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Kinnari Vina
The ''kinnari vina'' (Sanskrit: किन्नरी वीणा) is a historical veena, a tube zither with gourds attached to act as resonators and frets. It was played in India into the late 19th century and was documented by two European artists. The instrument dates back into medieval times (documented in the 13th century) and possibly as far back as 500 C.E. It is closely related to the Alapini Vina and Eka-tantri Vina, the instruments having coexisted in medieval times. Along with the ''alapini vina'' and ''eka-tantri vina'', the ''kinnari vina'' was mentioned by Śārṅgadeva in his Sangita Ratnakara (written 1210 - 1247 C.E.) By the late 19th century, the ''kinnari vina'' survived as a "folk instrument," in South Kanara and Mysore, India, and in the modern ''bīn'' or ''rudra vina''. The instrument shares its name with the kinnara, Buddhist and Hindu mythological creatures that are pictured playing stick zithers or tube zithers. The kinnari vina is traditionally carved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinnari Veena, By William Gibb, From Music And Musical Instruments Of India And The Deccan By C R Day
A kinnara is a celestial musician, part human and part bird, who are musically paradigmatic lovers, in Hinduism and Buddhism. In these traditions, the ''kinnaras'' (male) and ''kinnaris'' (female counterpart) are two of the most beloved mythological characters. Believed to come from the Himalayas, they often watch over the wellbeing of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the ''Adi Parva'' of the ''Mahabharata'', where they say: They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yali (mythology)
Yali ( ta, யாளி, IAST: Yāḷi), also called Vyala, is a Hindu mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. The creature is represented in many South Indian temples, often sculpted onto the pillars. There also exist variations of the creature, with it possessing the appendages of other beasts. It has sometimes been described as a ''leogryph'' (part-lion and part-griffin), with some bird-like features, with the trunk referred to as a proboscis. Iconography Descriptions of, and references to, yalis are ancient, but they became prominent in South Indian sculptures in the 16th century. Yalis were described to be more powerful than the lion, the tiger, or the elephant. In its iconography, the yali has a cat-like graceful body, but the head of a lion with the tusks of an elephant (gaja), and the tail of a serpent. Sometimes, they have been shown standing on the back of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati Veena
The Sarasvatī vīṇa (also spelled Saraswati vina) (Devanagari: सरस्वती वीणा (vīṇā), te, సరస్వతి వీణ, kan, ಸರಸ್ವತಿ ವೀಣೆ, ta, சரஸ்வதி வீணை, Malayalam: സരസ്വതി വീണ) is an ancient Indian plucked veena. It is named after the Hindu goddess Saraswati, who is usually depicted holding or playing the instrument. Also known as ''raghunatha veena,'' it is used mostly in Carnatic music, Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a ''vainika''. The Saraswati veena is one of major types of veena today. The others include chitra veena, vichitra veena and rudra veena. Out of these the rudra and vichitra veenas are used more often in Hindustani music, while the Saraswati veena and the chitra veena are used more frequently in the Carnatic music of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saccharum Spontaneum
''Saccharum spontaneum'' (wild sugarcane, Kans grass) is a grass native to the Indian Subcontinent. It is a perennial grass, growing up to three meters in height, with spreading rhizomatous roots. In the Terai-Duar savanna and grasslands, a lowland ecoregion at the base of the Himalaya range in Nepal, India, Bangladesh and Bhutan, kans grass quickly colonises exposed silt plains created each year by the retreating monsoon floods, forming almost pure stands on the lowest portions of the floodplain. Kans grasslands are an important habitat for the Indian rhinoceros (''Rhinoceros unicornis''). In Nepal, kans grass is harvested to thatch roofs or fence vegetable gardens. Elsewhere, its ability to quickly colonize disturbed soil has allowed it to become an invasive species that takes over croplands and pasturelands, as has been documented in the Republic of Panama. Uses ''Saccharum spontaneum'' has a considerable number of regional names in the Indian Subcontinent, for instance '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musician Playing Kinnari Vina, Sculpture At Chennakeshava Temple, Belur (modified 3)
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mvet
The mvet is a stringed musical instrument, a type of stick zither, Hornbostel-Sachs (311) of the Fang people of Gabon, Cameroon, Democratic Republic of the Congo, São Tomé and Equatorial Guinea. Somewhat resembling the Mande kora, but larger and simpler, it consists of a tubular stick of palm-raffia or bamboo, between one and two metres long, with usually three calabash resonators. A central vertical bridge divides four or five gut or metal strings, played both sides of the bridge. The instrument is held horizontally on the chest to close or open the central resonator with a movement of the arms. It may be played solo or may accompany song or poetry that includes epics, battle-songs, ritual, philosophy and knowledge of the world. In the late twentieth century the mvet became a key instrument of bikutsi music. File:Mvet (MDMB 679).jpg, Mvet with multiple gourd resonators File:Musée africain de Gunsbach-Mvett.jpg file:GuitareTraditionelle.jpg See also *Bwiti *List of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madras
Chennai (, ), formerly known as Madras ( the official name until 1996), is the capital city of Tamil Nadu, the southernmost Indian state. The largest city of the state in area and population, Chennai is located on the Coromandel Coast of the Bay of Bengal. According to the 2011 Indian census, Chennai is the sixth-most populous city in the country and forms the fourth-most populous urban agglomeration. The Greater Chennai Corporation is the civic body responsible for the city; it is the oldest city corporation of India, established in 1688—the second oldest in the world after London. The city of Chennai is coterminous with Chennai district, which together with the adjoining suburbs constitutes the Chennai Metropolitan Area, the List of urban areas by population, 36th-largest urban area in the world by population and one of the largest metropolitan economies of India. The traditional and de facto gateway of South India, Chennai is among the most-visited Indian cities by f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mewar
Mewar or Mewad is a region in the south-central part of Rajasthan state of India. It includes the present-day districts of Bhilwara, Chittorgarh, Pratapgarh, Rajsamand, Udaipur, Pirawa Tehsil of Jhalawar District of Rajasthan, Neemuch and Mandsaur of Madhya Pradesh and some parts of Gujarat. For centuries, the region was ruled by Rajputs. The princely state of Udaipur emerged as an administrative unit during the period of British East India Company governance in India and remained until the end of the British Raj era. The Mewar region lies between the Aravali Range to the northwest, Ajmer to the north, Gujarat and the Vagad region of Rajasthan to the south, the Malwa region of Madhya Pradesh state to the south and the Hadoti region of Rajasthan to the east. Etymology The word "Mewar" is vernacular form of "Medapata" ( IAST: Medapāṭa), the ancient name of the region. The earliest epigraph that mentions the word "Medapata" is a 996–997 CE (1053 VS) inscription discovered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meenakshi Temple, Madurai
Arulmigu Meenakshi Sundaraswarar Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to the goddess Meenakshi, a form of Parvati, and her consort, ''Sundareshwarar'', a form of Shiva. The temple is at the center of the ancient temple city of Madurai mentioned in the Tamil Sangam literature, with the goddess temple mentioned in 6th-century-CE texts. This temple is one of the Paadal Petra Sthalams. The Paadal Petra sthalams are 275 temples of lord Shiva that are revered in the verses of Tamil Saiva Nayanars of 6th-9th century CE. The west tower (gopuram) of the temple is the model based on which the Tamil Nadu State Emblem is designed. Overview Madurai Meenakshi Sundareswarar temple was built by Pandya dynasty, Pandayan Emperor Sadayavarman Kulasekaran I (1190 CE–1205 CE). He built the main Portions of the three-storeyed Gopuram at the entrance of Sundareswarar Shrine and the central ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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