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Janson
Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text. Janson is based on surviving matrices from Leipzig that were named for Anton Janson (1620–1687), a Leipzig-based printer and punch-cutter from the Netherlands who was believed to have created them. In 1954 Harry Carter and George Buday published an essay asserting that the designer of the Janson typeface was in fact a Hungarian-Transylvanian schoolmaster and punchcutter, Miklós (Nicholas) Tótfalusi Kis (1650–1702). Historical background Miklós Kis, a Transylvanian Protestant pastor and schoolmaster, became deeply interested in printing after being sent to Amsterdam to help print a Hungarian Protestant translation of the Bible. This was a period of considerable prosperity for the Netherlands and a time when its styles of printing were very infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stempel Type Foundry
D. Stempel AG was a German typographic foundry founded by David Stempel (1869–1927), in Frankfurt am Main, Germany. Many important font designers worked for the Stempel foundry, including Hans Bohn, Warren Chappell, F. H. Ehmcke, Friedrich Heinrichsen, Hanns Th. Hoyer, F. W. Kleukens, Erich Meyer, Hans Möhring, Hiero Rhode, Wilhelm Schwerdtner, Herbert Thannhaeuser, Martin Wilke, Rudolf Wolf, Victor Hammer, Hermann Zapf, and Gudrun Zapf von Hesse. With the introduction of ''Memphis'' in 1929, the foundry was the first to cast modern slab serif typefaces. From 1900 to 1983, Stempel had an exclusive relationship with Mergenthaler Linotype Company, as one of just a few producers of matrices for the Linotype machine worldwide and the only one in Europe. Starting in 1925, Stempel types were distributed in the United States by Continental Type Founders Association. Linotype AG became the majority stockholder in 1941. In 1977, Stempel began manufacturing Phototypes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Janson
Anton Janson (January 17, 1620 in Wanden/Wauden? in Friesland – November 18, 1687 in Leipzig) was a Dutch type founder and printer. The typeface Janson Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text. Janson is based ... is named after him, although it can also be attributed to Hungarian punch-cutter and printer ''Miklós (Nicholas) Kis'' (1650–1702). References *Carter, Rob, Day, Ben, Meggs, Philip. ''Typographic Design: Form and Communication, Second Edition.'' Van Nostrand Reinhold, Inc: 1993 . *Meggs, Philip B. and McKelvey, Roy. ''Revival of the Fittest: Digital Versions of Classic Typefaces.'' RC Publications: 2000. . * Molnár, József. ''Misztótfalusi Kis Miklós''. Európai Protestáns Szabadegyetem: 2000. . 1620 births 1687 deaths Dutch typographers and type designers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Taste
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neaten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punchcutting
Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting. The cutting of letter punches was a highly skilled craft requiring much patience and practice. Often the designer of the type would not be personally involved in the cutting. The initial design for type would be two-dimensional, but a punch has depth, and the three-dimensional shape of the punch, as well as factors such as the angle and depth to which it was driven into the matrix, would affect the appearance of the type on the page. The angle of the side of the punch was particularly significant. Process The punchcutter begins by transferring the outline of a letter design to one end of a steel bar. The outer shape of the punch could b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miklós Tótfalusi Kis
Miklós Tótfalusi Kis ( hu, Misztótfalusi Kis Miklós) (1650 - March 20, 1702) was a Hungarian letter cutter, typeface designer, typographer and printer. Kis was one of the first printers and letter cutters of the Georgian type letters. He made fonts on the request of the Georgian king Archil of Imereti Archil ( ka, არჩილი) (1647 – April 16, 1713), of Bagrationi dynasty, king of Imereti in western Georgia (1661–1663, 1678–1679, 1690–1691, 1695–1696, and 1698) and of Kakheti in eastern Georgia (1664–75). After a series of .... References *Perrousseaux, Yves (2006) Histoire de l’écriture typographique, de Gutenberg au xviie siècle, Atelier Perrousseaux * Sharadze, Guram (1982) Miklos Kis Totfalusi and the Georgian printing, Tbilisi *Dán, Róbert (1980) Tótfalusi Kis Miklós grúz betűi, Magyar Könyvszemle 1650 births 1702 deaths Hungarian publishers (people) Hungarian typographers and type designers Artists from Cluj-Napoca {{Typ- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Berkeley Updike
Daniel Berkeley Updike (February 14, 1860 – December 29, 1941) was an American printer and historian of typography. In 1880 he joined the publishers Houghton, Mifflin & Company, of Boston as an errand boy. He worked for the firm's Riverside Press and trained as a printer but soon moved to typographic design. In 1896 he founded the Merrymount Press. Beginnings Daniel Berkeley Updike was born in Providence, Rhode Island, on February 24, 1860, the only child of Caesar Augustus Updike (1824-1877) and Elizabeth Bigelow Adams (1830-1895); he left school when his father died on October 9, 1877. Updike first assisted at a local library after the librarian had taken ill. In the spring of 1880 he relocated to Boston and began work in the publishing office of Houghton, Mifflin and Company, at the lowest level. Updike's parents were both of English and Dutch-German descent. His mother, who held more traditional views of life, strongly influenced the young Updike. His father's family, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute Of English Studies
The Institute of English Studies (abbreviated as IES) is a centre of excellence in the research, promotion and facilitation in the field English Literature and Language. With a specialisation in book history, palaeography and textual scholarship, the IES facilitates the advanced study and research of English Studies in the national and international academic community. The Institute, located in Senate House, London, is one of the nine institutes that together comprise the School of Advanced Study, University of London. History The Institute was founded as the Centre for English Studies in 1991. Institute status was conferred by the University Council on 2 December 1998, and it officially became known as the Institute of English Studies on New Year's Day, 1999. The Institute faced closure in 2014, but a successful campaign in 2014 resulted in the reversal of this decision. Networks The Institute is partner in a number of important research networks and collaborations. In 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Language
Greek ( el, label=Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of lasting impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved throughout history as the main liturgical language of Judaism (since the Second Temple period) and Samaritanism. Hebrew is the only Canaanite language still spoken today, and serves as the only truly successful example of a dead language that has been revived. It is also one of only two Northwest Semitic languages still in use, with the other being Aramaic. The earliest examples of written Paleo-Hebrew date back to the 10th century BCE. Nearly all of the Hebrew Bible is written in Biblical Hebrew, with much of its present form in the dialect that scholars believe flourished around the 6th century BCE, during the time of the Babylonian captivity. For this reason, Hebrew has been referred to by Jews as '' Lashon Hakodesh'' (, ) since an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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