|
Alexandrine Marie Agathe Gavaudan-Ducamel
Alexandrine Marie Agathe Gavaudan-Ducamel (15 September 1781 – 24 June 1850) was a French opera singer who sang leading soprano roles at the Opéra Comique for over 20 years. Born in Paris with the surname "Ducamel", she later married the tenor Jean-Baptiste-Sauveur Gavaudan after which she generally performed under the name Madame Gavaudan. She retired from the stage in 1822 and spent her later years in Passy where she died at the age of 68. Life and career Gavaudan-Ducamel was born in Paris and initially studied music under François-Joseph Hérold, the father of the composer Ferdinand Hérold. By the age of 15, she had performed as a pianist in a well-received concert, part of the series organized by Pierre-Jean Garat at the Théâtre Feydeau. On 23 May 1798, shortly after her marriage to the tenor Jean-Baptiste-Sauveur Gavaudan (1771–1840), she made her debut as a singer with the Opéra Comique. Her debut role was as the comtesse d'Arles in Étienne Méhul's '' Euph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passy
Passy () is an area of Paris, France, located in the 16th arrondissement, on the Right Bank. It is home to many of the city's wealthiest residents. Passy was a commune on the outskirts of Paris. In 1658, hot springs were discovered around which spa facilities were developed. This attracted Parisian society and English visitors, some of whom made the area, which combined attractive countryside with both modest houses and fine residences, their winter retreat. The population was 2,400 in 1836, 4,545 in 1841, but larger in summer. In 1861 the population was 11,431. Passy's population was 17,594 when it was absorbed into Paris along with several other communities in 1860. Notable people *Alexandre Le Riche de La Poupelinière (1693–1762), French tax farmer and music patron *Niccolò Piccinni (1728–1800), Italian composer * Louis-Guillaume Le Veillard (1733–1794), aristocrat *Princess Marie Louise of Savoy (1749–1792), Savoyan princess * General Charles Edward Jennings de Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Calife De Bagdad
''Le calife de Bagdad'' (''The Caliph of Baghdad'') is an '' opéra comique'' in one act by the French composer François-Adrien Boieldieu with a libretto by Claude Godard d'Aucourt de Saint-Just. Dedicated to the landscape painter Bidauld it was first performed at the Opéra-Comique, Paris, on 16 September 1800 and soon became highly popular throughout Europe. It was Boieldieu's first major triumph. One member of the audience who was less impressed was the noted composer Luigi Cherubini who reproached Boieldieu, "Aren't you ashamed of such a great success, and doing so little to deserve it?" Boieldieu immediately applied to Cherubini for lessons in compositional techniques. ''Le calife de Bagdad'' was part of the vogue for operas on Oriental subjects and the music makes use of local colour, especially the overture with its prominent "eastern" percussion. Késie's aria "De tous pays" is a bravura piece which illustrates the musical styles of several European countries, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Deux Journées
''Les deux journées, ou Le porteur d'eau'' (''The Two Days, or The Water Carrier'') is an opera in three acts by Luigi Cherubini with a libretto by Jean-Nicolas Bouilly. It takes the form of an opéra comique, meaning not that the subject matter is humorous, but that the piece is a mixture of spoken dialogue and musical numbers. Bouilly claimed he took the story from a real-life incident during the French Revolution but, for fear of censorship, he moved the action back to 1647 and the time of Cardinal Mazarin. The opera was first performed on 16 January 1800 at the Théâtre Feydeau in Paris. ''Les deux journées'' is sometimes considered Cherubini's most successful opera, though revivals have been rare in the past hundred years. Johann Wolfgang von Goethe and Ludwig van Beethoven both felt that Bouilly's libretto was one of the best of its day; Beethoven kept Cherubini's score on his desk and copied out passages from it while composing ''Fidelio''. Roles Synopsis :Place: Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrine Gavaudan And Jean-Pierre Solié In Joseph By Étienne Méhul
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French ''Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in '' Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel García (tenor)
Manuel del Pópulo Vicente Rodriguez García (also known as Manuel García the Senior; 21 January 1775 – 10 June 1832) was a Spanish opera singer, composer, impresario, and singing teacher. Biography García was born in Seville, Spain, on 21 January 1775. In 1808, he went to Paris, with previous experience as a tenor at Madrid and Cadiz. By that year, when he appeared in the opera '' Griselda'' in Paris, he was already a composer of light operas. He lived in Naples, Italy, performing in Gioachino Rossini's operas. These included the premières of ''Elisabetta, regina d'Inghilterra'', in which he portrayed The Duke of Norfolk and ''The Barber of Seville'', in which he portrayed the role of Count Almaviva. In 1816, he visited Paris and London, England. Between 1819 and 1823, he lived in Paris, and sang in operas such as ''The Barber of Seville'', ''Otello'', and ''Don Giovanni'', often appearing at London's King's Theatre too. In the same period he presented new French-style oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blida
Blida ( ar, البليدة; Berber languages, Tamazight: Leblida) is a city in Algeria. It is the capital of Blida Province, and it is located about 45 km south-west of Algiers, the national capital. The name ''Blida'', i.e. ''bulaydah'', is a diminutive of the Arabic word ''belda'', city. Geography and natural features Blida is known as the city of roses because of the large number of roses in its gardens. Blida lies surrounded with orchards and gardens, above the sea, at the base of the Tell Atlas, on the southern edge of the fertile Mitidja Plain, and the right bank of the Oued el kebir outflow from the Chiffa Canyon, gorge. The abundant water of this stream provides power for large corn mills and several factories, and also supplies the town with its numerous fountains and irrigated gardens. Within Blida is Chréa National Park, one of the largest national parks in the country and part of the Atlas Mountains. Blida is surrounded by a wall of considerable extent, pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Manuel García (tenor)")
