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Jean De Nivelle (opera)
''Jean de Nivelle'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. It premiered on 6 March 1880 at the Opéra-Comique in Paris, with Jean-Alexandre Talazac, a French tenor, in the title role. The story is based on the historical figure Jean de Nivelle, a member of the House of Montmorency who refused to join with his father, Jean II de Montmorency, in supporting Louis XI in his war against Charles the Bold. Although originally described as an '' opéra comique'', in many respects it is close to the grand opera tradition typified by Meyerbeer. The opera proved popular in its day, with 100 performances in the year following its premiere. Between 1881 and 1882, it was also performed at La Monnaie in Brussels, Saint Petersburg, Copenhagen, Budapest, Vienna, and Stockholm. Then, it disappeared from the repertoire and was only revived in Paris in 1908, at the Théâtre Municipal de la Gaîté-Lyrique. In the 1908 revival the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes 01
Léo is a proper noun in French, meaning lion". Its etymological root lies in the Latin word Leo. Léo is used as a diminutive or variant of the names Léon, Léonard, Léonardon, Leonardo, Léonid, ''Léonor'', '' Léonore'', ''Eléonore'', Léopold and Léonie, and in recent times has been adopted as a fully-fledged given name on its own. The feminine variant is Léa. The following people have the name Léo: In music * Léo Arnaud (1904–1991), French-American film score composer * Léo Chauliac (1913–1977), French jazz pianist, composer and conductor * Léo Daniderff (1878–1943), French composer * Léo Delibes (1836–1891), French composer * Léo Ferré (1916–1993), French poet and singer-songwriter * Léo Marjane (1912–2016), French singer * Léo Missir (1925–2009), French composer * Léo Rispal (born 2000), French singer * Léo Souris (1911–1990), Belgian composer, arranger, planner and conductor * Léo Stronda (born 1992), Brazilian singer In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Gaîté (rue Papin)
In 1862 during Haussmann's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers."History: The Venue, 150 Years in the Core of Paris" at the La Gaîté-Lyrique website. Retrieved 11 August 2011. The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgundy
Burgundy (; french: link=no, Bourgogne ) is a historical territory and former administrative region and province of east-central France. The province was once home to the Dukes of Burgundy from the early 11th until the late 15th century. The capital of Dijon was one of the great European centres of art and science, a place of tremendous wealth and power, and Western Monasticism. In early Modern Europe, Burgundy was a focal point of courtly culture that set the fashion for European royal houses and their court. The Duchy of Burgundy was a key in the transformation of the Middle Ages toward early modern Europe. Upon the 9th-century partitions of the Kingdom of Burgundy, the lands and remnants partitioned to the Kingdom of France were reduced to a ducal rank by King Robert II of France in 1004. The House of Burgundy, a cadet branch of the House of Capet, ruled over a territory that roughly conformed to the borders and territories of the modern administrative region of Burgundy. U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Troy
Étienne Troy, (21 July 1844, Toulouse - 3 June 1909, Paris) was a French baritone opera singer who took numerous small roles in Paris for over 40 years and was later a stage manager at the Opéra-Comique.Etienne accessed 3 January 2020. Life and career The son of a hatter, Troy studied singing at the where in 1864 he won the first prize in the opéra-comique competition. In 1865 he joined the Théâtre-Lyrique in Paris, where he sang in the premieres of '' Roméo ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Grivot
Pierre-Antonin-François Grivot (1834 (or possibly 1836) in Paris – 1912) was a French singer and actor who enjoyed a long career in Paris, in both operetta and opéra comique. His wife was the actress and singer Laurence Grivot. Life and career He made his stage debut at the Théâtre Molière before entering the Théâtre Montmartre and Théâtre des Batignolles. At the Théâtre des Délassements-Comiques he appeared in 1862 in ''La reine Crinoline''.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. Appearing at the Théâtre du Vaudeville, he sang in ''La chercheuse d'esprit'' by Charles-Simon Favart where he met his future wife. After touring for two years, Grivot joined the Théâtre de la Gaîté in 1869, helping it through the crisis of the Paris Commune, and spent a season in Cairo with his wife. Returning to France they both were engaged by Offenbach for operettas : at the Théâtre de la Renaissance and again at the Gaîté, with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Émile-Alexandre Taskin
Émile-Alexandre Taskin, born in Paris on 18 March 1853, and died there on 5 October 1897, was a French operatic baritone mainly active at the Paris Opéra-Comique. He was a descendant of the harpsichord maker Pascal Taskin (1723–1793). After singing in church choirs as a child, Taskin studied at the Conservatoire de Paris under Bussine and Ponchard. Having made his debut in 1875 in ''L'enfance du Christ'' by Berlioz, his stage debut was in September 1875 in Amiens, as Roland in ''Les mousquetaires de la reine'' by Halévy. After other engagements in the provinces Taskin was taken on at the Théâtre Lyrique (Salle Ventadour) in 1878, creating Lampourde in ''Le Capitaine Fracasse'' on 2 July 1878. He made his debut at the Opéra-Comique as Malipieri in Auber's '' Haydée'' on 9 February the same year, joining the company soon after. He was on-stage singing Lothario in Thomas' ''Mignon'' the night of the fire at the Salle Favart on 25 May 1887, and later received a ''médai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Danbé
Jules Danbé (16 November 1840 – 30 October 1905) was a French violinist, composer and conductor, mainly of opera. Biography Danbé was born in Caen, Calvados. Trained as a violinist, he was a pupil of Narcisse Girard and Marie Gabriel Augustin Savard, in 1859 winning a first prize for violin. He gained much experience playing in the orchestras of the Vaudeville, Théâtre Lyrique and with the Concerts Pasdeloup, and in 1871 founded the Concerts Danbé at the Grand-Hôtel in Paris, as well mounting concerts at the Salle Herz in 1874 and the Salle Ventadour in 1875.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. Danbé was principal conductor at the Théâtre de la Gaîté-Lyrique in 1876, conducting ''Dimitri'', ''Les Erynnies'' and ''Paul et Virginie'' (whose premiere at the Opéra-Comique he also conducted). Appointed conductor at the Opéra-Comique on 2 June 1877, he took up his duties on 1 Septem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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