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Kirtimukha
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirthimukha At Kasivisvesvara Temple At Lakkundi
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makara (Hindu Mythology)
''Makara'' ( sa, मकर, translit=Makara) is a legendary sea-creature in Hindu mythology. In Hindu astrology, Makara is equivalent to the Zodiac sign Capricorn. Makara appears as the vahana (vehicle) of the river goddess Ganga, Narmada, and of the god of the ocean, Varuna. Makara are considered guardians of gateways and thresholds, protecting throne rooms as well as entryways to temples; it is the most commonly recurring creature in Hindu and Buddhist temple iconography, and also frequently appears as a gargoyle or as a spout attached to a natural spring. Makara-shaped earrings called ''Makarakundalas'' are sometimes worn by Hindu deities, for example Shiva, Vishnu, Surya, and Chandi. Makara is also the insignia of the love god Kamadeva, who has no dedicated temples and is also known as ''Makaradhvaja'', "one whose flag depicts a makara". Etymology ''Makara'' is a Sanskrit word which means "sea-animal, crocodile". Josef Friedrich Kohl of Würzburg University and sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavaksha
In Indian architecture, gavaksha or chandrashala (''kudu'' in Tamil, also nāsī) are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". ''Gavākṣha'' (or gavaksa) is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world. Like the whole of the classic chaitya, the form originated i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel (architecture)
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angkor
Angkor ( km, អង្គរ , 'Capital city'), also known as Yasodharapura ( km, យសោធរបុរៈ; sa, यशोधरपुर),Headly, Robert K.; Chhor, Kylin; Lim, Lam Kheng; Kheang, Lim Hak; Chun, Chen. 1977. ''Cambodian-English Dictionary''. Bureau of Special Research in Modern Languages. The Catholic University of America Press. Washington, D.C. Chuon Nath Khmer Dictionary (1966, Buddhist Institute, Phnom Penh). was the capital city of the Khmer Empire. The city and empire flourished from approximately the 9th to the 15th centuries. The city houses the Angkor Wat, one of Cambodia's most popular tourist attractions. The name ''Angkor'' is derived from ''nokor'' (), a Khmer word meaning "kingdom" which in turn derived from Sanskrit ''nagara'' (), meaning "city". The Angkorian period began in AD 802, when the Khmer Hindu monarch Jayavarman II declared himself a "universal monarch" and "god-king", and lasted until the late 14th century, first falling under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borobudur
Borobudur, also transcribed Barabudur ( id, Candi Borobudur, jv, ꦕꦤ꧀ꦝꦶꦧꦫꦧꦸꦝꦸꦂ, Candhi Barabudhur) is a 9th-century Mahayana Buddhist temple in Magelang Regency, not far from the town of Muntilan, in Central Java, Indonesia. It is the world's largest Buddhist temple. The temple consists of nine stacked platforms, six square and three circular, topped by a central dome. It is decorated with 2,672 relief panels and originally 504 Buddha statues. The central dome is surrounded by 72 Buddha statues, each seated inside a perforated stupa. Built in the 9th century during the reign of the Sailendra Dynasty, the temple design follows Javanese Buddhist architecture, which blends the Indonesian indigenous tradition of ancestor worship and the Buddhist concept of attaining nirvāṇa. The temple demonstrates the influences of Gupta art that reflects India's influence on the region, yet there are enough indigenous scenes and elements incorporated to make Boro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sailendra
The Shailendra dynasty (, derived from Sanskrit combined words ''Śaila'' and ''Indra'', meaning "King of the Mountain", also spelled Sailendra, Syailendra or Selendra) was the name of a notable Indianised dynasty that emerged in 8th-century Java, whose reign signified a cultural renaissance in the region. The Shailendras were active promoters of Mahayana Buddhism with the glimpses of Hinduism, and covered the Kedu Plain of Central Java with Buddhist monuments, one of which is the colossal stupa of Borobudur, now a UNESCO World Heritage Site. The Shailendras are considered to have been a thalassocracy and ruled vast swathes of maritime Southeast Asia, however they also relied on agricultural pursuits, by way of intensive rice cultivation on the Kedu Plain of Central Java. The dynasty appeared to be the ruling family of both the Mataram Kingdom of Central Java, for some period, and the Srivijaya Kingdom in Sumatra. The inscriptions created by Shailendras use three languages; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karnataka
Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnataka'' in 1973. The state corresponds to the Carnatic region. Its capital and largest city is Bengaluru. Karnataka is bordered by the Lakshadweep Sea to the west, Goa to the northwest, Maharashtra to the north, Telangana to the northeast, Andhra Pradesh to the east, Tamil Nadu to the southeast, and Kerala to the southwest. It is the only southern state to have land borders with all of the other four southern Indian sister states. The state covers an area of , or 5.83 percent of the total geographical area of India. It is the sixth-largest Indian state by area. With 61,130,704 inhabitants at the 2011 census, Karnataka is the eighth-largest state by population, comprising 31 districts. Kannada, one of the classical languages of India, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikkamagaluru District
Chikmagalur, officially Chikkamagaluru is an administrative district in the Malnad subregion of Karnataka, India. Coffee was first cultivated in India in Chikmagalur. The hills of Chikmagalur are parts of the Western Ghauts and the source of Tunga and Bhadra rivers. Mullayanagiri, the highest peak in Karnataka is located in the district. The area is well known for the Sringeri Mutt that houses the ''Dakshina Peeta'' established by Adi Shankaracharya. Etymology Chikmagalur district gets its name from its headquarters of Chikmagalur town. It is alternatively spelt as ''Chikkamagaluru'' or ''Chikmagalur''. Chikmagalur literally means "The town of the younger daughter" in the Kannada language. The town is said to have been given as a dowry to the younger daughter of Rukmangada, the legendary chief of Sakkarepatna and hence the name. History Chikmagalur is the region where the Hoysala rulers started and spent the early days of their dynasty. According to a legend, it was at Sosevu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amruthapura
The Amruteshvara temple also spelt "Amrutesvara" or "Amruteshwara", is located in the village of Amruthapura, 67 km north of Chikmagalur town in the Chikkamagaluru district of the Karnataka state, India. Located 110 km from Hassan and 50 km from Shimoga on NH 206, Amruthapura is known for the Amruteshvara temple . The temple was built in 1196 C.E. by Amrutheshwara ''Dandanayaka'' (''lit'', "commander") under Hoysala King Veera Ballala II. Amrutesvara temple The temple is a built according to Hoysala architecture with a wide open ''mantapa'' (hall).Foekema (1996), p37 The temple has an original outer wall with unique equally spaced circular carvings. The temple has one ''vimana'' (shrine and tower) and therefore is a ''ekakuta'' design,Quote:"Depending on the number of towers, temples are classified as ''ekakuta'' (one), ''dvikuta'' (two), ''trikuta'' (three), ''chatushkuta'' (four) and ''panchakuta'' (five). The last two types are rare. Sometimes a ''tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharwad District
Dharwad is an administrative district of the state of Karnataka in southern India.The administrative headquarters of the district is the city of Dharwad, also known as Dharwar. Dharwad is located 425 km northwest of Bangalore and 421 km southeast of Pune, on the main highway between Chennai and Pune, the National Highway 4 (NH4). Before 1997 the district had an area of 13738 km2. In 1997, the new districts of Gadag and Haveri were carved out of Dharwad's former territory, and a portion of Dharwad district was combined with lands formerly part of three other districts to create the new district of Davanagere. History Historical studies show that people from early Paleolithic age inhabited Dharwad district. The district was ruled by various dynasties from the 5th century onwards, Important among them are Badami and Kalyan Chalukyas, Rastrakutas, Vijayanagar, Adilshahi, Mysore kingdom and Peshawas of Pune. Due to the rule of Peshwas, influence of Marathi is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
