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Jean Hilaire Asté
Jean Hilaire Asté (1775–1840), also known as Halary or Halari, was a French professor of music and instrument-maker. Among the other instruments he patented, he is best known for inventing the ophicleide of which, it has been claimed, only five originals remain. Born in Agen, he moved to Paris in 1796, where, in 1804, he founded the ''maison'' Halary or Halari workshop, which made brass and woodwind instruments for most of the 19th century. Although it was invented in 1817, his patent wasn't awarded until 1821. The report of the Académie des Beaux-Arts in 1817 stated: The commission went on to add that it considered Halary had rendered a real service to the art of music and the Academy therefore considered he deserves its mark of approval for his ''trompette à clef''. The commission comprised, among other members of the Académie, Luigi Cherubini, François-Joseph Gossec, Charles Simon Catel, Jean-François Le Sueur and Henri Montan Berton. The Athénée de arts later awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophicleides
The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later derivatives, the bass horn and . Its popularity proved short-lived, however; by the end of the 19th century the ophicleide had been largely superseded by early forms of the modern tuba. Etymology The instrument's name comes from the Greek words (''ophis'', ) and (''kleis'', ), since it was conceived of as a serpent with keys. History The ophicleide was invented in 1817 and patented in 1821 by French instrument maker Jean Hilaire Asté (operating as Halary) as a set of instruments to extend the keyed bugle into lower registers. The patent originally included the alto or ''quinticlave'' built in 6-foot F or E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophicleide
The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later derivatives, the bass horn and . Its popularity proved short-lived, however; by the end of the 19th century the ophicleide had been largely superseded by early forms of the modern tuba. Etymology The instrument's name comes from the Greek words (''ophis'', ) and (''kleis'', ), since it was conceived of as a serpent with keys. History The ophicleide was invented in 1817 and patented in 1821 by French instrument maker Jean Hilaire Asté (operating as Halary) as a set of instruments to extend the keyed bugle into lower registers. The patent originally included the alto or ''quinticlave'' built in 6-foot F or E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Beaux-Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Simon Catel
Charles-Simon Catel (10 June 1773 – 29 November 1830) was a French composer and educator born at L'Aigle, Orne. Biography Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by Ponce-Denis Écouchard-Lebrun. He was appointed inaugural professor of harmony at the Conservatoire de Paris, but was destitute in 1814. Amongst his students were the Prix de Rome winning composers Joseph Daussoigne-Méhul and Victor Dourlen, the Belgian composer Martin-Joseph Mengal, and the famous, if eccentric, harpist Nicolas-Charles Bochsa. Catel died in Paris. His works include a ''Treatise on Harmony'' (1802), which was used by the young Berlioz, several concert band works, several dramatic compositions at the Opéra Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Le Sueur
Jean-François Le Sueur (more commonly Lesueur; ) (15 February 17606 October 1837) was a French composer, best known for his oratorios and operas. Life He was born at Plessiel, a hamlet of Drucat near Abbeville, to a long-established family of Picardy, the great-nephew of the painter Eustache Le Sueur. Beginning as a chorister at the collegial church of Abbeville, then at the Amiens Cathedral, cathedral of Amiens, where he pursued his music studies, Le Sueur was named chorus master at the cathedral of Sées. He went to Paris to study harmony with the Abbé Nicolas Roze, chorus master at the Saints-Innocents. Le Sueur was named to positions at Dijon (1779), Le Mans (1782), then at Tours (1783) before he succeeded Roze at the Saints-Innocents at Paris. Finally in 1786, after a competition, he was made music director at Notre-Dame de Paris. For the Feast of the Assumption, he innovated by introducing an orchestra, with great success, and his sacred concerts at the main feasts of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique. Career Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton 2001."Henri-Montan Berton" in Sadie 1992, vol. 1, pp. 453–455. He is principally remembered as a composer of operas, most of which were first performed at the Opéra-Comique. Riding a wave of anti-clericalism which arose at the time of the French Revolution, his first real success was with ''Les rigueurs du cloître'' (23 August 1790), "in which a young nun is saved from entombment at the hands of a corrupt mother superior." The work has been described as the first rescue opera. Later more notable operas include ''Montano et Stéphanie'' (15 April 1799), ''Le délire'' (7 December 1799), and ''La Romance'' (26 January 1804). One of his greatest early successes was ''Aline, reine de Golconde'' (3 September 1803), which was performed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Sudre (1844–1912)
François Sudre (1844–1912) was the inventor of the sudrophone, a brass instrument resembling an ophicleide in shape, and patented in 1892. Born in Carcassonne, southern France, he was a director of Comte et Cie., which in 1873 or 1875Dudgeon, Ralph Thomas (2004''The Keyed Bugle'', p. 268. Scarecrow Press/ref> had acquired Halary, the instrument-maker founded by Jean Hilaire Asté Jean Hilaire Asté (1775–1840), also known as Halary or Halari, was a French professor of music and instrument-maker. Among the other instruments he patented, he is best known for inventing the ophicleide of which, it has been claimed, only five ... in 1804, and who had patented the ophicleide in 1821. References 19th-century French inventors 1844 births 1912 deaths People from Carcassonne {{France-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudrophone
The sudrophone is a brass instrument invented by the French instrument maker François Sudre (1844–1912). Its shape resembles that of an ophicleide. It was patented in 1892.Renard, Jean-Michel"SUDROPHONE". Old Musical Instruments. Retrieved 12 August 2013. A sudrophone has a conical bore and three or four Perinet valves. Its length is and the bell diameter is . The "valve" nearest the mouthpiece on the bell throat controls a silk membrane to create a nasal effect, which Sudre designed to make a sound like a cello or a bassoon. The instrument is very similar to the baritone horn and helicon. Acoustically these resembled the saxhorn The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a ...s, but the shape was different as the main tube was doubled back on itself, giving a vertical appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1775 Births
Events Summary The American Revolutionary War began this year, with the first military engagement being the April 19 Battles of Lexington and Concord on the day after Paul Revere's now-legendary ride. The Second Continental Congress takes various steps toward organizing an American government, appointing George Washington commander-in-chief (June 14), Benjamin Franklin postmaster general (July 26) and creating a Continental Navy (October 13) and a Marine force (November 10) as landing troops for it, but as yet the 13 colonies have not declared independence, and both the British (June 12) and American (July 15) governments make laws. On July 6, Congress issues the Declaration of the Causes and Necessity of Taking Up Arms and on August 23, King George III of Great Britain declares the American colonies in rebellion, announcing it to Parliament on November 10. On June 17, two months into the colonial siege of Boston, at the Battle of Bunker Hill, just north of Boston, Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
