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Amaru Shataka
The ''Amaruśataka'' or ''Amarukaśataka'' (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7thIntroduction in The ''Amaruśataka'' was alsas part of the volum''Love Lyrics''in the Clay Sanskrit Library or 8th century. The ''Amaruśataka'' ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and 's '. The ninth-century literary critic Anandavardhana declared in his ''Dhvanyaloka'' that "a single stanza of the poet Amaru ... may provide the taste of love equal to what's found in whole volumes." Its verses have been used by poets and critics as examples and standards to judge other poems by. Andrew Schelling describes it as "love poetry original and vivid as that produced anywhere on the planet".Introduction i''Erotic Love Poems from India'' A Translation of the ''Amarushataka'' translated by Andrew Schelling, Shambala Library, 2004. Its subject i ...
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Amaru Shataka By Amaru, Early 17th Century
Amaru may refer to: Places * Amaru, Buzău, a village in Buzău County, Romania * Amaru, Rimatara, a village on the island of Rimatara, French Polynesia * Amaru Marka Wasi, an archaeological site in Peru People *Tupac Shakur, Tupac Amaru Shakur, American rapper, actor and poet *Amaru, 7th century Indian poet, author of Amaru Shataka * Aline Amaru (born 1941). Tahitian textile artist * Túpac Amaru, the last indigenous leader of the Inca state in South America * Túpac Amaru II, leader of an indigenous uprising in 1780 against Spanish Viceroyalty of Peru * Bobby Amaru, the lead singer of the American rock band Saliva (band), Saliva Other * Amaru (mythology), a mythical serpent of Inca and other Andean mythology * Amaru Entertainment, a record label founded by the mother of deceased rapper Tupac Shakur * Amaru Ryudo, a fictional character in the ''Sohryuden: Legend of the Dragon Kings'' novels * Amaru, a fictional character in ''Naruto Shippuden the Movie: Bonds'' See also

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Adi Shankara
Adi Shankara ("first Shankara," to distinguish him from other Shankaras)(8th cent. CE), also called Adi Shankaracharya ( sa, आदि शङ्कर, आदि शङ्कराचार्य, Ādi Śaṅkarācāryaḥ, lit=First Shankaracharya, ), was an Indian Vedic scholar and teacher (''acharya''), whose works present a harmonizing reading of the ''sastras'', with liberating knowledge of the self at its core, synthesizing the Advaita Vedanta teachings of his time. The title of Shankracharya, used by heads of the amnaya monasteries is derived from his name. Due to his later fame, over 300 texts are attributed to his name, including commentaries (''Bhāṣya''), introductory topical expositions (''Prakaraṇa grantha'') and poetry (''Stotra''). However most of these are likely to be by admirers or pretenders or scholars with an eponymous name.W Halbfass (1983), Studies in Kumarila and Sankara, Studien zur Indologie und Iranistik, Monographic 9, Reinbeck Works known ...
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Early Medieval Literature
This article presents a list of the historical events and publications of literature during the 6th through 9th Centuries. The list is chronological, and does not include epigraphy or poetry. For poetry, see: 6th, 7th, 8th and 9th century in poetry. For early epigraphy, see List of languages by first written accounts. During this period, a number of classical languages inherited from earlier epochs remain in active use (Chinese, Sanskrit, Latin, Greek, Persian, Hebrew). The same period also sees the rise of newly written vernaculars, partly replacing earlier literary languages (e.g. Old Hindi, Old French, Arabic, Germanic, Celtic, Turkic, etc.). *Literary Chinese in Tang China *Classical Sanskrit in the Middle kingdoms of India *Latin in Christian Europe *Greek in the Byzantine Empire *Middle Persian literature of the late Sassanid period *Tiberian Hebrew as written by the Masoretes *Classical Arabic in the Islamic Caliphate *Classical Armenian literature of Medieval Armenia *Ol ...
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GRETIL
The Göttingen Register of Electronic Texts in Indian Languages (GRETIL) is a comprehensive repository of e-texts in Sanskrit and other Indian languages. It contains several texts related to Indology Indology, also known as South Asian studies, is the academic study of the History of India, history and Culture of India, cultures, Languages of South Asia, languages, and Indian literature, literature of the Indian subcontinent, and as such is a ..., such as philosophical texts. Rather than scanned books or typeset PDF files, these texts are in plain text, in a variety of encodings, and are machine-readable, so that (for instance) word search can be performed on them. It was started by Reinhold Grünendahl, with the intention of being a "cumulative register of the numerous download sites for electronic texts in Indian languages". It is used by many scholars; for instance David Smith writes: "Sanskritists are enormously indebted to this incomparably useful site and to those who have co ...
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Motilal Banarsidass
Motilal Banarsidass Publishing House (MLBD) is an Indian academic publishing house, founded in Delhi, India in 1903. It publishes and distributes serials, monographs, and scholarly publications on Asian religions, Buddhology, Indology, Eastern philosophy, history, culture, arts, architecture, archaeology, language, literature, linguistics, musicology, mysticism, yoga, tantra, occult, medicine, astronomy, and astrology. Amongst its publications are the 100 volumes of the Mahapuranas; the 50 volumes of the ''Sacred Books of the East'', edited by Max Müller; ''Bibliotheca Buddhica'' (30 volumes in 32 pts); Ramcharitmanas with Hindi and English translations; the Manusmriti in 10 volumes and the Sanskrit lexicon; and the 7 volumes of ''Encyclopedia of Indian Philosophies''. It also brings out books based on research and study conducted at organizations such as the Indian Council of Historical Research (ICHR), Indira Gandhi National Centre for the Arts (IGNCA), and Indian Coun ...
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A History Of Sanskrit Literature/Chapter 12
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Arthur Anthony Macdonell
Arthur Anthony Macdonell, FBA (11 May 1854 – 28 December 1930) was a noted Sanskrit scholar. Biography Macdonell was born at Muzaffarpur in the Tirhut region of the state of Bihar in British India, the son of Charles Alexander Macdonell, of the Indian Army. He was educated at Göttingen University, then matriculated in 1876 at Corpus Christi College, Oxford, gaining a classical exhibition and three scholarships (for German, Chinese, and the Boden Scholarship for Sanskrit). He graduated with classical honours in 1880 and was appointed Taylorian Teacher of German (language) at Oxford. In 1883 he obtained his PhD from the University of Leipzig, and then became Deputy Professor of Sanskrit at Oxford in 1888, and Boden Professor of Sanskrit in 1899 (a post that carried with it a fellowship of Balliol College, Oxford). Macdonell edited various Sanskrit texts, wrote a grammar, compiled a dictionary, and published a Vedic grammar, a Vedic Reader, and a work on Vedic mythology ...
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Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or (when bearing copyright data) the " copyright-page". History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Printing, f ...
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Maṇḍana Miśra
Mandana Mishra (; c. ) was a Hindu philosopher who wrote on the Mīmāṃsā and Advaita systems of thought. He was a follower of the Karma Mimamsa school of philosophy and a staunch defender of the holistic sphota doctrine of language. He was a contemporary of Adi Shankara, and while it is said that he became a disciple of Adi Sankara, he may actually have been the most prominent Advaitin of the two until the 10th century CE. He is often identified with Sureśvara, though the authenticity of this is doubtful. Still, the official Sringeri documents recognises Mandana Mishra as Sureśvara. Life and scholarship Maṇḍana Miśhra, who was a contemporary of Shankara, is known to be a student of the Mimamsa scholar Kumarila Bhatta. He wrote several treatises on ''Mimamsa'', but also a work on Advaita, the ''Brahma-siddhi''. Maṇḍana Miśhra probably was more influential in the Advaita Vedanta tradition than is usually acknowledged. According to Richard E. King, Accordin ...
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Siegfried Lienhard
Siegfried Lienhard (29 August 1924, in Sankt Veit an der Glan – 6 March 2011) was a professor of Indology at Stockholm University and a scholar of Sanskrit and the Newar language.Per Kværne: eview ofSiegfried Lienhard: ''Die Legende vom Prinzen Viśvantara'', 1980. ''Kailash'' 9, 1982pp. 279–281 He published on the history of poetry in South Asia, as well as a catalogue of the Newar manuscripts held in the State Library of Berlin, a collection of Newar folk songs, and textual studies of classical Newar texts. In 1995 his students and colleagues published a ''Festschrift'' in his honour. In 2007 Oskar von Hinueber edited the collected minor writings of Siegfried Lienhard. Bibliography Books *(1963). ''Maṇicūḍāvadānoddhṛta: a Buddhist re-birth story in the Nevārī language.'' Stockholm: Almqvist & Wiksell. *(1974). ''Nevārīgītīmañjarī: religious and secular poetry of the Nevars of the Kathmandu Valley.'' Stockholm : Almqvist & Wiksell international. *(1980). ' ...
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Clay Sanskrit Library
The Clay Sanskrit Library is a series of books published by New York University Press and the JJC Foundation. Each work features the text in its original language (transliterated Sanskrit) on the left-hand page, with its English translation on the right. The series was inspired by the Loeb Classical Library, and its volumes are bound in teal cloth. History The Clay Sanskrit Library (CSL) is the product of the JJC Foundation, a charitable foundation established by John P. and Jennifer Clay, along with New York University Press. John Peter Clay was born in Paterson, New Jersey in 1934. He won a scholarship to attend St Paul’s School, London in 1947. In 1951, he was offered a full scholarship by the Queen’s College, Oxford, where he achieved a First-class degree in Sanskrit, Old Persian and Avestan. He was later appointed an Honorary Fellow of the Queen’s College. On leaving Oxford, Clay joined Vickers da Costa, a stockbroking firm based in the City of London. He spent 25 y ...
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Sringara
Sringara ( sa, शृङ्गार, ) is one of the nine rasas, usually translated as erotic love, romantic love, or as attraction or beauty. ''Rasa'' means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman. The primary emotion thus generated is Sringara. The romantic relationship between lover and beloved is a metaphor for the relationship between the individual and the divine. Classical theater/dancers (i.e. Bharatanatyam, Odissi, Mohiniyattam) refer to Sringara as 'the Mother of all rasas.' Sringara gives scope for a myriad of other emotions including jealousy, fear, anger, compassion, and of course for the expression of physical intimacy. No other Rasa has such a vast scope. The treatment and performance of Sringara varies on a large scale from the grotesque (as in Koodiyattam) to ...
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