Zuzana Marková (soprano)
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Zuzana Marková (soprano)
Zuzana Marková (born 1988) is a Czech coloratura soprano who appears in leading roles internationally, with a focus on Italian belcanto roles, such as Donizetti's Lucia di Lammermoor and Bellini's Elvira. Training Born in Prague, Marková studied at the Prague Conservatory, voice with her mother Jiřina Marková, piano with , and conducting with Miriam Němcová and Hynek Farkač. She participated in master classes with Mietta Sighele and Veriano Luchetti in Riva del Garda, Italy. She further studied with Paola Pittaluga from the Teatro Comunale di Bologna in 2010 and 2011. Career In 2003, Marková won the "Prague Singer" competition, and won second prize in the "Dušek's Singing Competition" in Prague. In 2012, she won second prize at the Ernst Häfliger International Singing Competition in Switzerland. Marková made her opera debut at the age of sixteen, performing as Frantiska in Emil František Burian's ''Opera z pouti'' at the National Moravian-Silesian Theatre in Os ...
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Salvatore Sciarrino
Salvatore Sciarrino (born 4 April 1947) is an Italian composer of contemporary classical music. Described as "the best-known and most performed Italian composer" of the present day, his works include ''Quaderno di strada'' (2003) and ''La porta della legge'' (2006–08). Biography A native of Palermo, the young Sciarrino was attracted to the visual arts, but began experimenting with music when he was twelve. Though he had some lessons from Antonino Titone and Turi Belfiore, he is primarily self-taught as a composer. After his classical studies and a few years of university in his home city, in 1969 he moved to Rome, where he attended Franco Evangelisti's course in electronic music at the Accademia di Santa Cecilia. In 1977, Sciarrino moved from Rome to Milan, where he taught at the conservatory until 1982. By this time his compositional career had expanded to the point where he could withdraw from teaching, and he moved to Città di Castello, in Umbria, where he has lived ever s ...
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Ostrava
Ostrava (; pl, Ostrawa; german: Ostrau ) is a city in the north-east of the Czech Republic, and the capital of the Moravian-Silesian Region. It has about 280,000 inhabitants. It lies from the border with Poland, at the confluences of four rivers: Oder, Opava, Ostravice and Lučina. Ostrava is the third largest city in the Czech Republic in terms of both population and area, the second largest city in the region of Moravia, and the largest city in the historical land of Czech Silesia. It straddles the border of the two historic provinces of Moravia and Silesia. The wider conurbation – which also includes the towns of Bohumín, Havířov, Karviná, Orlová, Petřvald and Rychvald – is home to about 500,000 people, making it the largest urban area in the Czech Republic apart from the capital Prague. Ostrava grew in importance due to its position at the heart of a major coalfield, becoming an important industrial engine of the Austrian empire. During the 20th century it was k ...
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ...
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Cologne Opera
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of C ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Alceste (Gluck)
''Alceste'', Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play ''Alcestis'' by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna. The famous preface When Gluck published the score of ''Alceste'' in Vienna in 1769, he added a famous preface in Italian almost certainly written by Calzabigi, which set out their ideals for operatic reform, whose programmatic points follow those exposed by Francesco Algarotti in his ''Saggio sopra l'opera in musica'' (''Essay on opera in music'', 1755), namely: * no da capo arias, * no opportunity for vocal improvisation or virtuosic displays of vocal agility or power, * no long melismas, * a more predominantly syllabic setting of the text to make the words more intelligible, * far less repetition of text within an aria, * a blurring of the distinction between recitative and aria, decla ...
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ...
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Il Cappello Di Paglia Di Firenze
''Il cappello di paglia di Firenze'' (''The Florentine Straw Hat'', usually titled in English language productions as ''The Italian Straw Hat'') is an opera by Nino Rota to an Italian-language libretto by the composer and his mother, Ernesta Rota Rinaldi, based on the play '' Un chapeau de paille d'Italie'' by Eugène Labiche and Marc-Michel. The opera premièred at the Teatro Massimo, Palermo, on 21 April 1955. The first performance in the United States was at the Santa Fe Opera in 1977, with Ragnar Ulfung as Fadinard, Ashley Putnam as Elena, Kathryn Day as Anaide, and Stephen Dickson as Emilio. The first New York City performance, starring Vincenzo Manno as Fadinard, took place in 1978. More recently, the opera was performed at the 2013 Wexford Festival. Roles Synopsis :Place: Paris :Time: 1850 Act 1 ''Fadinard's house'' The wedding day of Fadinard, a well-to-do young man, and Elena, the daughter of Nonancourt, a rich country bumpkin. Elena's deaf uncle, Vézinet, ap ...
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Teatro Massimo
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (at the time of its inauguration, it was - with its area of 7730 m² - the third largest opera house in Europe after the Palais Garnier in Paris, and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics. Construction and opening An international competition for the creation of the opera house was announced by the Palermo Council in 1864 at the instigation of the mayor, Antonio Starrabba di Rudinì. For many years there had been talk of building a large new theatre in Palermo, worthy of the second biggest city in southern Italy (after Naples) and designed to promote the image of the city following the unification of Italy in 1861. The opera house was designed, and overseen by the Italian architect Giovan Battista Filippo Basile, who was ...
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Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovat ...
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Teatro Comunale, Florence
The is an opera house in Florence, Italy. It was originally built as the open-air amphitheatre, the Politeama Fiorentino Vittorio Emanuele, which was inaugurated on 17 May 1862 with a production of Donizetti's ''Lucia di Lammermoor'' and which seated 6,000 people. It became the focus on cultural life in the city. After closure caused by fire, it reopened in April 1864 and acquired a roof in 1882. By 1911 it had both electricity and heating. In 1930 the building was taken over by the city authorities who renamed it the ''Teatro Comunale''. Bombing during the Second World War damaged the building once again, and other problems closed it for three years in 1958. Finally, in May 1961, the then-modernized theatre reopened with Verdi's ''Don Carlo''. It had become a 2,000 seat elliptically shaped auditorium consisting of a large orchestra section, one tier of boxes, and two wide semicircular galleries, which betray the building's amphitheatre origins. As the theatre became more clo ...
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