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Gérard Genette
Gérard Genette (7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and such figures as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of ''bricolage''. Life Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. He received his professorship in French literature at the Sorbonne in 1967. In 1970 with Hélène Cixous and Tzvetan Todorov he founded the journal ''Poétique'' and he edited a series of the same name for Éditions du Seuil. Among other positions, Genette was research director at the École des hautes études en sciences sociales and a visiting professor at Yale University. Work Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French People
The French people (french: Français) are an ethnic group and nation primarily located in Western Europe that share a common French culture, history, and language, identified with the country of France. The French people, especially the native speakers of langues d'oïl from northern and central France, are primarily the descendants of Gauls (including the Belgae) and Romans (or Gallo-Romans, western European Celtic and Italic peoples), as well as Germanic peoples such as the Franks, the Visigoths, the Suebi and the Burgundians who settled in Gaul from east of the Rhine after the fall of the Roman Empire, as well as various later waves of lower-level irregular migration that have continued to the present day. The Norse also settled in Normandy in the 10th century and contributed significantly to the ancestry of the Normans. Furthermore, regional ethnic minorities also exist within France that have distinct lineages, languages and cultures such as Bretons in Brittany, Occi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Time
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied methods that are more often used to analyse narrative fiction, to non-fictional t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discourse Time
Discourse is a generalization of the notion of a conversation to any form of communication. Discourse is a major topic in social theory, with work spanning fields such as sociology, anthropology, continental philosophy, and discourse analysis. Following pioneering work by Michel Foucault, these fields view discourse as a system of thought, knowledge, or communication that constructs our experience of the world. Since control of discourse amounts to control of how the world is perceived, social theory often studies discourse as a window into power. Within theoretical linguistics, discourse is understood more narrowly as linguistic information exchange and was one of the major motivations for the framework of dynamic semantics, in which expressions' denotations are equated with their ability to update a discourse context. Social theory In the humanities and social sciences, discourse describes a formal way of thinking that can be expressed through language. Discourse is a social b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morphology Of The Folk Tale
Vladimir Yakovlevich Propp (russian: Владимир Яковлевич Пропп; – 22 August 1970) was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units. Biography Vladimir Propp was born on 29 April 1895 in Saint Petersburg to an assimilated Russian family of German descent. His parents, Yakov Philippovich Propp and Anna-Elizaveta Fridrikhovna Propp (née Beisel), were Volga German wealthy peasants from Saratov Governorate. He attended Saint Petersburg University (1913–1918), majoring in Russian and German philology.Propp, Vladimir. "Introduction." ''Theory and History of Folklore.'' Ed. Anatoly Liberman. University of Minnesota: University of Minnesota Press, 1984. pg ix Upon graduation he taught Russian and German at a secondary school and then became a college teacher of German. His ''Morphology of the Folktale'' was published in Russian in 1928. Although i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Propp
Vladimir Yakovlevich Propp (russian: Владимир Яковлевич Пропп; – 22 August 1970) was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units. Biography Vladimir Propp was born on 29 April 1895 in Saint Petersburg to an assimilated Russian family of German descent. His parents, Yakov Philippovich Propp and Anna-Elizaveta Fridrikhovna Propp (née Beisel), were Volga German wealthy peasants from Saratov Governorate. He attended Saint Petersburg University (1913–1918), majoring in Russian and German philology.Propp, Vladimir. "Introduction." ''Theory and History of Folklore.'' Ed. Anatoly Liberman. University of Minnesota: University of Minnesota Press, 1984. pg ix Upon graduation he taught Russian and German at a secondary school and then became a college teacher of German. His ''Morphology of the Folktale'' was published in Russian in 1928. Although i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Search Of Lost Time
''In Search of Lost Time'' (french: À la recherche du temps perdu), first translated into English as ''Remembrance of Things Past'', and sometimes referred to in French as ''La Recherche'' (''The Search''), is a novel in seven volumes by French author Marcel Proust. This early 20th-century work is his most prominent, known both for its length and its theme of involuntary memory. The most famous example of this is the "episode of the madeleine", which occurs early in the first volume. The novel gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as ''Remembrance of Things Past'', but the title ''In Search of Lost Time'', a literal rendering of the French, became ascendant after D. J. Enright adopted it for his revised translation published in 1992. ''In Search of Lost Time'' follows the narrator's recollections of childhood and experiences into adulthood in the late 19th-century and early 20th-century high-society France, while reflecting on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypotext
Hypotext is an earlier text which serves as the source of a subsequent piece of literature, or hypertext. For example, Homer's Odyssey could be regarded as the hypotext for James Joyce's ''Ulysses''. The word was defined by the French theorist Gérard Genette as follows "Hypertextuality refers to any relationship uniting a text B (which I shall call the hypertext) to an earlier text A (I shall, of course, call it the ''hypotext''), upon which it is grafted in a manner that is not that of commentary." So, a hypertext derives from hypotext(s) through a process which Genette calls transformation, in which text B "evokes" text A without necessarily mentioning it directly. The hypertext may of course become original text in its own right. The word has more recently been used in extended ways, for example, Adamczewski suggests that the Iliad was used as a ''structuring hypotext'' in Mark's Gospel The Gospel of Mark), or simply Mark (which is also its most common form of abbreviat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paratext
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public. Paratext is most often associated with books, as they typically include a cover (with associated cover art), title, front matter (dedication, opening information, foreword), back matter (endpapers, colophon) footnotes, and many other materials not crafted by the author. Other editorial decisions can also fall into the category of paratext, such as the formatting or typography. Because of their close association with the text, it may seem that authors should be given the final say about paratextual materials, but often that is not the case. One example of controversy surrounding paratext is the case of the 2009 young adult novel '' Liar'', which was initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature In The Second Degree
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textual Transcendence
Transtextuality is defined as the "textual transcendence of the text". According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". Genette, Gérard. The architext: an introduction. Berkeley: University of California Press, 1992: 83-84 Genette described transtextuality as a "more inclusive term" than intertextuality.https://docs.google.com/viewer?a=v&q=cache:DiqcS2irWZ8J:www.leidykla.vu.lt/fileadmin/Literatura/49-5/str17.pdf+transtextuality&hl=en&gl=us&pid=bl&srcid=ADGEESgCxuUyOfM1Gr8ooQzawNPApLXCmWOVcsXUhZ_1IUB2EqkhccBeiz87cZGuEtKLkM4X43uMnnn5ngrnoq0EyhYvi8QSLFIGb7QjmCCLrKpSH_PLoxNRdSKdjkj6xiViYoeiEVIY&sig=AHIEtbS5uv1WprtZ1QYdvHZIJi3CToJOrA Subtypes Genette provided five subtypes of transtextuality, namely: intertextuality, paratextuality, architextuality, metatextuality, and hypertextuality (also known as hypotextuality). Description The following are th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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