Keshavlal Dhruv
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Keshavlal Dhruv
Dewan Bahadur Keshavlal Harshadrai Dhruv (17 October 1859 – 13 March 1938), also spelt as Keshavlal Harshad Dhruva and known by his pen name Vanmali, was a research scholar, philologist, critic, editor of Middle and Old Gujarati works, and translator of Sanskrit classic poetry and plays from India. He was a professor of Gujarati and taught at Gujarat College. He headed several literary organizations. Life Keshavlal was born on 17 October 1859 in Bahiyel near Dehgam in Gujarat, India. He completed matriculation in 1876 and Bachelor of Arts in 1882. He taught at Premchand Raichand Training College in Ahmedabad for a brief period. Later he joined Ranchhodlal Chotalal High School and was appointed a Headmaster in 1908. He retired from there in 1915 and joined Gujarat College as the professor of Gujarati language and literature. He retired from there in 1934. He headed Gujarat Vidya Sabha from 1920 to 1938. His essay on philology at the first Gujarati Sahitya Parishad, held ...
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Gujarati Sahitya Parishad
Gujarati Sahitya Parishad () is a literary organisation for the promotion of Gujarati literature located in Ahmedabad, Gujarat, India. It was founded by Ranjitram Mehta with the aim of creating literature appealing to all classes of society and cultivating a literary sense among the people. Many prominent people including Mahatma Gandhi and Kanaiyalal Munshi have presided over the organisation. Its headquarters, located on Ashram Road, is known as Govardhan Bhavan. It has a conference hall and library. ''Parab'' is the monthly magazine of the Gujarati Sahitya Parishad and is published on the 10th of every month. Presidents Activities It published seven volumes of the ''History of Gujarati Literature'', of which the first volume covers a period of 1150 A.D to 1450 A.D. A weekly poetry workshop known as Budh Sabha is held on every Wednesday at the World Poetry Center of Parishad. It gives 30 prizes to writers in different genres of literature. The prizes given every ...
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Madhyamavyayoga
'' Madhyamavyayoga'' or ''Madhyama Vyāyoga'' (Hindi: मध्यमव्यायोग), (''The Middle One'') is a Sanskrit play attributed to Bhāsa, a famous Sanskrit poet. There is no consensus regarding when the play was written, and it has been dated variously from 475 BCE to the 11th century CE. The Sanskrit poet Nannaya, who lived around 400 AD, has mentioned Bhasa in his works, and this suggests Bhasa may have lived around 350 AD. However, many scholars disagree, and opine that Bhasa lived around the 7th to 8th centuries CE, placing the play's creation within the same time period. Madhyama Vyayoga focuses on the name confusion between the priest Keshav Das's middle son and the middle Pandava prince Bhima. Also, the reunion of Bhima and Ghatotkach as father and son take place. While the characters in this tale are taken from the ''Mahabharata'', this particular incidence is solely a product of Bhasa. Madhyamavyayoga falls under a particular type of Sanskrit drama cal ...
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Swapnavāsavadatta
''Svapnavasavadattam'' ( sa, स्वप्नवासवदत्तम्, ) (English: ''The dream of Vasavadatta'') is a Sanskrit play in six acts written by the ancient Indian poet Bhāsa. The plot of the drama is drawn from the romantic narratives about the kaushambi king Udayana and Vasavadatta, the daughter of Pradyota, the ruler of Avanti, which were current in the poet's time and which seem to have captivated popular imagination. The main theme of the drama is the sorrow of Udayana for his queen Vasavadatta, believed by him to have perished in a fire, which was actually a rumour spread by Yaugandharayana, a minister of Udayana to compel his king to marry Padmavati, the daughter of the king of Magadha. It forms, in context, a continuation of his another drama, '' Pratijnayaugandharayana''. Background The complete text of the ''Svapnavasavadattam'' was long lost until it was discovered by Indian scholar T. Ganapati Sastri in Kerala in 1912. Characters The main cha ...
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Bhāsa
Bhāsa is one of the earliest and most celebrated Indian playwrights in Sanskrit, predating Kalidasa. His name was already well-known by the 1st century BCE and he belongs to the late-Mauryan (322-184 BCE) period at the earliest, but the thirteen plays attached to his name are commonly dated closer to the first or second century CE. His plays had been lost for centuries until the manuscripts were rediscovered in 1913 by the Indian scholar Ganapati Shastri. Bhāsa had previously only been known from mentions in other works, like the '' Kavyamimamsa'' on poetics from 880–920 AD. In the Kavyamimamsa, Rajashekhara attributes the play '' Swapnavasavadattam'' to Bhāsa. In the introduction to his first play ''Malavikagnimitram'', Kālidāsa wrote: "Shall we neglect the works of such illustrious authors as Bhāsa, Saumilla, and Kaviputra? Can the audience feel any respect for the work of a modern poet, a Kālidāsa?" Date Bhāsa's date of birth is uncertain, but his name was ...
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Geetgovind
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the '' Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmo ...
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Amaru Shataka
The ''Amaruśataka'' or ''Amarukaśataka'' (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7thIntroduction in The ''Amaruśataka'' was alsas part of the volum''Love Lyrics''in the Clay Sanskrit Library or 8th century. The ''Amaruśataka'' ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and 's '. The ninth-century literary critic Anandavardhana declared in his ''Dhvanyaloka'' that "a single stanza of the poet Amaru ... may provide the taste of love equal to what's found in whole volumes." Its verses have been used by poets and critics as examples and standards to judge other poems by. Andrew Schelling describes it as "love poetry original and vivid as that produced anywhere on the planet".Introduction i''Erotic Love Poems from India'' A Translation of the ''Amarushataka'' translated by Andrew Schelling, Shambala Library, 2004. Its subject ...
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Akha Bhagat
Akha Bhagat (commonly known as Akho; ) or Akha Rahiyadas Soni was a mediaeval Gujarati poet who wrote in the tradition of the Bhakti movement. He wrote his poems in a literary form called ''Chhappa'' (six stanza satirical poems). Life His exact dates are unknown, but according to scholars he lived from 1615 to 1674 or 1600 to 1655. A goldsmith by profession, he lived near Ahmedabad in Jetalpur, and later moved to Ahmedabad. His residence in Ahmedabad which is small room in Desaini Pol at Khadia is known as ''Akha no Ordo'' (literally "A room of Akha"). Akho was a goldsmith belonging to Hindu Soni caste and sub-caste Pasawala (Dhanpat). In Rajkot, Kothariya naka (one of the gate of fort) Chowk named after him Akha Bhagat Chowk. Soni Bazar Starts from here. He was a disciple of Saint Gokulnath, grandson of Vallabhacharya, and got inspiration to go towards the way of Bhakti from him. He shared his experience and knowledge in chhappa. The poetry writing style he followed for len ...
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Bhalan
Bhalan (Gujarati: ભાલણ) (b. 15th century in Patan in the present-day Gujarat state in India), was a famous Gujarati poet of the medieval period. Also a scholar of Sanskrit literature, he is considered a major contributor in Bhakti-kal in Gujarati literature. Works According to Narsinhrao Divetia, his best works are ''Kadambari'' and ''Nalakhyan''. ''Kadambari'' is an abridged Gujarati rendering of Banabhatta's well-known Sanskrit prose work '' Kadambari'' in verse. He extracted the pulp from the Puranas and converted it into various significant works, which include ''Nalakhyan'', ''Shiv-Bhiladi Samvad'', ''Durvasa Akhyan'', ''Mrugi Akhyan'', ''Jalandhar Akhyan'', ''Mamaki Akhyan'', ''Chandi Akhyan'' and ''Dhruv Akhyan''. He was an exponent of the genres of the ''Akhyana'' and ''Kavita'' in Gujarati literature. Bhalan also wrote the poems ''Ram Balacharita'' and ''Krishna Balacharita'', which describe the depth of the childness of both gods. Bhalan was the first Gujarat ...
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Prakrit
The Prakrits (; sa, prākṛta; psu, 𑀧𑀸𑀉𑀤, ; pka, ) are a group of vernacular Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and the later Pali. ''Prākṛta'' literally means "natural", as opposed to '' saṃskṛta'', which literally means "constructed" or "refined". Prakrits were considered the regional spoken (informal) languages of people, and Sanskrit was considered the standardized (formal) language used for literary, official and religious purposes across Indian kingdoms of the subcontinent. Literary registers of Prakrits were also used contemporaneously (predominantly by śramaṇa traditions) alongside Classical Sanskrit of higher social classes. Etymology The dictionary of Monier Monier-Williams (1819–1899), and other modern authors however, interpr ...
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