Kawamata Tsunemasa
Kawamata Tsunemasa (, birth and death dates unknown) was a Japanese ukiyo-e artist of the Kawamata school of art, active from the Genbun (1736–41) to perhaps the Meiwa (1764–72) eras. He was a disciple of the school's founder, Kawamata Tsuneyuki. Something more than fifty paintings identified as his survive. Like many early ukiyo-e artists, Tsunemasa and the Kawamata school specialized in painting (''nikuhitsu-ga'') rather than designing woodblock prints. He worked primarily on ''bijin-ga'' portraits of female beauties. His later painters appear to bear the influence of Suzuki Harunobu in the style in which he depicts women. He produced many ''mitate-e'' works that allude to classical themes. Tsunemasa's death date is unknown. A Kawamata Tsunetatsu (å·åˆ 常辰), of whom little is known, produced works in Tsunemasa's style during Tsunemasa's late period, and thus is presumed to have been a successor. References Works cited * External links * Kawamata T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kawamata Tsunemasa - Couple Reading Love Letter
Kawamata (written: å·åˆ or å·ä¿£) is a Japanese surname. Notable people with the surname include: *, Japanese writer *, Japanese footballer *, Japanese rugby union player *, Japanese artist *, Japanese mathematician See also *, town in Date District, Fukushima Prefecture, Japan *, train station in Meiwa, Gunma Prefecture, Japan {{surname, Kawamata Japanese-language surnames ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chÅnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kawamata School
Kawamata (written: å·åˆ or å·ä¿£) is a Japanese surname. Notable people with the surname include: *, Japanese writer *, Japanese footballer *, Japanese rugby union player *, Japanese artist *, Japanese mathematician See also *, town in Date District, Fukushima Prefecture, Japan *, train station in Meiwa, Gunma Prefecture, Japan {{surname, Kawamata Japanese-language surnames ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Genbun
was a after '' KyÅhÅ'' and before ''KanpÅ.'' This period spanned the years from April 1736 through February 1741. The reigning emperor was . Change of era * 1736 : To mark the enthronement of Sakuramachi, the era was changed to ''Genbun'' (meaning "Original civility"). The previous era ended and the new one commenced in ''KyÅhÅ'' 21, on the 21st day of the 4th month. Events of the ''Genbun'' era * 1736 (''Genbun 1''): The shogunate published an edict declaring that henceforth, the sole, authorized coinage in the empire would be those copper coins which were marked on the obverse with the character æ–‡ (pronounced ''bun'' in Japanese or pronounced ''wen'' in Chinese—which is to say, the same character which is found in this era name of ''Genbun'').Titsingh p. 418./ref> * 1737 (''Genbun 2, 11th month''): A comet is noticed in the western part of the sky. * 1738 (''Genbun 3''): Esoteric Shinto rituals were performed by the emperor. * 1739 (''Genbun 4''): Some foundrymen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Meiwa
was a after ''HÅreki'' and before ''An'ei.'' This period spanned the years from June 1764 through November 1772. The reigning empress and emperor were and . Change of era * 1764 : The era name became ''Meiwa'' (meaning "Bright Harmony") because of the enthronement of Empress Go-Sakuramachi. As a cultural phenomenon, the literature of this period records concerted attempts to distill the aggregate characteristics of the inhabitants of Edo (''Edokko'') into a generalized thumbnail description. These traits (''Edokko katagi'') were put into use to draw a contrast between Edokko and those who didn't have this "sophisticated" gloss -— those not from the city, as in merchants from the Kyoto-Osaka region or samurai from distant provinces. Sometimes ''Edokko katagi'' was presented with pride; and it was used mockingly. Events of the ''Meiwa'' Era * 1765 (''Meiwa 2''): Five-momme coin issued. * 1766 (''Meiwa 3''): A planned insurrection to displace the ShÅgun was thwarted. * 17 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kawamata Tsuneyuki
Kawamata Tsuneyuki (, b. ) was a Japanese ukiyo-e artist and founder of the Kawamata school of art. Like many early ukiyo-e artists, Tsuneyuki and his school specialized in painting (''nikuhitsu-ga'') rather than designing woodblock prints. Tsuneyuki's active period was from the KyÅhÅ (1716–36) to the KanpÅ (1741–44) eras. Something more than twenty paintings identified as his survive. They tend to be sharply outlined, florid paintings of elegant women, apparently influenced by the work of Miyagawa ChÅshun Miyagawa ChÅshun ( ja, å®®å· é•·æ˜¥; 1683 – 18 December 1753) was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created woodblock prints. H .... The Inoue Kazuo () edition of the '' Ukiyo-e RuikÅ'' dates a work of Inoue's to 1741 and states he was 65 at the time, from which a birth year of 1677 is assumed. Tsuneyuki's date of death is unknown. One of hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nikuhitsu-ga
''Nikuhitsu-ga'' (肉ç†ç”») is a form of Japanese painting in the ''ukiyo-e'' art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but most ''ukiyo-e'' artists were painters as well as printmakers, with much the same style and subjects. Some turned to painting at the end of a career in prints, while some, like Miyagawa ChÅshun and a number of the artists of the KaigetsudÅ school, never made prints and only worked in paintings. Though advances in printing technology advanced over the course of the Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characteriz ... (1603–1868), allowing for the production of more and more elaborate and colorful prints, the medium of painting always allowed a greater d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bijin-ga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suzuki Harunobu
Suzuki Harunobu ( ja, 鈴木 春信; ) was a Japanese designer of woodblock print art in the style. He was an innovator, the first to produce full-color prints () in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. Like many artists of his day, Harunobu also produced a number of , or erotic images. During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown. Influences Though some scholars assert that Harunobu was originally from Kyoto, pointing to possible influences from Nishikawa Sukenobu, much of his work, in particular his early work, is in the Edo style. His work shows evidence of influences from many artists, including Torii Kiyomitsu, Ishikawa Toyonobu, the Kawamata s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heibonsha
Heibonsha (平凡社) is a Japanese publishing company based in Tokyo, which publishes Encyclopedia, encyclopedias, dictionaries and books in the fields of science and philosophy. Since 1945 it has also published books on art and literature."Heibonsha, Ltd, Publishers" (entry) in: ''Japan: An Illustrated Encyclopedia'', Tokyo and New York, N.Y.: Kodansha, 1993, vol. 1, p. 521. Retrieved 28 June 2022. Similarly to the Iwanami Shoten and the Chikuma ShobÅ publishing houses, its publishing program is directed primarily at an academic audience and features well-illustrated publications.Yasuko Makino, "Heibonsha" (entry), [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |