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Le Chemin, Paysage à Meudon (Gleizes)
''Le Chemin, Paysage à Meudon'' also known as ''Paysage avec personage'', is an oil on canvas painted in 1911 by the artist, theorist and writer Albert Gleizes. The work was exhibited at the Salon des Indépendants during the spring of 1911, Paris; Les Indépendants, Musée moderne de Bruxelles, 1911; Galeries Dalmau, ''Exposicio d'art cubista'', Barcelona, 1912; Galerie La Boétie, ''Salon de La Section d'Or'', 1912. The painting was reproduced in the journal ''Le Siècle'' (1912) in an article titled ''Enquête sur le Cubisme'', by Olivier Hourcade. ''Le Chemin'' was identified by Hector Feliciano as having been plundered by the Nazis from the home of collector Alphonse Kann during World War II. It was returned to the heirs of Alphonse Kann in July 1997 and placed at public auctions in New York (1999) and London (2010) respectively. Description ''Le Chemin, Paysage à Meudon'' is an oil painting on canvas with dimensions , signed and dated 'Albert Gleizes 1911' (lower right); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of ''Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Klee
Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures ''Writings on Form and Design Theory'' (''Schriften zur Form und Gestaltungslehre''), published in English as the ''Paul Klee Notebooks'', are held to be as important for modern art as Leonardo da Vinci's ''A Treatise on Painting'' was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. Early life and training Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Kle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christie's
Christie's is a British auction house founded in 1766 by James Christie (auctioneer), James Christie. Its main premises are on King Street, St James's in London, at Rockefeller Center in New York City and at Alexandra House in Hong Kong. It is owned by Groupe Artémis, the holding company of François-Henri Pinault. Sales in 2015 totalled £4.8 billion (US$7.4 billion). In 2017, the ''Salvator Mundi (Leonardo), Salvator Mundi'' was sold for $400 million at Christie's in New York, at the time List of most expensive paintings, the highest price ever paid for a single painting at an auction. History Founding The official company literature states that founder James Christie (auctioneer), James Christie (1730–1803) conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766. However, other sources note that James Christie rented auction rooms from 1762, and newspaper advertisements for Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvest Threshing
''Le Dépiquage des Moissons'', also known as ''Harvest Threshing'', and ''The Harvesters'', is an immense oil painting created in 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was first revealed to the general public at the Salon de la Section d'Or, ''Galerie La Boétie'' in Paris, October 1912 (no. 43). This work, along with ''La Ville de Paris'' (''City of Paris'') by Robert Delaunay, is the largest and most ambitious Cubism, Cubist painting undertaken during the pre-War Cubist period. Formerly in the collection of the Solomon R. Guggenheim Museum in New York, this monumental painting by Gleizes is exhibited at the National Museum of Western Art, in Tokyo, Japan. Description The work is an oil painting on canvas with dimensions 269 x 353 cm (106 x 138 in), signed and dated lower right, Gleizes, 1912. "''Harvest Threshing''", wrote curator and art historian Daniel Robbins (art historian), Daniel Robbins for the Gleizes Guggenheim Retrospect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arbre, The Tree (Gleizes)
''L'Arbre (The Tree)'', is a painting created in 1910 by the French artist, theorist and writer Albert Gleizes. Executed in an advanced Proto-Cubist style, the work was exhibited in Paris at the Salon des Indépendants, 1910 (no. 2160), the following year Gleizes chose to exhibit this work at the Salon de la Section d'Or, Galerie La Boétie, 1912 (no. 34), and Manes Moderni Umeni, S.V.U., Vystava, Prague, 1914 (no. 33). The painting was again shown at the Grand Palais, Salon des Indépendants, ''Trente ans d'art indépendant'', in 1926. ''L'Arbre'', an important work of 1910, appeared at the decisive Salon des Indépendants of 1911, where Cubism emerged as a group manifestation and spread across the globe, at times shocking the general public. Description ''L'Arbre (The Tree)'' is an oil painting on canvas with dimensions 92 × 73.2 cm ( by inches), signed and dated ''Albert Gleizes 10'', lower right. Gleizes practically subjugates The Tree in the foreground—it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Cubism
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse. With its roots stemming from at least the late 19th century, this period is characterized by a move towards the radical geometrization of form and a reduction or limitation of the color palette (in comparison with Fauvism). It is essentially the first experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism. Proto-Cubist artworks typically depict objects in geometric schemas of cubic or conic shapes. The illusion of classical Perspective (graphical), perspective is progressively st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simultaneity (art)
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Simultaneity may refer to: * Relativity of simultaneity, a concept in special relativity. * Simultaneity (music), more than one complete musical texture occurring at the same time, rather than in succession * Simultaneity, a concept in Endogeneity See also *Non-simultaneity *Diversity factor, or simultaneity factor *Time Structured Mapping Time Structured Mapping (TSM) is a score based system created and used by the composer Pete M Wyer. It uses the bar-lines found in conventional musical scores to indicate durational periods during which performers, who may include actors, sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Baigneuses (Gleizes)
''Les Baigneuses'' (also known as ''The Bathers'') is a large oil painting created at the outset of 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was exhibited at the Salon des Indépendants in Paris during the spring of 1912; the Salon de la Société Normande de Peinture Moderne, Rouen, summer 1912; and the Salon de la Section d'Or, autumn 1912. The painting was reproduced in ''Du "Cubisme"'', written by Albert Gleizes and Jean Metzinger the same year: the first and only manifesto on Cubism. ''Les Baigneuses'', while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or group. Gleizes deploys these techniques in "a radical, personal and coherent manner". Purchase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Braque
Georges Braque ( , ; 13 May 1882 – 31 August 1963) was a major 20th-century List of French artists, French painter, Collage, collagist, Drawing, draughtsman, printmaker and sculpture, sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Early life Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and interior decorator, decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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