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Kalleshvara Temple, Aralaguppe
The Kalleshvara temple (also spelt "Kallesvara" or "Kalleshwara") is located in Aralaguppe, a village in the Tiptur taluk of Tumkur district, in the Indian state of Karnataka. History According to historian I. K. Sarma, the temple is a fine example of native Western Ganga art of the 9th century, with influences from the Badami Chalukya and Nolamba architectural idioms.Sarma (1992), p. 88 It is dedicated to the Hindu god Shiva (also called "Ishvara") and was commissioned by a vassal king of the Nolamba dynasty. Historians I.K. Sarma, B.S. Ali and K.V. Soundara Rajan date the temple to the late 9th century to early 10th-century period. B.S. Ali calls this temple one of the finest examples of Western Ganga art while Aschwin Lippe and Soundara Rajan feel the temple is more consistent with contemporary Nolamba style.Ali and Soundara Rajana in Sarma (1992), p. 88, p. 90 The dating of the temple is confirmed by two inscriptions. One inscription in the temple dated 895 C.E. (''sa ...
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Tumkur District
Tumakuru District is an administrative district in the state of Karnataka in India. It is the third largest district in Karnataka by land area with an area of 10,598 km2, and fourth largest by Population. It is a one-and-a-half-hour drive from Bengaluru, the state capital. The district is known for the production of coconuts and is also called as 'Kalpataru Nadu'. It is the only discontiguous district in Karnataka (Pavagada Taluk has no geographical continuity with the rest of the district). As of census of 2011, the district has a population of 2,678,980, with a population density of 253 people /km2, the district has the literary rate of 75.14% and a sex ratio of 984 women/ 1000 men. Tumakuru district is surrounded by Chikkaballapura district and Bengaluru Rural in East, Ramanagara District in South-East, Mandya and Hassan Districts in South-West, Chikmagalur District in west, Chitradurga district in north-west and Sri Sathya Sai district and Anantapur district of Andhra Pr ...
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Pushkarni
Temple tanks are wells or reservoirs built as part of the temple complex near Indian temples. They are called pushkarini, kalyani, kunda, sarovara, tirtha, talab, pukhuri, ambalakkuḷam, etc. in different languages and regions of India. Some tanks are said to cure various diseases and maladies when bathed in. It is possible that these are cultural remnants of structures such as the Great Bath of Mohenjo-daro or Dholavira, which was part of the Indus Valley civilization. Some are stepwells with many steps at the sides. Tank design Since ancient times, the design of water storage has been important in India's temple architecture, especially in western India where dry and monsoon seasons alternate. Temple tank design became an art form in itself. An example of the art of tank design is the large, geometrically spectacular Stepped Tank at the Royal Center at the ruins of Vijayanagara, the capital of the Vijayanagara Empire, surrounding the modern town of Hampi. It is lined with g ...
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Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ...
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Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy (''shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. The eight ...
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Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ...
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Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ...
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Adhiṣṭhāna
The Sanskrit term adhiṣṭhāna ( sa, अधिष्ठान; ; ja, 加持 ''kaji''; th, อธิษฐาน ''àtíttǎan'') is the name for initiations or blessings in Vajrayana Buddhism. The term has various meanings, including the raised base on which a temple stands. Nomenclature, orthography and etymology ''Adhiṣṭhāna''(''m'') is a term with multiple meanings: seat; basis; substratum; ground; support; and abode. The Monier-Williams Sanskrit-English Dictionary Online holds the following semantic field for ''adhiṣṭhāna'': # ounstanding by, being at hand, approach # standing or resting upon # a basis, base # the standing-place of the warrior upon the car # a position, site, residence, abode, seat # a settlement, town, standing over # government, authority, power # a precedent, rule # a benediction (Buddhism) Francesca Fremantle gives an etymology of Sanskrit ''adhiṣṭhāna'' and Tibetan ''jinlap'': "The Sanskrit word literally means "standing over" an ...
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Shikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ...
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Mantapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ...
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Vestibule (architecture)
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ...
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Pilasters
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battista Alberti's use of pilasters, which Alberti reintroduced into wall-architecture, Rudolf Wittkower wrote: "The pilaster is the logical transformation of the column for the decoration of a wall. It may be defined as a flattened column which has lost its three-dimensional and tactile value." A pil ...
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Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ...
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