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Jean De Paris (Boieldieu)
''Jean de Paris'' is an opéra comique in two acts by French composer François-Adrien Boieldieu and librettist Claude Godard d'Aucourt de Saint-Just. History The work had its premiere on 4 April 1812 at the Opéra-Comique in Paris and was performed there until 1863. The opera was dedicated to the composer André Grétry. ''Jean de Paris'' was a great success for Boieldieu, who returned to the Parisian opera stage in 1812 with this opera comique after a seven-year stay in Russia. In the same year as the premiere in Paris, ''Jean de Paris'' was also performed in various German translations in Germany and Austria. Ignaz Franz Castelli provided his translation for the Theater am Kärntnertor (Vienna), Ignaz von Seyfried worked for the Theater an der Wien and the translation by Karl Alexander Herklots was staged in Berlin. This opera – and its subject matter – enjoyed great popularity, so that as early as 1818 a new setting by Francesco Morlacchi (music) and Felice Romani ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyrenees
The Pyrenees (; es, Pirineos ; french: Pyrénées ; ca, Pirineu ; eu, Pirinioak ; oc, Pirenèus ; an, Pirineus) is a mountain range straddling the border of France and Spain. It extends nearly from its union with the Cantabrian Mountains to Cap de Creus on the Mediterranean Sea, Mediterranean coast. It reaches a maximum altitude of at the peak of Aneto. For the most part, the main crest forms a divide between Spain and France, with the microstate of Andorra sandwiched in between. Historically, the Crown of Aragon and the Kingdom of Navarre extended on both sides of the mountain range. Etymology In Greek mythology, Pyrene (mythology), Pyrene is a princess who eponym, gave her name to the Pyrenees. The Greek historiography, Greek historian Herodotus says Pyrene is the name of a town in Celts, Celtic Europe. According to Silius Italicus, she was the virgin daughter of Bebryx, a king in Narbonensis, Mediterranean Gaul by whom the hero Hercules was given hospitality during his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horst Seeger
Horst Seeger (6 November 1926 – 2 January 1999), pseudonyme ''Horst Schell'', was a German musicologist, music critic, dramaturg, librettist and opera director. Leben Born in Erkner, Seeger studied musicology at the Humboldt University of Berlin with Walter Vetter, Ernst Hermann Meyer and Hans-Heinz Dräger and worked as a music journalist and critic from 1954. From 1959 to 1960 he was editor-in-chief of the journal ''Musik und Gesellschaft''. From 1960-1973 he was chief dramaturge at the Komische Oper Berlin. In 1973 he took over the direction of the Staatsoper Dresden in the building of the Schauspielhaus and since 1979 also the direction of the Staatstheater Dresden. Seeger brought directors like Harry Kupfer and Ruth Berghaus and conductors like Herbert Blomstedt to Dresden. He rendered great services to the reconstruction of the Semperoper.''Opern-Lexikon'', 3., erweiterte Auflage, erweiterte Neuausgabe (Lizenzausgabe des Henschelverlages Kunst und Gesellschaft, Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine Saint-Aubin
Anne-Alexandrine d'Herbez, known under the name Alexandrine Saint-Aubin, (9 April 1793 - 30 March 1867), was a French operatic soprano. Life Born in Paris, Saint-Aubin was the daughter of Augustin-Alexandre d'Herbez, known as "Saint-Aubin", tenor of the Opéra de Paris and Jeanne-Charlotte Schroeder, Madame Saint-Aubin, soprano at the Comédie-Italienne and at the Opéra-Comique. She is the younger sister of Cécile Duret-Saint-Aubin. She made a fleeting appearance at her mother's side in ''Le Prisonnier'' by Della-Maria. She made her real debut on November 3, 1809, at the Theatre Favard, in two of the roles that had earned her mother the most brilliant success, the ingenue of ''l'Opéra-Comique'' and the soubrette by ''Ambroise ou Voilà ma journée''. In 1810, she plays the title role in '' Cendrillon'' by Nicolas Isouard, seventy-eight performances in less than a year, one hundred in total, which is rare at the Opéra-Comique, at the time. In 1812, she married , the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine Marie Agathe Gavaudan-Ducamel
Alexandrine Marie Agathe Gavaudan-Ducamel (15 September 1781 – 24 June 1850) was a French opera singer who sang leading soprano roles at the Opéra Comique for over 20 years. Born in Paris with the surname "Ducamel", she later married the tenor Jean-Baptiste-Sauveur Gavaudan after which she generally performed under the name Madame Gavaudan. She retired from the stage in 1822 and spent her later years in Passy where she died at the age of 68. Life and career Gavaudan-Ducamel was born in Paris and initially studied music under François-Joseph Hérold, the father of the composer Ferdinand Hérold. By the age of 15, she had performed as a pianist in a well-received concert, part of the series organized by Pierre-Jean Garat at the Théâtre Feydeau. On 23 May 1798, shortly after her marriage to the tenor Jean-Baptiste-Sauveur Gavaudan (1771–1840), she made her debut as a singer with the Opéra Comique. Her debut role was as the comtesse d'Arles in Étienne Méhul's '' Euph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Elleviou
Jean Elleviou (14 June 1769 in Rennes – 5 May 1842 in Paris) was a French operatic tenor, one of the most celebrated French singers of his time. Born Pierre-Jean-Baptiste-François Elleviou, he made his debut at the Comédie-Italienne in Paris in 1790, as a baritone in the role of Alexis in Monsigny's '' Le déserteur'', and the following year as a tenor in Dalayrac's ''Philippe et Georgette''. He went on creating some 40 roles during the next 20 years, in operas by Grétry, Dalayrac, Monsigny, Boieldieu, Méhul, Isouard, etc. His repertory also included Azor in '' Zémire et Azor'', Blondel in '' Richard Coeur-de-lion'', Almaviva in Paisiello's ''Il barbiere di Siviglia''. He sang extensively in Italy in 1795, and across France in 1795 to 1797, then returned to Paris, appearing at the newly renamed Opéra-Comique. He retired in 1813, after Napoléon I refused to increase his already huge salary. According to contemporaries, his voice was very sweet and flexible, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Blaise Martin
Jean-Blaise Martin, full name Nicolas Jean-Blaise Martin (February 24, 1768 in Paris – October 28, 1837 in Tourzel-Ronzières) was a French opera singer whose tessitura lay between tenor and baritone, which became later known as " baryton-martin". Life and career Jean-Blaise Martin began singing publicly as a child, before his voice broke. He made his professional operatic debut in 1789, at the Théâtre Feydeau, in Paris, in a parody called . He then studied with Madame Dugazon, and made his debut at the Opéra-Comique in 1794, and sang there until 1823. He became a member of the theatre's administrative committee in 1801. He also taught at the Conservatoire de Musique of Paris, from 1825 to 1837. He composed one opéra comique, , produced at the Théâtre Feydeau in 1796. During his career, he created some 15 roles in operas by Nicolas Dalayrac, François Devienne, André Grétry, Étienne Méhul, Nicolas Isouard, Ferdinando Paer, etc. Martin's voice was descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoinette Lemonnier
Thérèse Louise Antoinette Regnault, known under the name Antoinette Lemonnier, (23 August 1787 – 4 April 1866) was a French opera singer, member of the Opéra-Comique. Life Born in Brest, Regnault is the daughter of Jacques Louis Regnault, actor, master writer, and Geneviève Elisabeth Marchand. Her singing teacher was Roland, baryton-martin of the Théâtre des Arts de Rouen. She made her debut, at the age of sixteen, at the first theatre of Rouen, in ''le Prisonnier'' and ''Maison à vendre'', and stayed four years in that city. An order from the superintendent of the theatres made her come to Paris to debut at the Opéra-Comique. She made her debut on 16 December 1808, in '' Le jugement de Midas'' and ''Isabelle et Gertrude''. Elle continue dans ''La Belle Arsène'', ''La Colonie'', ''Le Diable à Quatre'', ''Sylvain'', ''Une folie'', ''La Fausse Magie'', ''Montano et Stéphanie, Les Maris Garçons'', ''Maison à vendre'', ''L'Amour filiale'', ''Les Visitandines'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
