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La Chasse, The Hunt (Gleizes)
''La Chasse'', also referred to as ''The Hunt'', is a painting created in 1911 by the French artist, theorist and writer Albert Gleizes. The work was exhibited at the 1911 Salon d'Automne (no. 610); Jack of Diamonds, Moscow, 1912; the Salon de la Société Normande de Peinture Moderne, Rouen, summer 1912; the Salon de la Section d'Or, Galerie La Boétie, 1912 (no. 37), ''Le Cubisme'', Musée National d'Art Moderne, Paris, 1953 (no. 64 bis), and several major exhibitions during subsequent years. In 1913 the painting was reproduced in '' Les Peintres Cubistes, Méditations esthétiques'' by Guillaume Apollinaire. Executed in a highly dynamic Cubist style, with multiple faceted views, the work nevertheless retains recognizable elements relative to its subject matter. Description ''La Chasse'' is an oil painting on canvas with dimensions 123.2 by 99 cm (48.5 x 39 inches) signed "Albert Gleizes", lower right. Painted in 1911. In this outdoor hunting scene the horizon line is a ...
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Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of ''Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1 ...
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Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ...
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Jacques Villon
Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Early life Born Émile Méry Frédéric Gaston Duchamp in Damville, Eure, in Normandy, France, he came from a prosperous and artistically inclined family. While he was a young man, his maternal grandfather Émile Frédéric Nicolle, a successful businessman and artist, educated Villon and his siblings. Gaston Duchamp was the elder brother of: *Raymond Duchamp-Villon (1876–1918), sculptor *Marcel Duchamp (1887–1968), painter, sculptor and author * Suzanne Duchamp-Crotti (1889–1963), painter In 1894, he and his brother Raymond moved to Montmartre in Paris. There, he studied law at the University of Paris, but received his father's permission to study art on the condition that he must continue studying law. To distinguish himself from his siblings, Gaston Duchamp adopted the pseudonym of Jacques Villon as a tribute to the French med ...
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André Lhote
André Lhote (5 July 1885 – 24 January 1962) was a French Cubist painter of figure subjects, portraits, landscapes and still life. He was also active and influential as a teacher and writer on art. Early life and education Lhote was born 5 July 1885 in Bordeaux, France, and learned wood carving and sculpture from the age of 12, when his father apprenticed him to a local furniture maker to be trained as a sculptor in wood. He enrolled at the École des Beaux-Arts in Bordeaux in 1898 and studied decorative sculpture until 1904. Whilst there, he began to paint in his spare time and he left home in 1905, moving into his own studio to devote himself to painting. He was influenced by Gauguin and Cézanne and held his first one-man exhibition at the Galerie Druet in 1910, four years after he had moved to Paris. Career After initially working in a Fauvist style, Lhote shifted towards Cubism and joined the Section d'Or group in 1912, exhibiting at the Salon de la Section d'Or. He ...
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Roger De La Fresnaye
Roger de La Fresnaye (; 11 July 1885 – 27 November 1925) was a French Cubist painter. Early years and education La Fresnaye was born in Le Mans where his father, an officer in the French army, was temporarily stationed. The La Fresnayes were an aristocratic family whose ancestral home, the Château de La Fresnaye, is in Falaise. His education was classically based, and was followed from 1903 to 1904 by studies at the Académie Julian in Paris, and from 1904 to 1908 at the École des Beaux-Arts. From 1908 he studied at the Académie Ranson under Maurice Denis and Paul Sérusier, whose joint influence is evident in early works such as ''Woman with Chrysanthemums'', 1909. This demonstrates the dreamlike symbolist ambience and stylistic character of work by the Les Nabis group. In 1909, Fresnaye travelled to Munich, where he encountered the German Expressionists, and then, in 1911, to northern Italy where he began to introduce more cuboid and abstract elements into his own painting ...
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Le Goûter (Tea Time)
''Le Goûter'', also known as ''Tea Time'' (''Tea-Time''), and ''Femme à la Cuillère'' (''Woman with a teaspoon'') is an oil painting created in 1911 by the French artist and theorist Jean Metzinger (1883–1956). It was exhibited in Paris at the Salon d'Automne of 1911, and the Salon de la Section d'Or, 1912. The painting was first reproduced (illustrated) in Chroniques Médico-Artistique, ''Le Sabotage Anatomique au Salon d'Automne'' (1911).Chroniques Médico-Artistique, ''Le Sabotage Anatomique au Salon d'Automne'', Paris médical : la semaine du clinicien. - 1911, n° 04, partie paramédicale
BIU Santé - Rec ...
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Portrait Of Jacques Nayral (Gleizes)
''Portrait of Jacques Nayral'' (also known as ''Portrait de Jacques Nayral'') is a large oil painting created in 1911 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was exhibited in Paris at the Salon d'Automne of 1911 (no. 609), the Salon de la Section d'Or, 1912 (no. 38), and reproduced in ''Du "Cubisme"'' written by Jean Metzinger and Albert Gleizes in 1912, the first and only manifesto on Cubism. Metzinger in 1911 described Gleizes' painting as 'a great portrait'. ''Portrait of Jacques Nayral'', one of Gleizes' first major Cubist works, while still 'readable' in the Figurative art, figurative or Representation (arts), representational sense, exemplifies the mobile, dynamic fragmentation of form characteristic of Cubism at the outset of 1911. Highly sophisticated in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or. Here, Gleizes deploys these techniques in a radical, personal and ...
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Jean Metzinger, Le Goûter, Tea Time, 1911, 75
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Albert Gleizes, 1911, Portrait De Jacques Nayral, Oil On Canvas, 161
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Le Chemin, Paysage à Meudon (Gleizes)
''Le Chemin, Paysage à Meudon'' also known as ''Paysage avec personage'', is an oil on canvas painted in 1911 by the artist, theorist and writer Albert Gleizes. The work was exhibited at the Salon des Indépendants during the spring of 1911, Paris; Les Indépendants, Musée moderne de Bruxelles, 1911; Galeries Dalmau, ''Exposicio d'art cubista'', Barcelona, 1912; Galerie La Boétie, ''Salon de La Section d'Or'', 1912. The painting was reproduced in the journal ''Le Siècle'' (1912) in an article titled ''Enquête sur le Cubisme'', by Olivier Hourcade. ''Le Chemin'' was identified by Hector Feliciano as having been plundered by the Nazis from the home of collector Alphonse Kann during World War II. It was returned to the heirs of Alphonse Kann in July 1997 and placed at public auctions in New York (1999) and London (2010) respectively. Description ''Le Chemin, Paysage à Meudon'' is an oil painting on canvas with dimensions , signed and dated 'Albert Gleizes 1911' (lower right); ...
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André Dunoyer De Segonzac
André Dunoyer de Segonzac (6 July 1884 – 17 September 1974) was a French painter and graphic artist. Biography Segonzac was born in Boussy-Saint-Antoine and spent his childhood there and in Paris. His parents wanted him to attend the military academy of Saint-Cyr but, recognizing his strong interest in drawing, they agreed to his enrollment at the Free Academy of Luc-Olivier Merson. Merson's academic style of instruction did not suit Segonzac, however, and, following a period of military service, he studied at the Académie de La Palette, whose staff included Jacques Émile Blanche (he would later teach at La Palette with Jean Metzinger and Henri Le Fauconnier). Soon giving this up in favor of an independent course, free of any masters, he later cited 1906 as the starting date of his artistic career. His first submission to the Salon d'Automne was in 1908; the next year he exhibited at the Salon des Indépendants, and for the next several years he exhibited regularly at both. ...
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Georges Braque
Georges Braque ( , ; 13 May 1882 – 31 August 1963) was a major 20th-century List of French artists, French painter, Collage, collagist, Drawing, draughtsman, printmaker and sculpture, sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Early life Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and interior decorator, decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 189 ...
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