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Kyrielle
The kyrielle is a poetry, poetic form that originated in troubadour poetry. Name and form The name kyrielle derives from the ''Kyrie, Kýrie'', which is part of many Christianity, Christian liturgy, liturgies. A kyrielle is written in couplet, rhyming couplets or quatrains. It may use the phrase "Lord, have mercy", or a variant on it, as a refrain as the second line of the couplet or last line of the quatrain. In less strict usage, other phrases, and sometimes single words, are used as the refrain. Each line within the poem consists of only eight syllables. There is no limit to the number of stanzas a Kyrielle may have, but three is considered the accepted minimum. If the kyrielle is written in couplets, the rhyme scheme will be: "aA aA". There are a number of possible rhyme schemes for kyrielle constructed in quatrains, including "aabB ccbB" and "abaB cbcB" (uppercase letters signify the refrain). In the original French poetry, French kyrielle, lines were generally octosyllabi ...
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Kyrie
Kyrie, a transliteration of Greek , vocative case of (''Kyrios''), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison ( ; ). In the Bible The prayer, "Kyrie, eleison," "Lord, have mercy" derives from a Biblical phrase. Greek "have mercy on me, Lord" is the Septuagint translation of the phrase found often in Psalms ( 6:2, 9:13, 31:9, 86:3, 123:3) In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () *Matthew 17:15: "Lord, have mercy on my son" () *Matthew 20:30f, two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9-14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has ''epistates'' "master" instead ...
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Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ...
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Liturgy
Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek ( el, λειτουργία), ''leitourgia'', which literally means "work for the people" is a literal translation of the two words "litos ergos" or "public service". In origin, it signified the often expensive offerings wealthy Greeks made in ser ...
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Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ...
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Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ...
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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable li ...
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Iambic Tetrameter
Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of ''a rhythm'', iambic tetrameter consists of four metra, each metron being of the form , x – u – , , consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is: , x – u – , x – u – , , x – u – , , x – u – , ("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.) In modern English poetry, it refers to a line consisting of four iambic feet. The word "tetrameter" simply means that there are four feet in the line; ''iambic tetrameter'' is a line comprising four iambs, defined by accent. The scheme is thus: x / x / x / x / Some poetic forms rely upon the iambic tetrameter, for example triolet, Onegin stanza, In Memoriam stanza, long measure (or long meter) ballad stanza. Quantitative verse In Medieval Latin The term iambic tetrameter originally appl ...
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Thomas Campion
Thomas Campion (sometimes spelled Campian; 12 February 1567 – 1 March 1620) was an English composer, poet, and physician. He was born in London, educated at Cambridge, studied law in Gray's inn. He wrote over a hundred lute songs, masques for dancing, and an authoritative technical treatise on music. Life Campion was born in London, the son of John Campion, a clerk of the Court of Chancery, and Lucy (née Searle – daughter of Laurence Searle, one of the Queen's serjeants-at-arms). Upon the death of Campion's father in 1576, his mother married Augustine Steward, dying soon afterwards. His stepfather assumed charge of the boy and sent him, in 1581, to study at Peterhouse, Cambridge as a "gentleman pensioner"; he left the university after four years without taking a degree.. He later entered Gray's Inn to study law in 1586. However, he left in 1595 without having been called to the bar. On 10 February 1605, he received his medical degree from the University of Caen.Christoph ...
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