|
Kawamata Tsuneyuki
Kawamata Tsuneyuki (, b. ) was a Japanese ukiyo-e artist and founder of the Kawamata school of art. Like many early ukiyo-e artists, Tsuneyuki and his school specialized in painting (''nikuhitsu-ga'') rather than designing woodblock prints. Tsuneyuki's active period was from the Kyōhō (1716–36) to the Kanpō (1741–44) eras. Something more than twenty paintings identified as his survive. They tend to be sharply outlined, florid paintings of elegant women, apparently influenced by the work of Miyagawa Chōshun Miyagawa Chōshun ( ja, 宮川 長春; 1683 – 18 December 1753) was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created woodblock prints. H .... The Inoue Kazuo () edition of the '' Ukiyo-e Ruikō'' dates a work of Inoue's to 1741 and states he was 65 at the time, from which a birth year of 1677 is assumed. Tsuneyuki's date of death is unknown. One of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawamata Tsuneyuki - Mitate Of Wakamurasaki From Genjimonogatari
Kawamata (written: 川又 or 川俣) is a Japanese surname. Notable people with the surname include: *, Japanese writer *, Japanese footballer *, Japanese rugby union player *, Japanese artist *, Japanese mathematician See also *, town in Date District, Fukushima Prefecture, Japan *, train station in Meiwa, Gunma Prefecture, Japan {{surname, Kawamata Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawamata School
Kawamata (written: 川又 or 川俣) is a Japanese surname. Notable people with the surname include: *, Japanese writer *, Japanese footballer *, Japanese rugby union player *, Japanese artist *, Japanese mathematician See also *, town in Date District, Fukushima Prefecture, Japan *, train station in Meiwa, Gunma Prefecture, Japan {{surname, Kawamata Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikuhitsu-ga
''Nikuhitsu-ga'' (肉筆画) is a form of Japanese painting in the ''ukiyo-e'' art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but most ''ukiyo-e'' artists were painters as well as printmakers, with much the same style and subjects. Some turned to painting at the end of a career in prints, while some, like Miyagawa Chōshun and a number of the artists of the Kaigetsudō school, never made prints and only worked in paintings. Though advances in printing technology advanced over the course of the Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characteriz ... (1603–1868), allowing for the production of more and more elaborate and colorful prints, the medium of painting always allowed a greater d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōhō
, also pronounced Kyōho, was a after '' Shōtoku'' and before '' Gembun.'' This period spanned the years from July 1716 through April 1736. The reigning emperors were and . Change of era * 1716 : The era name of ''Kyōhō'' (meaning "Undergoing and Supporting") was created in response to the death of Tokugawa Ietsugu. The previous era ended and the new one commenced in ''Shōtoku'' 6, on the 22nd day of the 6th month. Events of the ''Kyōhō'' era * 1717 (''Kyōhō 2''): ''Kyōhō'' reforms are directed and overseen by Shōgun Yoshimune. * 1718 (''Kyōhō 3''): The ''bakufu'' repaired the Imperial mausolea.Ponsonby-Fane, Richard. (1956). ''Kyoto: the Old Capital, 794–1869'', p. 320. * 1718 (''Kyōhō 3, 8th month''): The ''bakufu'' established a at the office of the ''machi-bugyō'' in Heian-kyō. * 1720 (''Kyōhō 5, 6th month''): The 26th High Priest of Nichiren Shōshū, Nichikan Shōnin, who is considered a great reformer of the sect, inscribed the Gohonzon which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanpō
was a , also known as Kampō, after ''Genbun'' and before '' Enkyō.'' This period spanned the years from February 1741 through February 1744. The reigning emperor was . Change of era * 1741 : Based on the belief in Chinese astrology that the 58th year of the sexagenary cycle brings changes, the era name was changed to ''Kanpō'' (meaning "Keeping Lenient and Generous"). The previous era ended and the new one commenced in ''Genbun'' 6, on the 27th day of the 2nd month. Events of the ''Kanpō'' era * 1742 (''Kanpō 2''): A comet was seen in the sky.Titsingh, p. 418. * 1742 (''Kanpō 2, 8th month''): Persistent heavy rains create floods throughout the country, with noteworthy devastation in Musashi province, Kōzuke province, Shimotsuke province, and Shinano province. In Heian-kyō, the Sanjo Bridge is washed away in this destructive storm cycle. * 1743 (''Kanpō 3, 11th month''): A comet was sighted in the night sky; and this comet is likely to have been what is today identifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miyagawa Chōshun
Miyagawa Chōshun ( ja, 宮川 長春; 1683 – 18 December 1753) was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created woodblock prints. He was born in Miyagawa, in Owari Province, but lived much of his later life in Edo, where he died. Chōshun trained under artists of the Tosa and Kanō schools, as well as under the master of early ukiyo-e, Hishikawa Moronobu. These influences are evident in his works, along with those of the Kaigetsudō school, but ultimately Chōshun, as the founder of a new school of painting, has a unique style all his own. His figures have a soft, warm femininity about them, and Richard Lane considers his coloring among the best in all of ukiyo-e art. Lane, Richard (1978). "Images of the Floating World." Old Saybrook, CT: Konecky & Konecky. p90. His works are almost exclusively of courtesans, and in his works these figures are fuller, and more vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Ruikō
The ''Ukiyo-e Ruikō'' (, "Various Thoughts on Ukiyo-e") is a Japanese collection of commentaries and biographies of ukiyo-e artists. It did not appear in print during the Edo period in which it was produced, but was circulated in handwritten copies subject with numerous additions and alterations. The writer Ōta Nanpo produced the first version in 1790. More than 120 variants of the ''Ukiyo-e Ruikō'' are known. An edition with updates by Santō Kyōden, Sasaya Shishichi Kuninori, and Shikitei Sanba in 1802 is the earliest extant copy, produced under the title ''Ukiyo-e Kōshō''. This version lists 37 artists and focuses mainly on ukiyo-e painters and major print designers. The ''Ukiyo-e Ruikō'' ranks artists regarded for their paintings higher than those mainly associated with their print designs, and highlights artists training in painterly schools such as the Kanō or painting traditions such as Yamato-e is a style of Japanese painting inspired by Tang dynasty pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawamata Tsunemasa
Kawamata Tsunemasa (, birth and death dates unknown) was a Japanese ukiyo-e artist of the Kawamata school of art, active from the Genbun (1736–41) to perhaps the Meiwa (1764–72) eras. He was a disciple of the school's founder, Kawamata Tsuneyuki. Something more than fifty paintings identified as his survive. Like many early ukiyo-e artists, Tsunemasa and the Kawamata school specialized in painting (''nikuhitsu-ga'') rather than designing woodblock prints. He worked primarily on ''bijin-ga'' portraits of female beauties. His later painters appear to bear the influence of Suzuki Harunobu in the style in which he depicts women. He produced many ''mitate-e'' works that allude to classical themes. Tsunemasa's death date is unknown. A Kawamata Tsunetatsu (川又 常辰), of whom little is known, produced works in Tsunemasa's style during Tsunemasa's late period, and thus is presumed to have been a successor. References Works cited * External links * Kawamata T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
