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Ophicleides
The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later derivatives, the bass horn and . Its popularity proved short-lived, however; by the end of the 19th century the ophicleide had been largely superseded by early forms of the modern tuba. Etymology The instrument's name comes from the Greek words (''ophis'', ) and (''kleis'', ), since it was conceived of as a serpent with keys. History The ophicleide was invented in 1817 and patented in 1821 by French instrument maker Jean Hilaire Asté (operating as Halary) as a set of instruments to extend the keyed bugle into lower registers. The patent originally included the alto or ''quinticlave'' built in 6-foot F or E ...
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Ophicleides
The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later derivatives, the bass horn and . Its popularity proved short-lived, however; by the end of the 19th century the ophicleide had been largely superseded by early forms of the modern tuba. Etymology The instrument's name comes from the Greek words (''ophis'', ) and (''kleis'', ), since it was conceived of as a serpent with keys. History The ophicleide was invented in 1817 and patented in 1821 by French instrument maker Jean Hilaire Asté (operating as Halary) as a set of instruments to extend the keyed bugle into lower registers. The patent originally included the alto or ''quinticlave'' built in 6-foot F or E ...
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Jean Hilaire Asté
Jean Hilaire Asté (1775–1840), also known as Halary or Halari, was a French professor of music and instrument-maker. Among the other instruments he patented, he is best known for inventing the ophicleide of which, it has been claimed, only five originals remain. Born in Agen, he moved to Paris in 1796, where, in 1804, he founded the ''maison'' Halary or Halari workshop, which made brass and woodwind instruments for most of the 19th century. Although it was invented in 1817, his patent wasn't awarded until 1821. The report of the Académie des Beaux-Arts in 1817 stated: The commission went on to add that it considered Halary had rendered a real service to the art of music and the Academy therefore considered he deserves its mark of approval for his ''trompette à clef''. The commission comprised, among other members of the Académie, Luigi Cherubini, François-Joseph Gossec, Charles Simon Catel, Jean-François Le Sueur and Henri Montan Berton. The Athénée de arts later awar ...
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Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ...
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Overture To A Midsummer Night's Dream
At two separate times, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, only a few years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous " Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).'' Grove's Dictionary of Music and Musicians'', 5th ed., 1954 Contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ...
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Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ...
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Olimpie
''Olimpie'' (also spelled ''Olympie'') is an opera in three acts by Gaspare Spontini. The French libretto, by Armand-Michel Dieulafoy and Charles Brifaut, is based on the by Voltaire (1761). ''Olimpie'' was first performed on 22 December 1819 by the Paris Opéra at the Salle Montansier. When sung in Italian or German, it is usually given the title ''Olimpia''. Background The story takes place in the aftermath of the death Alexander the Great, who left a vast empire, stretching from Macedonia through Persia to the Indian Ocean. His surviving generals fought for control of the empire and divided it up. Two of the historical characters in Voltaire's play and Spontini's opera, Cassander and Antigonus, were among the rivals competing for parts of the empire. Antigonus was one of Alexander's generals, while Cassander was the son of another of Alexander's generals, Antipater. Alexander's widow, Statira was supposedly killed by Alexander's first wife Roxana shortly after his death ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employ ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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Brass
Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other within the same crystal structure. Brass is similar to bronze, another copper alloy, that uses tin instead of zinc. Both bronze and brass may include small proportions of a range of other elements including arsenic (As), lead (Pb), phosphorus (P), aluminium (Al), manganese (Mn), and silicon (Si). Historically, the distinction between the two alloys has been less consistent and clear, and modern practice in museums and archaeology increasingly avoids both terms for historical objects in favor of the more general "copper alloy". Brass has long been a popular material for decoration due to its bright, gold-like appearance; being used for drawer pulls and doorknobs. It has also been widely used to make utensils because of its low melting ...
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