L'étoile De Séville
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L'étoile De Séville
''L'Étoile de Séville'' (''The Star of Seville'') is a grand opera in four acts composed by Michael William Balfe to a libretto by Hippolyte Lucas based on Andrés de Claramonte's 1623 play ''La Estrella de Sevilla''.Casaglia also credits Léon Pillet Léon Pillet (6 December 1803 – 20 March 1868),Huebner 1992. was a 19th-century French journalist, civil servant, and director of the Paris Opera from 1840 to 1847. A political appointee, he was probably the least successful director of the Paris ... for the libretto, but only Lucas is given authorship in the printed libretto. Lucas does thank Pillet for "benevolent guidance and experienced care" op. 3 Pillet was the director of the Paris Opera at the time. It premiered at the Théâtre de l'Académie Royale de Musique in Paris on 17 December 1845 with Rosine Stoltz in the title role. Roles References Notes Sources *Barrett, William Alexander (1882)''Balfe: His Life and Work'' Remington and Co. * *Lucas, Hippolyte (1845 ...
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Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Operas Based On Plays
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1845 Operas
Events January–March * January 10 – Elizabeth Barrett receives a love letter from the younger poet Robert Browning; on May 20, they meet for the first time in London. She begins writing her ''Sonnets from the Portuguese''. * January 23 – The United States Congress establishes a uniform date for federal elections, which will henceforth be held on the first Tuesday after the first Monday in November. * January 29 – ''The Raven'' by Edgar Allan Poe is published for the first time, in the ''New York Evening Mirror''. * February 1 – Anson Jones, President of the Republic of Texas, signs the charter officially creating Baylor University (the oldest university in the State of Texas operating under its original name). * February 7 – In the British Museum, a drunken visitor smashes the Portland Vase, which takes months to repair. * February 28 – The United States Congress approves the annexation of Texas. * March 1 – President John Tyler signs a bill authorizing the Un ...
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Grand Operas
Grand may refer to: People with the name * Grand (surname) * Grand L. Bush (born 1955), American actor * Grand Mixer DXT, American turntablist * Grand Puba (born 1966), American rapper Places * Grand, Oklahoma * Grand, Vosges, village and commune in France with Gallo-Roman amphitheatre * Grand Concourse (other), several places * Grand County (other), several places * Grand Geyser, Upper Geyser Basin of Yellowstone * Grand Rounds National Scenic Byway, a parkway system in Minneapolis, Minnesota, United States * Le Grand, California, census-designated place * Grand Staircase, a place in the US. Arts, entertainment, and media * ''Grand'' (Erin McKeown album), 2003 * ''Grand'' (Matt and Kim album), 2009 * ''Grand'' (magazine), a lifestyle magazine related to related to grandparents * ''Grand'' (TV series), American sitcom, 1990 * Grand piano, musical instrument * Grand Production, Serbian record label company * The Grand Tour, a new British automobile show Oth ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Michael Balfe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Ferdinand Prévôt
Ferdinand Prévôt (2 May 1800 – 11 June 1879)Pierre 1900p. 834 was a French operatic bass-baritone.Kutsch & Riemens 2003, p. 3763. His surname is also found spelled as Prevot or Prévost. He was born Pierre-Ferdinand Prévôt in Caussade (Tarn-et-Garonne). He studied at the Paris Conservatory, winning the first prize in ''vocalisation'' and second prize in ''chant'' in 1823. The son of a singer, he appeared in the Paris Opéra chorus in 1818. He made his debut as a soloist in Grétry's ''Anacréon chez Polycrate'' on 15 March 1824. He enjoyed a long career creating a number of minor roles in important operas. He sometimes sang in the same performances with his son Alexis Prévôt (a bass) and/or Alexandre Prévôt (also a bass). Since first names are sometimes not given in the sources, it is not always possible to determine which singer is meant. Prévôt retired in 1857 and died in Vulaines in 1879. Roles created *Adam in the revised version of ''La mort d'Abel'' b ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Paul Barroilhet
Paul-Bernard Barroilhet (22 September 1810 – April 1871) was a French operatic baritone. Career Barroilhet was born in Bayonne. He studied at the Conservatoire de Paris and then with David Banderali in Milan. He began his career in Italy during the early 1830s, performing under the name Paolo Barroilhet and making a name for himself as an exceptional singer, particularly in Naples. He returned to France in 1840 to join the roster of artists at the Opéra National de Paris, where he performed under his birth name. However, he left the Paris Opera in 1847 after differences with the company's management. The by now wealthy Bairrolhet elected to withdraw completely from the stage and he found a new vocation as a painter and art collector. He came out of retirement briefly for appearances in Madrid in 1851–1852, performing Don Carlo in ''Ernani''. Barroilhet is best remembered today for originating roles in several operas by Gaetano Donizetti and Fromental Halévy. For ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Italo Gardoni
Italo Gardoni (12 March 1821 – 26 March 1882) was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century. Along with Giovanni Mario, Gaetano Fraschini, Enrico Tamberlik and Antonio Giuglini, he was one of the most celebrated Italian tenors of his era. His voice was not large but it was exceptionally pure toned and sweet, lacking any disruptive vibrato. He sang legato passages with impressive smoothness but he could also dispatch florid music with flair and considerable agility. Career Born in Parma, Gardoni studied with Antonio De Cesari (1797–1853). He made his debut as ''Roberto Devereux'' (Donizetti) in Viadana in 1840, and over the following 7 years made his career in France, Italy and Germany. In Paris in December 1844 he was Bothwell in the Paris première of Louis Niedermeyer's opera '' Marie Stuart'' at the Théâtre de l'Académie Royale de Musique opposite the soprano Rosine Sto ...
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