese nobleman and adviser (d. 220) * Liu Bian, Chinese emperor of the Han Dynasty (d ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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Teatro Sant'Angelo
The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi Giovanni e Paolo in 1654, Teatro San Samuele 1655, Teatro San Salvatore 1661, Teatro San Giovanni Crisostomo in 1667. The Teatro San Angelo was located in the Campo San 'Angelo, facing the Grand Canal and Rialto Bridge, on the sites of two demolished palazzi belonging to the Marcellos and Capellos. The project was completed in 1676 by Francesco Santorini, and opened in 1677 under the families of Benedetto Marcello and the Capellos. The house was opened with the opera ''Helena rapita da Paride'' of Domenico Freschi, (1677) and continued with operas by Freschi, Gasparini, Albinoni and Bononcini. From around 1715 onwards the house was best known as the venue of many of the operas of Antonio Vivaldi.John Booth ''Vivaldi'' 1989 "O ...
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Friedrich Heinrich Himmel
Friedrich Heinrich Himmel (November 20, 1765 – June 8, 1814) was a German composer. Biography Himmel was born at Treuenbrietzen in Brandenburg, Prussia, and originally studied theology at Halle before turning to music. During a temporary stay at Potsdam he had an opportunity of showing his self-acquired skill as a pianist before King Frederick William II, who thereupon provided him with a yearly allowance to enable him to complete his musical studies. This he did under Johann Gottlieb Naumann, a German composer of the Italian school, and the style of that school Himmel himself adopted in his operas. The first of these, a pastoral opera, ''Il primo navigatore'', was produced at Venice in 1794 with great success. In 1792, he went to Berlin, where his oratorio ''Isaaco'' was produced, in consequence of which he was made court Kapellmeister to the king of Prussia. In that capacity he wrote a great deal of official music, including cantatas and a coronation ''Te Deum''. His Ital ...
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