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Amruthapura
The Amruteshvara temple also spelt "Amrutesvara" or "Amruteshwara", is located in the village of Amruthapura, 67 km north of Chikmagalur town in the Chikkamagaluru district of the Karnataka state, India. Located 110 km from Hassan and 50 km from Shimoga on NH 206, Amruthapura is known for the Amruteshvara temple . The temple was built in 1196 C.E. by Amrutheshwara ''Dandanayaka'' (''lit'', "commander") under Hoysala King Veera Ballala II. Amrutesvara temple The temple is a built according to Hoysala architecture with a wide open ''mantapa'' (hall).Foekema (1996), p37 The temple has an original outer wall with unique equally spaced circular carvings. The temple has one ''vimana'' (shrine and tower) and therefore is a ''ekakuta'' design,Quote:"Depending on the number of towers, temples are classified as ''ekakuta'' (one), ''dvikuta'' (two), ''trikuta'' (three), ''chatushkuta'' (four) and ''panchakuta'' (five). The last two types are rare. Sometimes a ''tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.Hardy (1995), p. 320, p. 321, p. 324, p. 325, p. 329, p. 332, p. 334, p. 339, p. 340, p. 346Foekema (1996), p. 53, p. 37, p. 71, p. 81, p. 41, p. 43, p. 83 Study of the Hoysala architectural style has revealed a negligible Indo-Aryan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veera Ballala II
Veera Ballala II ( kn, ವೀರ ಬಲ್ಲಾಳ 2) (r. 1173–1220 CE) was the most notable monarch of the Hoysala Empire. His successes against the Yadavas of Devagiri, the Southern Kalachuris, the Pandyas of Madurai and the waning Western Chalukya Empire, and his domination over the diminishing Cholas of Tanjore took the Hoysalas to their peak of power.Kamath (1980), pp.126-127Chopra, Ravindran and Subrahmanian (2003), part I, pp.154-155Sastri (1955), p.193 The historian Chaurasia claims by the end of the 12th century, Ballala II's conquests had made the Hoysalas the most powerful dynasty of the Deccan.Radhey Shyam Chaurasia, p.248, ''History of Ancient India: Earliest Times to 1000 A. D.'', Atlantic Publishers (2002), New Delhi, According to historian Derrett, Ballala II was "the most outstanding among Hoysala kings", and historian William Coelho in comparing Ballala II to King Vishnuvardhana writes, "he vied in glory with his grandfather".Kamath (198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha Sculptures On Shikhara (tower) Of Amrutesvara Temple At Amruthapura
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikkamagaluru District
Chikmagalur, officially Chikkamagaluru is an administrative district in the Malnad subregion of Karnataka, India. Coffee was first cultivated in India in Chikmagalur. The hills of Chikmagalur are parts of the Western Ghauts and the source of Tunga and Bhadra rivers. Mullayanagiri, the highest peak in Karnataka is located in the district. The area is well known for the Sringeri Mutt that houses the ''Dakshina Peeta'' established by Adi Shankaracharya. Etymology Chikmagalur district gets its name from its headquarters of Chikmagalur town. It is alternatively spelt as ''Chikkamagaluru'' or ''Chikmagalur''. Chikmagalur literally means "The town of the younger daughter" in the Kannada language. The town is said to have been given as a dowry to the younger daughter of Rukmangada, the legendary chief of Sakkarepatna and hence the name. History Chikmagalur is the region where the Hoysala rulers started and spent the early days of their dynasty. According to a legend, it was at Sosevu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikkamagaluru District
Chikmagalur, officially Chikkamagaluru is an administrative district in the Malnad subregion of Karnataka, India. Coffee was first cultivated in India in Chikmagalur. The hills of Chikmagalur are parts of the Western Ghauts and the source of Tunga and Bhadra rivers. Mullayanagiri, the highest peak in Karnataka is located in the district. The area is well known for the Sringeri Mutt that houses the ''Dakshina Peeta'' established by Adi Shankaracharya. Etymology Chikmagalur district gets its name from its headquarters of Chikmagalur town. It is alternatively spelt as ''Chikkamagaluru'' or ''Chikmagalur''. Chikmagalur literally means "The town of the younger daughter" in the Kannada language. The town is said to have been given as a dowry to the younger daughter of Rukmangada, the legendary chief of Sakkarepatna and hence the name. History Chikmagalur is the region where the Hoysala rulers started and spent the early days of their dynasty. According to a legend, it was at Sosevu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postal Index Number
A Postal Index Number (PIN; sometimes redundantly a PIN code) refers to a six-digit code in the Indian postal code system used by India Post. On 15 August 2022, the PIN system celebrated its 50th anniversary. History The PIN system was introduced on 15 August 1972 by Shriram Bhikaji Velankar, an additional secretary in the Government of India's Ministry of Communications. The system was introduced to simplify the manual sorting and delivery of mail by eliminating confusion over incorrect addresses, similar place names, and different languages used by the public. PIN structure The first digit of a PIN indicates the zone, the second indicates the sub-zone, and the third, combined with the first two, indicates the sorting district within that zone. The final three digits are assigned to individual post offices within the sorting district. Postal zones There are nine postal zones in India, including eight regional zones and one functional zone (for the Indian Army). The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veera Narayana Temple, Belavadi
The Veera Narayana temple, also referred to as the Viranarayana temple of Belavadi, is a triple Hindu temple with a complex Hoysala architecture completed around 1200 CE. Close to Halebidu, this is a better preserved large Hoysala monument found in the small village of Belavadi, Chikkamagaluru district of Karnataka, India. The temple has three separate square sanctums connected through an unusually large square ''ranga-mandapa'' (103 feet). The main shrine faces east and is dedicated to Viranarayana (Vishnu). The north facing shrine is dedicated to Gopala, while the south facing shrine is for Yoga-Narasimha. The temple was likely expanded in stages before it was damaged in the 14th-century, and some features added to protect it from further destruction. The notable features of this stellate-style temple include its exquisitely ornamented Vesara superstructures (''shikara'') with jewelry-like details. Inside are the finely polished galaxy of pillars, some banded as if they are wea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J Duncan M Derrett
John Duncan Martin Derrett (30 August 1922 – 21 October 2012) was Professor of Oriental Laws in the University of London, from 1965 to 1982, and afterwards Emeritus Professor. Derrett was educated at Emanuel School, London, Jesus College, Oxford and the School of Oriental and African Studies, London and was called to the bar by Gray's Inn in 1953. He is the author of a number of works on law and the history of systems of law, India, religion (particularly Christianity) and comparative religion, latterly particularly of comparisons of Christianity with Buddhism. Derrett has also translated works by others into English. Derrett appeared briefly in Dr Robert Beckford's television documentary ''The Hidden Story of Jesus'' (premiered on Channel 4 on 25 December 2007) discussing similarities between some Christian and Buddhist teachings and possible historical reasons for those similarities. With his "A Blemmya in India" (Numen Vol. 49, No. 4 (2002), pp. 460–474) Dr. Derrett ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
