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Joseph Barnby
Sir Joseph Barnby (12 August 183828 January 1896) was an English composer and conductor. Life Barnby was born at York, as a son of Thomas Barnby, who was an organist. Joseph was a chorister at York Minster from the age of seven, was educated at the Royal Academy of Music under Cipriani Potter and Charles Lucas, and was appointed in 1862 organist of St Andrew's, Wells Street, London, where he raised the services to a high degree of excellence. It was at St Andrew's that in 1864, Barnby and the choir performed two anthems by Alice Mary Smith; this is believed to be the first time that liturgical music composed by a woman was performed in the Church of England. He was conductor of "Barnby's Choir" from 1864, and in 1871 was appointed, in succession to Charles Gounod, conductor of the Royal Albert Hall Choral Society, a post he held till his death. In 1875, he was precentor and director of music at Eton College, and in 1892 became principal of the Guildhall School of Music ...
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Leslie Ward
Sir Leslie Matthew Ward (21 November 1851 – 15 May 1922) was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which were regularly published by ''Vanity Fair (British magazine), Vanity Fair'', under the pseudonyms "Spy" and "Drawl". The portraits were produced as watercolours and turned into chromolithographs for publication in the magazine. These were then usually reproduced on better paper and sold as prints. Such was his influence in the genre that all ''Vanity Fair'' caricatures are sometimes referred to as "Spy cartoons" regardless of who the artist actually was. Early portraits, almost always full-length (judges at the bench being the main exception), had a stronger element of caricature and usually distorted the proportions of the body, with a very large head and upper body supported on much smaller lower parts. Later, as he became more accepted by his social peers, and in order not to offend potential sitters, his style develo ...
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Royal Choral Society
The Royal Choral Society (RCS) is an amateur choir, based in London. History Formed soon after the opening of the Royal Albert Hall in 1871, the choir gave its first performance as the Royal Albert Hall Choral Society on 8 May 1872 – the choir's first conductor Charles Gounod included the ''Hallelujah Chorus'' from ''Messiah'' in the inaugural concert. On 9 July 1891, the Royal Choral Society performed in a 'Grand Concert for the Visit of Their Imperial Majesties, The German Emperor and Empress', also attended by the Prince of Wales and the Duke and Duchess of Edinburgh. From the beginning, performing premieres of new choral works has been a feature of the choir's repertoire. Both Giuseppe Verdi and Antonín Dvořák conducted the choir in premières of their own works, as have Edward Roxborough, Ariel Ramírez, Raymond Premru and Geoffrey Burgon in more recent years. The choir continued to be conducted by the most eminent musicians of the day, most notably Sir Malcolm Sarg ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the fi ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Roman Empire, Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city#National capitals, Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national Government of the United Kingdom, government and Parliament of the United Kingdom, parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the Counties of England, counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass (music), compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and a pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound be ...
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Alfred, Lord Tennyson
Alfred Tennyson, 1st Baron Tennyson (6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, '' Poems, Chiefly Lyrical'', in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also excelled at short lyrics, such as " Break, Break, Break", "The Charge of the Light Brigade", " Tears, Idle Tears", and " Crossing the Bar". Much of his verse was based on classical ...
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Partsongs
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non- liturgical sacred text, written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. This music is usually homophonic, meaning that the highest part carries the melody and the other voices or parts supply the accompanying harmonies, in contrast to songs that are contrapuntal, as are madrigals. Part songs are intended to be sung a cappella, that is without accompaniment, unless an instrumental accompaniment is particularly specified. The part song was created in Great Britain, first growing from, and then gradually superseding, the earlier form of glee, as well as being particularly influenced by the choral works of Felix Mendelssohn (1809–1847). This was linked with the growth of choral societies during the 19th century which were larger groups than glee clubs had been.Hillier, Paul. Pref ...
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Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as '' Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new ...
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Service (music)
In Anglican church music, a service is a musical setting of certain parts of the liturgy, generally for choir with or without organ accompaniment. Liturgical services Morning Prayer * Venite ( Psalm 95 — rarely set after the Restoration) *Te Deum or Benedicite * Benedictus ( Luke I, 68) or Jubilate (Psalm 100) Evening Prayer *Magnificat or (rarely) Cantate Domino (Psalm 98) *Nunc dimittis or (rarely) Deus misereatur ( Psalm 67) Holy Communion *Responses to the Commandments *Nicene Creed *Sanctus *Agnus Dei *Kyrie Eleison * Gloria in Excelsis This follows the ''Book of Common Prayer''. Modern Anglican liturgy has largely reverted to the order of the Roman Catholic Mass. Unlike masses written in the Catholic tradition, however, masses by Anglican composers may choose to omit the Credo, which, in Anglican churches, is often recited rather than sung. Also, rather than setting the traditional Latin and Greek liturgy, several Anglican-composed masses use an English translation ...
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Psalm 97
Psalm 97 is the 97th psalm of the Book of Psalms, beginning in the English of the King James Version: "The Lord reigneth; let the earth rejoice", also as "The Lord is King". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as "Dominus regnavit exultet terra". The psalm is a hymn psalm; the Jerusalem Bible calls it an "eschatological hymn". In the slightly different numbering system in the Greek Septuagint version of the bible and in the Latin Vulgate, this psalm is Psalm 96. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, notably by Otto Nicolai as a German motet, and by Antonín Dvořák, who set it in Czech in his '' Biblical Songs''. Text Hebrew Bible version Following is the Hebrew text of Psalm 97: King James Version # The Lord reigneth; let the earth rejoice; let the multitude of isles be glad th ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints ...
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