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Japanese Flower Arrangement
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Buddh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikebana In Kyoto State Guest House
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Buddh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitsu-gusoku
''Mitsu-gusoku'' (Japanese: 三具足) in Japanese Buddhism is a traditional arrangement of three articles, often displayed in front of a painting of the Buddha or important Buddhist figures. The articles normally consist of a censer, a candlestick, later in the shape of a red-crowned crane, and a vase for flower offerings. They are placed next to each other either on a tablet or a small table. This type of arrangement became popular during the Kamakura period and Nanbokucho period. The ''tatehana'' ("standing flowers") style of the ''mitsu-gusoku'' was the earliest form of flower arrangements in Japan, which was later formalised into the art of ''ikebana''. It is mentioned that starting in the mid-15th century, the priest Ikenobō Senkei of the Rokkaku-dō The , official name , is a Buddhist temple in Kyoto, Japan, said to have been established by Prince Shōtoku. The name comes from its main hall's hexagonal shape. This temple is part of the Saigoku Kannon Pilgrimage. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Pavilion
__NOTOC__ , officially named , is a Zen temple in the Sakyo ward of Kyoto, Japan. It is one of the constructions that represents the Higashiyama Culture of the Muromachi period. History Ashikaga Yoshimasa initiated plans for creating a retirement villa and gardens as early as 1460; After his death, Yoshimasa would arrange for this property to become a Zen temple. the villa and gardens became a Buddhist temple complex, renamed Jishō-ji after Yoshimasa's Buddhist name. After extensive restoration, started February 2008, Ginkaku-ji is again in full glory to visit. The garden and temple complex are open to the public. There is still no silver foil used. After much discussion, it was decided to not refinish the lacquer to the original state . The lacquer finish was the source of the original silver appearance of the temple, with the reflection of silver water of the pond on the lacquer finish. Garden In addition to the temple's famous building, the property features wooded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōami
was a Japanese painter and landscape artist. Sōami was the grandson and son of the painters and art connoisseurs Nōami and Geiami, respectively. He was in the service of the Ashikaga shogunate who is claimed to have designed the rock garden of the Ginkaku-ji. Unlike many of his contemporaries, Sōami's paintings were in the style of China's Southern School; some of his greatest pieces covered over twenty panels, and depicted Japanese landscapes using Chinese methods. His work was among the first '' nanga'' or Southern School work in Japan. Sōami is most known for hiLandscape of the Four Seasons (Eight Views of the Xiao and Xiang Rivers)(at Archive.org). See also * Ryōan-ji: Zen temple whose rock garden may have been designed by Soami * Seika: style of flower arrangement supported by Soami * Daisen-in The is a sub-temple of Daitoku-ji, a temple of the Rinzai school of Zen in Buddhism, one of the five most important Zen temples of Kyoto. The name means "The Academy o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashikaga Yoshimasa
Ashikaga (足利) may refer to: * Ashikaga clan (足利氏 ''Ashikaga-shi''), a Japanese samurai clan descended from the Minamoto clan; and that formed the basis of the eponymous shogunate ** Ashikaga shogunate (足利幕府 ''Ashikaga bakufu''), a Japanese shōgun dynasty *** Ashikaga era (足利時代 ''Ashikaga jidai''), a period of Japanese history related to the eponymous dynasty * Ashikaga clan (Fujiwara) (足利氏 ''Ashikaga-shi''), a Japanese samurai clan descended from the Fujiwara clan * Ashikaga, Tochigi (足利市 ''Ashikaga-shi''), a city in Japan ** Ashikaga Station (足利駅 ''Ashikaga eki''), a train station in the city of Ashikaga ** Ashikaga District, Tochigi (足利郡), a former district located in Tochigi ** Ashikaga Junior College (足利短期大学 ''Ashikaga tanki daigaku''), a school in the city of Ashikaga ** Ashikaga Institute of Technology (足利工業大学 ''Ashikaga kogyō daigaku''), a school in the city of Ashikaga ** Ashikaga murder case, a murde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōgun
, officially , was the title of the military dictators of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, though during part of the Kamakura period, shoguns were themselves figureheads, with real power in hands of the Shikken of the Hōjō clan. The office of shogun was in practice hereditary, though over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during Heian period in the eighth and ninth centuries. When Minamoto no Yoritomo gained political ascendency over Japan in 1185, the title was revived to regularize his position, making him the first shogun in the usually understood sense. The shogun's officials were collectively referred to as the ; they were the ones who carried out the actual duties of administration, while the Imperial court retained only nominal authority.Beasley, William G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakemono
__NOTOC__ A , more commonly referred to as a , is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage. The "Maruhyōsō" style of kakejiku has four distinct named sections. The top section is called the "ten" heaven. The bottom is the "chi" earth with the "hashira" pillars supporting the heaven and earth on the sides. The maruhyōsō style, also contains a section of "ichimonji" made from "kinran" gold thread. On observation, the Ten is longer than the Chi. This is because in the past, Kakemono were viewed from a kneeling (seiza) position and provided perspective to the "Honshi" main work. This tradition carries on to modern times. There is a cylindrical rod called ''jikugi'' (軸木) at the bottom, which becomes the axis or center of the rolled scroll. The end knobs on this rod are in themselves called ''jiku'', and are used as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoin-zukuri
is a style of Japanese residential architecture used in the mansions of the military, temple guest halls, and Zen abbot's quarters of the Muromachi (1336－1573), Azuchi–Momoyama (1568–1600) and Edo periods (1600–1868). It forms the basis of today's traditional-style Japanese house. Characteristics of the development were the incorporation of square posts and floors completely covered with ''tatami''.Kodansha Encyclopedia of Japan, entry for "shoin-zukuri". The style takes its name from the , a term that originally meant a study and a place for lectures on the sūtra within a temple, but which later came to mean just a drawing room or study. History The foundations for the design of today's traditional Japanese residential houses with tatami floors were established in the late Muromachi period (approximately 1338 to 1573) and refined during the ensuing Momoyama period. , a new architectural style influenced by Zen Buddhism, developed during that time from the of the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōjū-jinbutsu-giga
, commonly shortened to , is a famous set of four picture scrolls, or ''emakimono'', belonging to Kōzan-ji temple in Kyoto, Japan. The ''Chōjū-giga'' scrolls are also referred to as ''Scrolls of Frolicking Animals'' and ''Scrolls of Frolicking Animals and Humans'' in English. Some think that Toba Sōjō created the scrolls; however, it seems clear from the style that more than one artist is involved. The right-to-left reading direction of ''Chōjū-jinbutsu-giga '' is traditional in East Asia, and is still common in Japan. ''Chōjū-jinbutsu-giga '' is also credited as the oldest work of manga. The scrolls are now entrusted to the Kyoto National Museum and Tokyo National Museum. The scrolls are the earliest in a linear monochrome drawing style that was to continue in use in Japanese painting (as they are all done with the usual writing and painting brush, they count as painting).Paine and Soper, 139-140 As opened, the first scroll illustrates anthropomorphic rabbits an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
