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Josef Venantius Von Wöss
Josef Venantius von Wöss (13 June 1863 – 22 October 1943) was a Viennese church musician, composer, teacher of harmony and music publishing lector. He is known for piano transcriptions of large-scale works by Gustav Mahler for Universal Edition. Life and career Wöss was born in Cattaro, Kingdom of Dalmatia (now Montenegro), the son of an Austrian army captain (''Hauptmann''). The family moved to Vienna in 1866, where he received his first piano instruction from his mother and his uncle, Richard Löffler. He studied music from 1880 at the Konservatorium der Gesellschaft der Musikfreunde with Franz Krenn. From 1882, he worked as choral conductor of several men's choruses. He was a music teacher at the Militär-Oberrealschule in Mährisch Weißkirchen from 1886 to 1889. He then worked in Vienna as ''Korrektor'' for the Notenstecherei Waldheim-Eberle, a music publisher, until 1907. He also taught harmony at the Kirchenmusik-Vereinsschule of the Votivkirche in 1892 and 1893. Wà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kotor
Kotor (Montenegrin Cyrillic: Котор, ), historically known as Cattaro (from Italian: ), is a coastal town in Montenegro. It is located in a secluded part of the Bay of Kotor. The city has a population of 13,510 and is the administrative center of Kotor Municipality. The old Mediterranean port of Kotor is surrounded by fortifications built during the Venetian period. It is located on the Bay of Kotor (''Boka Kotorska''), one of the most indented parts of the Adriatic Sea. Some have called it the southernmost fjord in Europe, but it is a ria, a submerged river canyon. Together with the nearly overhanging limestone cliffs of Orjen and Lovćen, Kotor and its surrounding area form an impressive landscape. Since the early 2000s Kotor has seen an increase in tourists, many of them coming by cruise ship. Visitors are attracted by the natural environment of the Gulf of Kotor and by the old town of Kotor. Kotor is part of the World Heritage Site dubbed the Natural and Culturo-Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denkmäler Der Tonkunst In Österreich
''Denkmäler der Tonkunst in Österreich'' (Monuments of Fine Austrian Music) (1894–) is a historical edition of music from Austria covering the Renaissance, Baroque, and Classical periods. The most recent volume in the edition was published in 2017. Volumes (''Bände'') 1 to 83 of DTÖ were published in annual issues (''Jahrgänge'') I to XXXV from 1894 to 1938. Parallels may be drawn between the historical edition entitled ''Denkmäler deutscher Tonkunst (DdT)'' (two series, 1892–1931, and 1900–1931), and DTÖ. The second series of ''DdT'' was separately titled ''Denkmäler der Tonkunst in Bayern (DTB)''. A new revised edition of ''DdT'' was published between 1957 and 1961. A new revised edition of ''DTB'' was started in 1962. Table of contents The publishers' names are abbreviated for space-saving: ''AK'', Akademische Druck- und Verlagsanstalt; ''AR'', Artaria & Co., Vienna; ''Ö'', Österreichischer Bundesverlag; and, ''U'', Universal-Edition. Alphabetical list of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Maria Dreves
Guido Maria Dreves (27 October 1854 – 1 June 1909) was a German Jesuit, hymnologist and hymnwriter. He was the son of the notary and poet Lebrecht Blücher Dreves. Life Dreves was born in Hamburg. He already had contact with Jesuits at school, as he attended the Stella Matutina grammar school in Feldkirch from 1861. After completing his education, he immediately entered the Jesuit order in November 1869. He completed his novitiate in Sigmaringen and then studied at the , at the religious house in Bleijenbeek Castle in the Netherlands and at the Jesuit College of Ditton-Hall in Shropshire, England. He devoted his research mainly to medieval Latin hymnody. He is especially important as the author and editor of the ''Analecta hymnica medii aevi'', the largest collection of medieval Latin poetry to date (hymns, sequences, tropes, rhyming offices and psalters). With astonishing diligence, Dreves searched libraries all over Europe for old manuscripts and incunables. From 1886 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: : : Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" (Rondo-Toccata) for the hands reunited * Johannes Sebastian Bach **Passacaglia and Fugue in C minor, BWV 582 **Lute Suite in C minor, BWV 997 ** Cello Suite No. 5, BWV 1011 **The Musical Offering, BWV 1079 ** Partita No. 2, BWV 826 *Ludwig van Beethoven (See Beethoven and C minor) ** Piano Sonata No. 5 ** Piano Sonata No. 8 (''Pathétique'') ** Piano Concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
