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Paul Barroilhet
Paul-Bernard Barroilhet (22 September 1810 – April 1871) was a French operatic baritone. Career Barroilhet was born in Bayonne. He studied at the Conservatoire de Paris and then with David Banderali in Milan. He began his career in Italy during the early 1830s, performing under the name Paolo Barroilhet and making a name for himself as an exceptional singer, particularly in Naples. He returned to France in 1840 to join the roster of artists at the Opéra National de Paris, where he performed under his birth name. However, he left the Paris Opera in 1847 after differences with the company's management. The by now wealthy Bairrolhet elected to withdraw completely from the stage and he found a new vocation as a painter and art collector. He came out of retirement briefly for appearances in Madrid in 1851–1852, performing Don Carlo in '' Ernani''. Barroilhet is best remembered today for originating roles in several operas by Gaetano Donizetti and Fromental Halévy. For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Barroilhet 1847
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer * Pope Paul (other), multiple Popes of the Roman Catholic Church * Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire * Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general * Julius Paulus Prudentissimus (), Roman jurist * Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer * Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Lazzarone
''Le lazzarone, ou Le bien vient en dormant'' (''The Lad from Naples, or Good comes from Sleeping)'' is an opéra in two acts with music by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. It was premiered on 29 March 1844 at the Paris Opéra. At the instruction of Léon Pillet, the director of the Opéra, the opera was written as a vehicle for his mistress Rosine Stoltz (who had recently borne him a child). After some severe critical reactions, the opera was not successful and has not been revived. Performance history The inappropriate casting of a far-from-splendid 31-year-old portraying a Neapolitan teenager was not appreciated by the Parisian critics. A review in the ''Revue et gazette musicale'' sardonically regretted the Opéra's 'dearth of tenors', and noted that the composer was 'forced to do without a timbre of voice so essential to an opera.' Hector Berlioz wrote that 'the orchestration is too grandiose, too pompous, too loud and even too slow f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1810 Births
Year 181 ( CLXXXI) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Burrus (or, less frequently, year 934 ''Ab urbe condita''). The denomination 181 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Imperator Lucius Aurelius Commodus and Lucius Antistius Burrus become Roman Consuls. * The Antonine Wall is overrun by the Picts in Britannia (approximate date). Oceania * The volcano associated with Lake Taupō in New Zealand erupts, one of the largest on Earth in the last 5,000 years. The effects of this eruption are seen as far away as Rome and China. Births * April 2 – Xian of Han, Chinese emperor (d. 234) * Zhuge Liang, Chinese chancellor and regent (d. 234) Deaths * Aelius Aristides, Greek orator and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bruce (opera)
''Robert Bruce'' is an 1846 pastiche opera in three acts, with music by Gioachino Rossini and Louis Niedermeyer to a French-language libretto by Alphonse Royer and Gustave Vaëz. The plot concerns the defeat of the forces of Edward II of England by Robert the Bruce, King of Scots, and is adapted from Walter Scott's ''History of Scotland''. The music was stitched together by Niedermeyer, with the composer's permission, with pieces from ''La donna del lago'', ''Zelmira'', and other Rossini operas. The work was premiered on 30 December 1846, by the Paris Opera at the Salle Le Peletier.Osborne 1986, p. 288. In his second edition (2007), Osborne gives the date of the premiere on p. 137 as 23 December and on p. 357 as 30 December. Weinstock 1968, p. 238, explains that the premiere was originally scheduled for 23 December, which is the date found in the printed libretto, but was postponed to 30 December because the lead mezzo-soprano, Rosine Stoltz, was ill. See also ''Le Ménestrel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Niedermeyer
Abraham Louis Niedermeyer (27 April 180214 March 1861) was a Swiss and naturalized French composer. He chiefly wrote church music and a few operas. He also taught music and took over the École Choron, renamed École Niedermeyer de Paris, a school for the study and practice of church music, with students that include several eminent French musicians such as Gabriel Fauré and André Messager. Life and career Niedermeyer was born in Nyon in 1802. His father was a music teacher from Würzburg, Germany, who had settled in Switzerland after his marriage. When Louis reached the age of 15, his father sent him to Vienna to learn music. There, he studied piano with Ignaz Moscheles and composition with Emanuel Aloys Förster. He then studied in Rome with Vincenzo Fioravanti, the choirmaster of the papal Chapel (1819) and in Naples with Niccolò Antonio Zingarelli. While in Rome, he met Gioachino Rossini, who befriended him and encouraged him to write operas. His first opera, ''Il reo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Stuart (opera)
''Marie Stuart'' is a grand opera in five acts composed by Louis Niedermeyer to a libretto by Théodor Anne loosely based on events in the life of Mary, Queen of Scots. It premiered at the Théâtre de l'Académie Royale de Musique in Paris on 6 December 1844 with Rosine Stoltz in the title role. Background and performance history ''Marie Stuart'' was Niedermeyer's fourth opera and his second foray into the grand opera genre. Although some sources, e.g. Garo (2011), have written that the libretto is based on Friedrich Schiller's 1800 play, '' Mary Stuart'', this provenance does not appear in the libretto published in 1845 or the synopsis published in 1844, and the opera is quite different from the play. Schiller's play depicts only the last two days in the life of Mary, Queen of Scots while the opera spans the period from 1561 to 1587 with the setting moving from France to Scotland and finally to England. Niedermeyer composed the score in less than a year, and the work premiered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas ''Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as "O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Adrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Lillo
Giuseppe Lillo (26 February 1814 - 4 February 1863) was an Italian composer. He is best known for his operas which followed in the same vein of Gioachino Rossini. He also produced works for solo piano, a small amount of sacred music, and some chamber music. Francesco Bussi. "Lillo, Giuseppe", ''The New Grove Dictionary of Music and Musicians'', 2001. Life and career Born in Galatina in the Province of Lecce, Lillo was the son of conductor Giosuè Lillo. He received his earliest musical training from his father before entering the Naples Conservatory where he studied harmony and counterpoint with Giovanni Furno, piano with Francesco Lanza, and composition with Niccolò Antonio Zingarelli. His first composition, a mass for four voices and orchestra, premiered to a warm reception in 1834. As a composer Lillo primarily composed music for the stage. His first opera, ''La moglie per 24 ore, ossia L’ammalato di buona salute'', premiered successfully at the Real Collegio di Musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Da Feltre
''Elena da Feltre'' is an opera in three acts by 19th-century Italian composer Saverio Mercadante from a libretto by Salvatore Cammarano, well known as librettist of Donizetti's ''Lucia di Lammermoor'' and Verdi's ''Il trovatore''. The premiere took place at the Teatro San Carlo in Naples on 1 January 1839 as part of the Carnival Season. While not successful at the time, the opera was revived at La Scala in 1843 with twenty performances. Mercadante's "revolution" When composing ''Elena da Feltre'' in 1838, Mercadante wrote to Francesco Florimo, laying out his ideas about how opera should be structured, following the "revolution" begun in his previous opera, '' Il giuramento'': :"I have continued the revolution I began in ''Il giuramento'': varied forms, cabalettas banished, crescendos out, vocal lines simplified, fewer repeats, more originality in the cadences, proper regard paid to the drama, orchestration rich but not so as to swamp the voices, no long solos in the ensembles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vestale (Mercadante)
''La vestale'' (''The Vestal Virgin'') is an opera by Italian composer Saverio Mercadante. It takes the form of a ''tragedia lirica'' in three acts. The libretto, by Salvadore Cammarano, was influenced by Victor-Joseph Étienne de Jouy's libretto for Spontini's more famous 1807 opera of the same name. The opera's first performance took place at the Teatro San Carlo, Naples, on 10 March 1840. Performance history After its first performance, the opera was one of the most frequently performed of Mercadante's operas, with around one hundred and fifty given. The opera was revived at the Wexford Festival in 2004. Cast members included Doriana Milazzo as Emilia and Dante Alcalá as Decio.Tom Kaufman,"Mercadante: ''Il vestale''"on operatoday.com, 24 January 2006. Retrieved 27 January 2013 Roles Synopsis :Place: Ancient Rome :Time: the Gallic Wars Act 1 ''A sacred wood'' Emilia, who believes that her lover, the warrior Decio, is dead, has joined the Vestal Virgins. The Gran Vesta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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