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Jean Rousset
Jean Rousset (20 February 1910 – 15 September 2002) was a Switzerland, Swiss literary criticism, literary critic who worked on French literature, and in particular on Baroque literature of the late French Renaissance literature, Renaissance and early French literature of the 17th century, seventeenth century. He is sometimes grouped with the ''Geneva School'' and with early Structuralism. Biography Jean Rousset began his studies in law, before changing to literature. He studied under Albert Thibaudet and Marcel Raymond and after working as a French lecturer in University of Halle, Halle and Munich, became professor at the University of Geneva. His thesis on French literature of the baroque period, published under the title ''La Littérature de l’âge baroque en France : Circé et le paon'', was an immense critical success. It was one of the first studies to use the term "baroque" – which had been, up to that point, used exclusively in art history – to refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Switzerland
). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel, St. Gallen a.o.). , coordinates = , largest_city = Zürich , official_languages = , englishmotto = "One for all, all for one" , religion_year = 2020 , religion_ref = , religion = , demonym = , german: Schweizer/Schweizerin, french: Suisse/Suissesse, it, svizzero/svizzera or , rm, Svizzer/Svizra , government_type = Federalism, Federal assembly-independent Directorial system, directorial republic with elements of a direct democracy , leader_title1 = Federal Council (Switzerland), Federal Council , leader_name1 = , leader_title2 = , leader_name2 = Walter Thurnherr , legislature = Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structuralism
In sociology, anthropology, archaeology, history, philosophy, and linguistics, structuralism is a general theory of culture and methodology that implies that elements of human culture must be understood by way of their relationship to a broader system. It works to uncover the structures that underlie all the things that humans do, think, perceive, and feel. Alternatively, as summarized by philosopher Simon Blackburn, structuralism is: Blackburn, Simon, ed. 2008. "Structuralism." In '' Oxford Dictionary of Philosophy'' (2nd rev. ed.). Oxford: Oxford University Press. . p. 353. e belief that phenomena of human life are not intelligible except through their interrelations. These relations constitute a structure, and behind local variations in the surface phenomena there are constant laws of abstract structure.Structuralism in Europe developed in the early 20th century, mainly in France and the Russian Empire, in the structural linguistics of Ferdinand de Saussure and the subsequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writing And Difference
''Writing and Difference'' (french: L'écriture et la différence) is a book by the French philosopher Jacques Derrida. The work, which collects some of the early lectures and essays that established his fame, was published in 1967 alongside ''Of Grammatology'' and ''Speech and Phenomena''. Summary Cogito and the History of Madness The collection contains the essay ''Cogito and the History of Madness'', a critique of Michel Foucault. It was first given as a lecture on March 4, 1963, at a conference at the '' Collège philosophique'', which Foucault attended, and caused a rift between the two,Powell (2006), pp. 34–5 possibly prompting Foucault to write ''The Order of Things'' (1966) and ''The Archaeology of Knowledge'' (1969).Carlo Ginzburg (1976), ''Il formaggio e i vermi'', translated in 1980 as The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller', trans. Anne Tedeschi (Baltimore: Johns Hopkins University Press), xviii. Violence and Metaphysics In "Violence a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Criticism
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book ''The New Criticism''. The work of Cambridge scholar I. A. Richards, especially his ''Practical Criticism'' and ''The Meaning of Meaning'', which offered what was claimed to be an empirical scientific approach, were important to the development of New Critical methodology. Also very influential were the critical essays of T. S. Eliot, such as " Tradition and the Individual Talent" and " Hamlet and His Problems", in which Eliot developed his notions of the "theory of impersonality" and " objective correlative" respectively. Eliot's evaluative judgments, such as his condemnation of Milton and Dryden, his liking for the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De La Ceppède
Jean de La Ceppède (c. 1550 – 1623) was a French nobility, French nobleman, judge, and French poetry, poet from Aix-en-Provence. La Ceppède was a Christian poetry, Christian poet and wrote French Alexandrine, Alexandrine sonnets in Middle French. He is best known for authoring ''Les Théorèmes sur le Sacré Mystère de Nostre Rédemption'', a sonnet sequence, sequence of 515 sonnets, published in two volumes in 1613 and 1622. Taken together, the sonnets are an exegesis on the Passion (Christianity), passion and Resurrection of Jesus Christ, Resurrection of Jesus Christ and take a heuristic approach. Early life Jean de La Ceppède was born circa 1550 in Marseille. According to Keith Bosley, the La Ceppède family was of Spanish people, Spanish heritage and may have been related to Saint Teresa of Avila, who was born a Cepeda.Bosley (1983), page 5. He received a Doctorate in Law. Career La Ceppède became an Advisor to the Parliament of Aix-en-Provence on 22 October 1578. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De Sponde
Jean de Sponde (''Joanes Ezponda''; 1557 in Basque – 18 March 1595) was a Baroque French poet. Biography Born at Mauléon, in what is now Pyrénées-Atlantiques, Jean de Sponde was raised in an austere Protestant family in the Basque region of France (some critics believe his family had Spanish roots) with close relations with the royal court of Navarre. A bright student at the College of Lascar (1569), he received funds for his education from Jeanne d'Albret, the mother of Henry de Navarre (the future Henry IV of France), and went on to learn ancient Greek and Protestant theology. Despite his religious upbringing, in his early writings Jean de Sponde turned toward worldly literature: he produced an edition of Homer accompanied by an extensive Latin commentary which was printed in Basel in 1583, and wrote love poems (The ''Amours'', published posthumously in 1597 with ''Poésies posthumes''). In 1580, with the help of a travel grant provided by Henry of Navarre, he moved t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Claudel
Paul Claudel (; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism. Early life He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials. His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the ''lycée'' of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris. An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love At First Sight
Love at first sight is a personal experience as well as a common trope in literature: a person or character feels an instant, extreme, and ultimately long-lasting romantic attraction for a stranger upon first seeing that stranger. Described by poets and critics since the emergence of ancient Greece, falling in love at first sight has become a common theme in Western fiction. Historical conceptions Greek In the classical world, the phenomenon of "love at first sight" was understood within the context of a more general conception of passionate love, a kind of madness or, as the Greeks put it, ''theia mania'' ("madness from the gods"). This love passion was described through an elaborate metaphoric and mythological psychological effect involving "love's arrows" or "love darts," the source of which was often given as the mythological Eros or Cupid, sometimes by other mythological deities (such as Rumor). At times, the source of the arrows was said to be the image of the beautiful lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Genette
Gérard Genette (7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and such figures as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of ''bricolage''. Life Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. He received his professorship in French literature at the Sorbonne in 1967. In 1970 with Hélène Cixous and Tzvetan Todorov he founded the journal ''Poétique'' and he edited a series of the same name for Éditions du Seuil. Among other positions, Genette was research director at the École des hautes études en sciences sociales and a visiting professor at Yale University. Work Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Person Narration
A first-person narrative is a mode of storytelling in which a storyteller recounts events from their own point of view using the first person It may be narrated by a first-person protagonist (or other focal character), first-person re-teller, first-person witness, or first-person peripheral. A classic example of a first-person protagonist narrator is Charlotte Brontë's ''Jane Eyre'' (1847), in which the title character is also the narrator telling her own story, "I could not unlove him now, merely because I found that he had ceased to notice me". This device allows the audience to see the narrator's mind's eye view of the fictional universe, but it is limited to the narrator's experiences and awareness of the true state of affairs. In some stories, first-person narrators may relay dialogue with other characters or refer to information they heard from the other characters, in order to try to deliver a larger point of view. Other stories may switch the narrator to different c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
