|
Jane Says
"Jane Says" is a song by American rock band Jane's Addiction. It was released as a promotional single in 1988, becoming the band's first chart entry on the Alternative Songs chart, peaking at #6. It was first released in semi-live format on the group's 1987 debut album, ''Jane's Addiction''. It was re-recorded in the studio for the follow-up album, ''Nothing's Shocking''. The ''Nothing's Shocking'' version is the most widely known version of the song, featuring steel drums that are not present on the cut from the self-titled album. A true live version appears on the band's 1997 new/live/out-take compilation ''Kettle Whistle''. It is one of Jane's Addiction's most famous songs and frequently ends their concerts. Jane Bainter The title refers to lead singer Perry Farrell's ex-housemate, Jane Bainter, who was the muse, inspiration, and the namesake of the band. In a 2001 interview with the ''Los Angeles Times'', Bainter confirmed and clarified many things about the song; she was d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promotional Single
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and music television, television stations, and to tastemakers, such as DJs, music journalism, music journalists, and music criticism, critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music and blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Band
A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists (a lead guitarist and a rhythm guitarist, with one of them singing lead vocals), a bassist, and a drummer (e.g. the Beatles and KISS). Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer (e.g. the Who, the Monkees, Led Zeppelin, Queen, and U2). Instrumentally, these bands can be considered as trios. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist (especially a pianist) plays. Etymology The usage of band as "group of musicians" originated from 1659 to describe musicians attached to a regiment of the army and playing instruments which may be used while marching. This word also used in 1931 to describe "one man band" for peopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Downloadable Songs For The Rock Band Series
The ''Rock Band'' series of music video games supports downloadable songs for the Xbox 360, Xbox One, PlayStation 3, PlayStation 4 and Wii versions through the consoles' respective online services. Harmonix typically provides three to six new tracks per week available to all consoles as listed below. From March 2010 until September 2014, authoring groups could submit their own tracks for peer review through the Rock Band Network. Players can download songs on a track-by-track basis, with many of the tracks also offered as part of a "song pack" or complete album, usually at a discounted rate. Tracks released for '' Rock Band 2'' on the Wii platform are only available as singles while ''Rock Band 3'' offers multi-song packs as well as singles. Since on-disc songs are not available for download, some albums are incomplete. For example, the album ''Blood Sugar Sex Magik'' is available for download; it contains the song "Give it Away" on ''Rock Band 2'' and ''Blitz'', so the downlo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Rock (chart)
Mainstream Rock is a music chart in ''Billboard (magazine), Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. History The Rock Albums & Top Tracks charts were introduced in the March 21, 1981, issue of ''Billboard''.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50- and 60-position charts ranked airplay on album rock radio stations in the United States. Because album-oriented rock stations focused on playing tracks from albums rather than specifically released singles, these charts were designed to measure the airplay of any and all tracks from an album. Rock Albums was a survey of the top albums o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Active Rock
Active rock is a radio format used by many commercial radio stations across the United States and Canada. Active rock stations play a balance of new hard rock songs with valued classic rock favorites, normally with an emphasis on the harder edge of mainstream rock and album-oriented rock. Format background There is no concrete definition of the active rock format. Sean Ross, editor of '' Airplay Monitor'', described active rock in the late 1990s as album-oriented rock (AOR) "with a greater emphasis on the harder end of the spectrum".Toby Eddings, "Active rock finds an Asylum at 93.5", ''The Sun News'', February 7, 1999 ''Radio & Records'' defined the format as based on current rock hits in frequent rotation and targeted to males ages 18–34, akin to the approach of contemporary hit radio (CHR) stations. An active rock station may include songs by classic hard rock artists whereas a modern rock or alternative station would not; such acts include AC/DC, Def Leppard, Guns N' Roses, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Airplay
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AABA Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse–chorus Form
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna", "The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days. It became commonly used in blues and rock and roll in the 1950s, and predominant in rock music since the 1960s. In contrast to 32-bar form, which is focused on the refrain (contrasted and prepared by the B section), in verse–chorus form the chorus is highlighted (prepared and contrasted with the verse). The chorus often sharply contrasts the verse melodically, rhythmically, and harmonically, and assumes a higher level of dynamics and activity, often with added instrumentation. This is referred to as a "breakout chorus". See: arrangement. Contrasting verse–chorus form Songs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include: * "That'll Be the Day" by Buddy Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Vocals
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself. Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
